Book contents
- Percy Shelley in Context
- Percy Shelley in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgements
- Abbreviations
- Part I Life and Death
- Part II Intellectual, Cultural, and Political Contexts
- Chapter 7 Ancient Philosophy
- Chapter 8 Ancient Poetry
- Chapter 9 English Literature to 1792
- Chapter 10 European Literature, Dante to Rousseau
- Chapter 11 The Visual and Plastic Arts
- Chapter 12 The Radical Press
- Chapter 13 Shelley and the Lake Poets
- Chapter 14 Mary Shelley
- Chapter 15 Thomas Love Peacock
- Chapter 16 Byron and Shelley
- Chapter 17 Keats and Shelley
- Chapter 18 Revolution and Reform
- Chapter 19 Political Economy
- Chapter 20 Empire
- Chapter 21 Shelley’s Sexless Sexuality
- Chapter 22 The British Empiricists
- Chapter 23 The Sciences
- Chapter 24 Religion
- Part III Writings
- Part IV Afterlives
- Further Reading
- Index
Chapter 15 - Thomas Love Peacock
from Part II - Intellectual, Cultural, and Political Contexts
Published online by Cambridge University Press: 17 April 2025
- Percy Shelley in Context
- Percy Shelley in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgements
- Abbreviations
- Part I Life and Death
- Part II Intellectual, Cultural, and Political Contexts
- Chapter 7 Ancient Philosophy
- Chapter 8 Ancient Poetry
- Chapter 9 English Literature to 1792
- Chapter 10 European Literature, Dante to Rousseau
- Chapter 11 The Visual and Plastic Arts
- Chapter 12 The Radical Press
- Chapter 13 Shelley and the Lake Poets
- Chapter 14 Mary Shelley
- Chapter 15 Thomas Love Peacock
- Chapter 16 Byron and Shelley
- Chapter 17 Keats and Shelley
- Chapter 18 Revolution and Reform
- Chapter 19 Political Economy
- Chapter 20 Empire
- Chapter 21 Shelley’s Sexless Sexuality
- Chapter 22 The British Empiricists
- Chapter 23 The Sciences
- Chapter 24 Religion
- Part III Writings
- Part IV Afterlives
- Further Reading
- Index
Summary
This chapter discusses the relationship between Shelley and one of his closest friends: Thomas Love Peacock. It sketches the origins and development of that friendship and suggests some reasons for its significance. Particular attention is paid to the very different casts of mind of the two men, something that is especially evident in Peacock’s criticism of what he regarded as Shelley’s culpable neglect of reality, in both his life and his art. Such criticism has its most enduring literary manifestation in Peacock’s caricature of Shelley as Scythrop Glowry in Nightmare Abbey – a novel by which Shelley, to his credit, was delighted. The chapter concludes with an account of Peacock’s peculiarly reticent Memoirs of Percy Bysshe Shelley, in which he sought to defend the biographical dignity of the poet against a malicious and frequently error-prone ‘tribunal of public opinion’.
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- Percy Shelley in Context , pp. 114 - 120Publisher: Cambridge University PressPrint publication year: 2025