Book contents
- Opera and Modern Spectatorship in Late Nineteenth-Century Italy
- Series page
- Opera and Modern Spectatorship in Late Nineteenth-Century Italy
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Preface and acknowledgments
- 1 Staging manuals and the public
- 2 The “fleeting moment”
- 3 Milan 1881
- 4 Acting inOtello
- 5 The real of opera
- 6 Faust again
- Postlude
- Select bibliography
- Index
6 - Faust again
The silent filmRapsodia satanicaand Mascagni’s score
Published online by Cambridge University Press: 05 January 2015
- Opera and Modern Spectatorship in Late Nineteenth-Century Italy
- Series page
- Opera and Modern Spectatorship in Late Nineteenth-Century Italy
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Preface and acknowledgments
- 1 Staging manuals and the public
- 2 The “fleeting moment”
- 3 Milan 1881
- 4 Acting inOtello
- 5 The real of opera
- 6 Faust again
- Postlude
- Select bibliography
- Index
Summary
- Type
- Chapter
- Information
- Opera and Modern Spectatorship in Late Nineteenth-Century Italy , pp. 172 - 190Publisher: Cambridge University PressPrint publication year: 2015