‘Transport’ was an increasingly complex word in the nineteenth century, linking developments in transport technology to an older sense of being carried away by powerful emotions. This chapter shows how inventively Victorian narrative styles responded to new and established forms of transport, including stagecoach, train and boat, and how much was at stake in those imaginative engagements. Style was a way of responding not only to the rhythms and mechanics of travel but to its many associations, questions about progress and control, challenges to genre and to selfhood, even a rekindling of primal impulses.