In his review of Our Mutual Friend (1864–5), Henry James claimed the novel showed signs of its author’s ‘exhaustion’. In this chapter, Garrett Stewart shows, by way of contrast and rebuttal, the exhaustive catalogue of stylistic effects that Dickens energetically employs in his last complete novel. The chapter individuates distinct features of style from Dickens’s long-standing repertoire – including the dextrous use of adjectives and negatives, ingenuity of syntax and inversion, sound and word play, renovation of idiom and cliché – to show Dickens flaunting and holding up to inspection his own characteristic verbal and phrasal habits.