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Music in Context

Published online by Cambridge University Press:  05 December 2017

Roderick Chadwick  and
Peter Hill
Roderick Chadwick
Affiliation:
Royal Academy of Music, London
Peter Hill
Affiliation:
University of Sheffield
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Olivier Messiaen's Catalogue d'oiseaux
From Conception to Performance
 , pp. ii
Publisher: Cambridge University Press
Print publication year: 2017

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References

Books in the series

Keefe, Simon P., Mozart’s Requiem: Reception, Work, CompletionGoogle Scholar
Harper-Scott, J. P. E., The Quilting Points of Musical Modernism: Revolution, Reaction, and William WaltonGoogle Scholar
November, Nancy, Beethoven’s Theatrical Quartets: Opp. 59, 74, and 95Google Scholar
Hallmark, Rufus, ‘Frauenliebe und Leben’: Chamisso’s Poems and Schumann’s SongsGoogle Scholar
Zayaruznaya, Anna, The Monstrous New Art: Divided Forms in the Late Medieval MotetGoogle Scholar
, Helen Deeming and Leach, Elizabeth Eva, Manuscripts and Medieval Song: Inscription, Performance, ContextGoogle Scholar
Kilpatrick, Emily, The Operas of Maurice RavelGoogle Scholar

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