Book contents
- Frontmatter
- Contents
- List of Contributors
- Preface
- Acknowledgments
- 1 How to Discourage Creative Thinking in the Classroom
- 2 Teaching for Creativity in an Era of Content Standards and Accountability
- 3 Developing Creative Productivity in Young People through the Pursuit of Ideal Acts of Learning
- 4 Creativity: A Look Outside the Box in Classrooms
- 5 Using Constraints to Develop Creativity in the Classroom
- 6 Infusing Creative and Critical Thinking into the Curriculum Together
- 7 The Five Core Attitudes, Seven I's, and General Concepts of the Creative Process
- 8 Learning for Creativity
- 9 Broadening Conceptions of Creativity in the Classroom
- 10 Everyday Creativity in the Classroom: A Trip through Time with Seven Suggestions
- 11 Education Based on a Parsimonious Theory of Creativity
- 12 Roads Not Taken, New Roads to Take: Looking for Creativity in the Classroom
- 13 Creativity in Mathematics Teaching: A Chinese Perspective
- 14 Possibility Thinking and Wise Creativity: Educational Futures in England?
- 15 When Intensity Goes to School: Overexcitabilities, Creativity, and the Gifted Child
- 16 Intrinsic Motivation and Creativity in the Classroom: Have We Come Full Circle?
- 17 Attitude Change as the Precursor to Creativity Enhancement
- 18 Creativity in College Classrooms
- 19 Teaching for Creativity
- Creativity in the Classroom Coda: Twenty Key Points and Other Insights
- Index
- References
15 - When Intensity Goes to School: Overexcitabilities, Creativity, and the Gifted Child
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- List of Contributors
- Preface
- Acknowledgments
- 1 How to Discourage Creative Thinking in the Classroom
- 2 Teaching for Creativity in an Era of Content Standards and Accountability
- 3 Developing Creative Productivity in Young People through the Pursuit of Ideal Acts of Learning
- 4 Creativity: A Look Outside the Box in Classrooms
- 5 Using Constraints to Develop Creativity in the Classroom
- 6 Infusing Creative and Critical Thinking into the Curriculum Together
- 7 The Five Core Attitudes, Seven I's, and General Concepts of the Creative Process
- 8 Learning for Creativity
- 9 Broadening Conceptions of Creativity in the Classroom
- 10 Everyday Creativity in the Classroom: A Trip through Time with Seven Suggestions
- 11 Education Based on a Parsimonious Theory of Creativity
- 12 Roads Not Taken, New Roads to Take: Looking for Creativity in the Classroom
- 13 Creativity in Mathematics Teaching: A Chinese Perspective
- 14 Possibility Thinking and Wise Creativity: Educational Futures in England?
- 15 When Intensity Goes to School: Overexcitabilities, Creativity, and the Gifted Child
- 16 Intrinsic Motivation and Creativity in the Classroom: Have We Come Full Circle?
- 17 Attitude Change as the Precursor to Creativity Enhancement
- 18 Creativity in College Classrooms
- 19 Teaching for Creativity
- Creativity in the Classroom Coda: Twenty Key Points and Other Insights
- Index
- References
Summary
A teacher called the child's mother to show her a large sheet with a drawing of large squares on it. The mother was puzzled, so the teacher explained: “Like all other children, your daughter was asked to draw chickens in the barnyard. She drew the wire mesh. This is very disturbing.” A creative child will see things in a new way – instead of following the rules, a creative child will change them, will shift perspective. This child took the chicken's perspective. She grew up to be a world famous pianist. From an early age, she asserted with great intensity her way of approaching things and has the following remembrance (Grimaud, 2006, pp. 1–2):
“She is never satisfied!”
As a small child, I heard these words a thousand times.…Long before I understood what these words meant, I made them into a family, much like my stuffed animals. Their family name was “Un.” They were the “Uns,” and each of them had the same ability to put a surprised or worried look on my mother's face.…I created a family tree for them. The great-grandfather of the words was Uncontrollable.
After Uncontrollable, there came quite often Unsatisfied. Then Unmanageable. Or Impossible, Undisciplined. Insatiable. Insubordinate…Unadaptable. Unpredictable.
Hélène Grimaud's memoir of her growing-up years, Wild Harmonies: A Life of Music and Wolves, offers profound insight into the rocky path of a highly gifted, creative, and passionate person growing up in a world that does not always understand or appreciate such energy, intensity, and passion.
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- Nurturing Creativity in the Classroom , pp. 313 - 328Publisher: Cambridge University PressPrint publication year: 2010
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