Published online by Cambridge University Press: 05 June 2012
A river runs through a village somewhere. And for many years, it is just a river, feeding the rice paddies, carrying away waste, silt, pebbles, and the occasional dog or cat. But one day, without even consciously trying, someone realizes that it is a road, a way out. And later that someone wonders why he or she didn't see it before – that the river is a road and that the road can be a river – even though it had been there all along.
And so we are beginning to realize with creativity that it has always been in the classroom but hidden in plain sight. It is not that creative behavior, creative thinking, and creative learning never existed before in classrooms. A colleague recalls once proposing an unconventional subject of study for a senior project in high school. While his classmates took up the ubiquitous topics of various sports, medicine, feminism, and other well-recycled subjects, he decided to review the history and legitimacy of parapsychology. His topic was firmly rejected. However, being a persistent fellow, he undertook it anyway, approached it seriously, and presented an interesting and worthy paper in the end that earned a high mark. But why was his innovation and unconventional thinking not recognized initially as a form of creativity?
In this chapter, we examine the evolving and exploratory relationship between teachers and creativity in the classroom.
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