This chapter argues that what Gerard Manley Hopkins termed the “rural scene” provided a focal point in the 1870s for profound changes in the Victorian understanding, valuation, and transformation of the natural world. British writing at this time demonstrates a shift from viewing the rural scene as picturesque landscape, as evidenced in provincial novels such as George Eliot’s Middlemarch, to conceiving of it as an environment encompassing human and nonhuman nature, notably in Richard Jefferies’ nature writings and Thomas Hardy’s first Wessex novels. Grasping the full scope of Victorian responses to the rural scene in the 1870s also requires looking to the expanding pastoral industries of the settler empire. Writing in and about the settler colonies of Australia and New Zealand, by Lady Barker, Rolf Boldrewood, and Anthony Trollope, highlights how a perceived absence of rural aesthetic values helped render colonial nature available for transformation and subsequent economic exploitation.