This chapter bridges environmental humanities and Black humanities by examining a figure largely, if curiously, excluded from the “ecocritical” canon: Charles Chesnutt, the first African American writer of commercially successful fiction. Reading literary environmentalism beyond the lenses of Romanticism or transcendentalism, Forbes finds in Chesnutt’s late nineteenth-century conjure tales a richly imagined Black environmental heritage that connected race and nature. Chesnutt’s short fiction featuring metamorphoses of humans into plants and animals represents a key node in an alternate, and nonlinear, Black environmentalist timeline. In contrast to environmentalisms that pit nature’s interests against humans’, the insights we see at flashpoints across this tradition, and crucially in Chesnutt’s conjure tales, belie narratives of human/nature separation that underpin most “white” environmentalisms. Moreover, his marshaling of racialized nonhuman agencies also helps us address persistent difficulties associated with new materialist theorizing. Fusing human/plant/animal agencies to frameworks of care and nurturance, characters in Chesnutt’s conjure tales weaponize “waste” against enslavement’s inhuman valuation systems.