Quayson’s chapter compares the Dublin of Joyce’s Ulysses in 1904 with the real-life multilingual city of Accra, Ghana. In these twentieth- and twenty-first-century contexts, Quayson finds different forms of epic dreaming and material work. From among these celebrations of the kinetic aspects of urban life, he focuses on advertising billboards and personal slogans and pronouncements, arguing that these slogans and Joyce’s interior linguistic landscape in Ulysses exemplify what Deleuze and Guattari have described as the deterritorialization of language. Quayson draws on these theorists to offer a new way of understanding a central problem of language in Joyce’s writing – the self-interlocution and the relations between external stimuli and internal activities of the mind – and the nature of the Accra streetscape, in which vehicle slogans and inscriptions turn oral discourse into a written text, transforming stigmatized terms of African indigenous languages into co-creative dimensions of English discourse.