Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-19T05:43:06.990Z Has data issue: false hasContentIssue false

Craft

Published online by Cambridge University Press:  21 October 2021

Get access

Summary

House of Fame

Troilus and Criseyde

Anelida and Arcite

Treatise on the Astrolabe

General Prologue

Man of Law's Prologue and Tale

Canon's Yeoman's Tale

Parliament of Fowls

The lyf so short, the craft so long to lerne […]

(Chaucer, The Parliament of Fowls)

GEOFFREY CHAUCER OPENSbook 3 of the House of Fame by reminding us that he is a creative writer—and a grouchy, somewhat insecure one at that. Having visited the temple of glass and endured capture by the eagle, the writer–narrator finds himself standing at the foot of a great hill (actually a mass of ice, as he will soon discover) on which the House of Fame is built. Before describing and interpreting what he sees, the eponymous Geffrey issues an invocation that proposes an indissoluble link between the quality of his versification and the wonders he is about to describe:

O God of science and of lyght,

Appollo, thurgh thy grete myght,

This lytel laste bok thou gye!

Nat that I wilne, for maistrye,

Here art poetical be shewed,

But for the rym ys lyght and lewed,

Yit make hyt sumwhat agreable,

Though som vers fayle in a sillable;

And that I do no diligence

To shewe craft, but o sentence.

And yif, devyne vertu, thow

Wilt helpe me to shewe now

That in myn hed ymarked ys—

Loo, that is for to menen this,

The Hous of Fame for to descryve—

Thou shalt se me go as blyve

Unto the nexte laure y see,

And kysse yt, for hyt is thy tree.

Now entre in my brest anoon!

(House of Fame, 1091–109)

One of the most revealing moments in this self-consciously writerly passage is the couplet smack in the middle of the invocation: “And that I do no diligence /To shewe craft, but o sentence.” I won't make an effort to show my craft in what follows, that is, but only the sentence or meaning. While referring explicitly to the practice of Chaucer's own literary making, the couplet also conveys a certain degree of self-consciousness on the writer's part about putting his poetical tricks on display.

Type
Chapter
Information
Publisher: Amsterdam University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×