Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-19T06:51:30.931Z Has data issue: false hasContentIssue false

8 - Neurocomputational Poetics II: Lower Route Studies

Published online by Cambridge University Press:  01 March 2024

Arthur M. Jacobs
Affiliation:
Freie Universität Berlin
Get access

Summary

In this section, my focus is on studies that informed us about the workings of the lower route of the NCPM and the second boon of reading: affective-aesthetic processes. For the sake of clarity and simplicity, I divided the section into studies dealing mainly with effects of sound and those investigating effects of semantics, knowing all too well that sound and meaning are not as independent as has been assumed. The first study serves as an introduction on the role of syllables, shedding light on the internal structure of syllables. The remaining ‘sound’ studies then directly speak to affective-aesthetic processes. The first three semantic studies concern the affective-aesthetic processing of single words, followed by two studies looking at cognitive-affective effects in meaning making for multiword expressions (literal and metaphoric compounds and idioms). The last study examines affective-aesthetic effects in proverbs and anti-proverbs.

The Sound Studies

Music and language can be seen as forms of sound that are meaningful within a society and can express a certain degree of intentionality, that is, they can represent or stand for things or states of affairs. As a hobby musician and great fan of both the music and lyrics of jazz standards like ‘As Time Goes By’ or ‘Autumn Leaves’ – whose original text was written by one of my favourite French poets, Jaques Prévert – I was always interested in how the two play together to create stronger emotions than each on its own. In both media, the sound material is split up into two sections, pitch and rhythm, its continuum being divided into notes on the one side and syllables on the other. Music combines its tones to chords to arrange them into a syntagma of time units such as rhythm, tempo and beat. Similarly, language combines syllables into words to arrange them into a syntax with its own time units: stress or accents, lengths, shortenings and breaks. So, if the syllables are so important, where do they come from? The next paragraph gives us a tentative answer to that question.

Phonemic Jargon Aphasia or Why Mr. Tan Had a Secret Preferred Syllable

Imagine you wake up in the morning, see your wife and want to say some nice words to her. But then, only the monosyllable ‘tan’ comes out of your mouth.

Type
Chapter
Information
Neurocomputational Poetics
How the Brain Processes Verbal Art
, pp. 191 - 232
Publisher: Anthem Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×