Book contents
- Frontmatter
- PREFACE
- Contents
- NAUTICAL
- WAR AND HUNTING
- ARCHITECTURE
- TOOLS
- OPTICS
- USEFUL ARTS
- CHAPTER I PRIMITIVE MAN AND HIS NEEDS.—EARTHENWARE.—BALL-AND-SOCKET JOINT.—TOGGLE OR KNEE JOINT
- CHAPTER II CRUSHING INSTRUMENTS.—THE NUT-CRACKERS, ROLLING-MILL, AND GRINDSTONE.—PRESSURE OF ATMOSPHERE.—SEED DIBBLES AND DRILLS
- CHAPTER III CLOTH-DRESSING.—BRUSHES AND COMBS.—BUTTONS, HOOKS AND EYES, AND CLASP
- CHAPTER IV THE STOPPER, OR CORK.—THE FILTER
- CHAPTER V THE PRINCIPLE OF THE SPRING.—THE ELASTIC SPRING.—ACCUMULATORS.—THE SPIRAL SPRING
- CHAPTER VI SPIRAL AND RINGED TISSUES.—VARIOUS SPRINGS IN NATURE AND ART
- CHAPTER VII FOOD AND COMFORT
- CHAPTER VIII DOMESTIC COMFORT
- CHAPTER IX ARTIFICIAL WARMTH.—RING AND STAPLE.—THE FAN
- CHAPTER X WATER, AND MEANS OF PROCURING IT
- CHAPTER XI AËROSTATICS.—WEIGHT OF AIR.—EXPANSION BY HEAT
- CHAPTER XII
- CHAPTER XIII TELESCOPIC TUBES.—DIRECT ACTION.—DISTRIBUTION OF WEIGHT.—TREE-CLIMBING.—THE WHEEL
- CHAPTER XIV
- CHAPTER XV
- CHAPTER XVI TILLAGE.—DRAINAGE.—SPIRAL PRINCIPLE.—CENTRI-FUGAL FORCE
- CHAPTER XVII OSCILLATION.—UNITED STRENGTH.—THE DOME
- ACOUSTICS
- INDEX
- Frontmatter
- PREFACE
- Contents
- NAUTICAL
- WAR AND HUNTING
- ARCHITECTURE
- TOOLS
- OPTICS
- USEFUL ARTS
- CHAPTER I PRIMITIVE MAN AND HIS NEEDS.—EARTHENWARE.—BALL-AND-SOCKET JOINT.—TOGGLE OR KNEE JOINT
- CHAPTER II CRUSHING INSTRUMENTS.—THE NUT-CRACKERS, ROLLING-MILL, AND GRINDSTONE.—PRESSURE OF ATMOSPHERE.—SEED DIBBLES AND DRILLS
- CHAPTER III CLOTH-DRESSING.—BRUSHES AND COMBS.—BUTTONS, HOOKS AND EYES, AND CLASP
- CHAPTER IV THE STOPPER, OR CORK.—THE FILTER
- CHAPTER V THE PRINCIPLE OF THE SPRING.—THE ELASTIC SPRING.—ACCUMULATORS.—THE SPIRAL SPRING
- CHAPTER VI SPIRAL AND RINGED TISSUES.—VARIOUS SPRINGS IN NATURE AND ART
- CHAPTER VII FOOD AND COMFORT
- CHAPTER VIII DOMESTIC COMFORT
- CHAPTER IX ARTIFICIAL WARMTH.—RING AND STAPLE.—THE FAN
- CHAPTER X WATER, AND MEANS OF PROCURING IT
- CHAPTER XI AËROSTATICS.—WEIGHT OF AIR.—EXPANSION BY HEAT
- CHAPTER XII
- CHAPTER XIII TELESCOPIC TUBES.—DIRECT ACTION.—DISTRIBUTION OF WEIGHT.—TREE-CLIMBING.—THE WHEEL
- CHAPTER XIV
- CHAPTER XV
- CHAPTER XVI TILLAGE.—DRAINAGE.—SPIRAL PRINCIPLE.—CENTRI-FUGAL FORCE
- CHAPTER XVII OSCILLATION.—UNITED STRENGTH.—THE DOME
- ACOUSTICS
- INDEX
Summary
ART
WE will now touch lightly on the subject of Art.
In the present day one of the most indispensable accessories to art is Paper.
It is a curious fact that we have no records as to the time when paper was first invented. The Egyptian papyrus we do not consider, as it was not paper in our sense of the word, although we have retained the name.
Paper is a vegetable fibre carefully disintegrated, made into a pulp with water, and then dried in thin sheets. As is the case with many arts, China seems to have taken the lead in paper manufacture, and we are even now indebted to that country for the “India Paper” on which the finest proofs of engravings are taken. This paper is made from the inner bark of the bamboo. “Rice Paper,” so called, is not paper at all, but only a kind of pith cut spirally, and flattened by pressure.
There is scarcely any vegetable fibre of which paper cannot be made, and various plants have been suggested for this purpose, such as the stinging-nettle, cabbage-stalks, hop-bines, the waste of sugar-cane, sawdust, &c. Straw has already been successfully used, and so has Esparto grass.
Some years ago, when there was a scarcity of material for paper-making, the well-known Grass-wrack of our shores (Zostera marina) was brought into partial use. I believe, however, that the experiment was not a successful one.
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- Nature's TeachingsHuman Invention Anticipated by Nature, pp. 472 - 481Publisher: Cambridge University PressPrint publication year: 2009First published in: 1877