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Musical Performance and Reception

Published online by Cambridge University Press:  25 May 2019

Stephen Rose
Stephen Rose
Affiliation:
Royal Holloway, University of London
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Musical Authorship from Schütz to Bach , pp. ii
Publisher: Cambridge University Press
Print publication year: 2019

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References

Published titles

Playing with History: The Historical Approach to Musical Performance Butt, JohnGoogle Scholar
Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music Garratt, JamesGoogle Scholar
Eight Centuries of Troubadours and Trouvères: The Changing Identity of Medieval Music Haines, JohnGoogle Scholar
The Keyboard in Baroque Europe Hogwood, Christopher (ed.)Google Scholar
The Modern Invention of Medieval Music: Scholarship, Ideology, Performance Leech-Wilkinson, DanielGoogle Scholar
Performing Brahms: Early Evidence of Performance Style Musgrave, Michael and Sherman, Bernard (eds.)Google Scholar
Stradivari Pollens, StewartGoogle Scholar
Beethoven the Pianist Skowroneck, TilmanGoogle Scholar
The French Organ in the Reign of Louis XIV Ponsford, DavidGoogle Scholar
Bach’s Feet: The Organ Pedals in European Culture Yearsley, DavidGoogle Scholar
Histories of Heinrich Schütz Varwig, BettinaGoogle Scholar
Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn Dirst, MatthewGoogle Scholar
The Musical Work of Nadia Boulanger: Performing Past and Future between the Wars Brooks, JeaniceGoogle Scholar
The Guitar in Tudor England: A Social and Musical History Page, ChristopherGoogle Scholar
The Guitar in Stuart England: A Social and Musical History Page, ChristopherGoogle Scholar
Musical Authorship from Schütz to Bach Rose, StephenGoogle Scholar

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