Book contents
- Music Contracts in the Streaming Age
- Cambridge Intellectual Property and Information Law
- Music Contracts in the Streaming Age
- Copyright page
- Contents
- Figures and Tables
- Acknowledgements
- Abbreviations
- 1 Prelude
- 2 The Music Industry in the Streaming Age
- 3 Law and Policy in the Streaming Age
- 4 Negotiation and Formation of the Contract
- 5 Performance of the Contract
- 6 Termination of the Contract
- 7 Application of the Legal Framework in Practice
- 8 Conclusions
- Select Bibliography
- Index
- Cambridge Intellectual Property and Information Law
6 - Termination of the Contract
Published online by Cambridge University Press: 09 January 2025
- Music Contracts in the Streaming Age
- Cambridge Intellectual Property and Information Law
- Music Contracts in the Streaming Age
- Copyright page
- Contents
- Figures and Tables
- Acknowledgements
- Abbreviations
- 1 Prelude
- 2 The Music Industry in the Streaming Age
- 3 Law and Policy in the Streaming Age
- 4 Negotiation and Formation of the Contract
- 5 Performance of the Contract
- 6 Termination of the Contract
- 7 Application of the Legal Framework in Practice
- 8 Conclusions
- Select Bibliography
- Index
- Cambridge Intellectual Property and Information Law
Summary
Both corporate partners and musicians may have valid reasons for wanting to terminate a contract. Forcing them to uphold the contract curbs party agency. Relevant reasons may include the aim of avoiding undue investment in an artist who has proven to be commercially unviable, the wish to escape unfair situations in terms of rights transfer, or cases of (perceived) unfairness in terms of exploitation and/or remuneration. The excessive duration of a contract may in itself also give rise to problems. On a more general level, the exclusive nature of many music industry contracts sits uneasily with the vision of musicians as independent, creative actors. This chapter reviews how the selected substantive legal regimes affect parties’ possibility to terminate the contractual relationship. First, the chapter reviews potentially applicable limitations on contract duration, as well as grounds for termination on the basis of breach of contract. Taking a more practical view, the consequences of contract termination are then assessed in order to gauge whether these consequences may amount to switching costs that prevent the termination of contracts in practice.
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- Music Contracts in the Streaming AgeLaw and Policy in the European Union and the United Kingdom, pp. 270 - 289Publisher: Cambridge University PressPrint publication year: 2025