Book contents
- Music and Protest in 1968
- Series page
- Music and Protest in 1968
- Copyright page
- Contents
- Figures
- Notes on contributors
- Acknowledgements
- In lieu of an introduction
- 1 Expressive revolutions: ‘1968’ and music in the Netherlands
- 2 Music as plea for political action: the presence of musicians in Italian protest movements around 1968
- 3 “This Is My Country”: American popular music and political engagement in ‘1968’
- 4 Spontaneity and Black Consciousness: South Africans imagining musical and political freedom in 1960s Europe
- 5 Music and protest in Japan: the rise of underground folk song in ‘1968’
- 6 Vietnamese popular song in ‘1968’: war, protest and sentimentalism
- 7 “There Is No Revolution Without Song”: ‘new song’ in Latin America
- 8 “The Power of Music”: anti-authoritarian music movements in Scandinavia in ‘1968’
- 9 British rock: the short ‘1968’, and the long
- 10 ‘1968’ and the experimental revolution in Britain
- 11 Anti-authoritarian revolt by musical means on both sides of the Berlin Wall
- 12 ‘1968’ – the emergence of a protest culture in the popular music of the Eastern Bloc?
- 13 Gendering ‘1968’: womanhood in model works of the People’s Republic of China and movie musicals of Hong Kong
- 14 A revolution in sheep’s wool stockings: early music and ‘1968’
- 15 Music and May 1968 in France: practices, roles, representations
- Bibliography
- Discography
- Index
14 - A revolution in sheep’s wool stockings: early music and ‘1968’
Published online by Cambridge University Press: 05 April 2013
- Music and Protest in 1968
- Series page
- Music and Protest in 1968
- Copyright page
- Contents
- Figures
- Notes on contributors
- Acknowledgements
- In lieu of an introduction
- 1 Expressive revolutions: ‘1968’ and music in the Netherlands
- 2 Music as plea for political action: the presence of musicians in Italian protest movements around 1968
- 3 “This Is My Country”: American popular music and political engagement in ‘1968’
- 4 Spontaneity and Black Consciousness: South Africans imagining musical and political freedom in 1960s Europe
- 5 Music and protest in Japan: the rise of underground folk song in ‘1968’
- 6 Vietnamese popular song in ‘1968’: war, protest and sentimentalism
- 7 “There Is No Revolution Without Song”: ‘new song’ in Latin America
- 8 “The Power of Music”: anti-authoritarian music movements in Scandinavia in ‘1968’
- 9 British rock: the short ‘1968’, and the long
- 10 ‘1968’ and the experimental revolution in Britain
- 11 Anti-authoritarian revolt by musical means on both sides of the Berlin Wall
- 12 ‘1968’ – the emergence of a protest culture in the popular music of the Eastern Bloc?
- 13 Gendering ‘1968’: womanhood in model works of the People’s Republic of China and movie musicals of Hong Kong
- 14 A revolution in sheep’s wool stockings: early music and ‘1968’
- 15 Music and May 1968 in France: practices, roles, representations
- Bibliography
- Discography
- Index
- Type
- Chapter
- Information
- Music and Protest in 1968 , pp. 237 - 254Publisher: Cambridge University PressPrint publication year: 2013
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