Book contents
- Frontmatter
- Contents
- List of Illustrations
- List of Contributors
- Acknowledgments
- Introduction: A Crosscurrent of Contemporary Latin American Women Multimedia Writers and Artists
- 1 The Transliterary: The Novel and Other Multimedia Horizons Beyond (and Close to) the Textual
- 2 Commentary on Fe/males: Sieges of the Post Human (Transmedia Installation)
- 3 An Anthropophagic Ch’ixi Poetics
- 4 My Relationship with Artistic Creation Began with Words
- 5 Imagetext
- 6 Voices/Bodies
- 7 Redefining Meaning: The Interweaving of the Visual and Poetic
- 8 The Territory Is Home
- 9 Reflections on a Multimedia Practice
- 10 Digital Weaving
- 11 Eli Neira, Regina José Galindo, and Ana Clavel: “Polluting” Corporealities and Intermedial/Transliterary Crossings
- 12 The Digital Condition: Subjectivity and Aesthetics in “Fe/males” by Eugenia Prado Bassi
- 13 The Transmedia, Post-Medium, Postnational, and Nomadic Projects of Pilar Acevedo, Rocío Cerón, and Mónica Nepote
- 14 The Art of the Hack: Poets Carla Faesler and Mónica Nepote and Booktuber Fátima Orozco
- 15 The Places of Pain: Intermedial Mode and Meaning in Via Corporis by Pura López Colomé and Geografía del dolor by Mónica González
- 16 Words, Memory, and Space in Intermedial Works by Gabriela Golder and Mariela Yeregui
- 17 Fungibility and the Intermedial Poem: Ana María Uribe, Belén Gache, and Karen Villeda
- 18 Hypertext and Biculturality in Two Autobiographical Hypermedia Works by Latina Artists Lucia Grossberger Morales and Jacalyn Lopez Garcia
- 19 Dialogues Across Media: The Creation of (New?) Hybrid Genres by Belén Gache and Marina Zerbarini
- Bibliography
- Index
- Tamesis
12 - The Digital Condition: Subjectivity and Aesthetics in “Fe/males” by Eugenia Prado Bassi
Published online by Cambridge University Press: 17 December 2023
- Frontmatter
- Contents
- List of Illustrations
- List of Contributors
- Acknowledgments
- Introduction: A Crosscurrent of Contemporary Latin American Women Multimedia Writers and Artists
- 1 The Transliterary: The Novel and Other Multimedia Horizons Beyond (and Close to) the Textual
- 2 Commentary on Fe/males: Sieges of the Post Human (Transmedia Installation)
- 3 An Anthropophagic Ch’ixi Poetics
- 4 My Relationship with Artistic Creation Began with Words
- 5 Imagetext
- 6 Voices/Bodies
- 7 Redefining Meaning: The Interweaving of the Visual and Poetic
- 8 The Territory Is Home
- 9 Reflections on a Multimedia Practice
- 10 Digital Weaving
- 11 Eli Neira, Regina José Galindo, and Ana Clavel: “Polluting” Corporealities and Intermedial/Transliterary Crossings
- 12 The Digital Condition: Subjectivity and Aesthetics in “Fe/males” by Eugenia Prado Bassi
- 13 The Transmedia, Post-Medium, Postnational, and Nomadic Projects of Pilar Acevedo, Rocío Cerón, and Mónica Nepote
- 14 The Art of the Hack: Poets Carla Faesler and Mónica Nepote and Booktuber Fátima Orozco
- 15 The Places of Pain: Intermedial Mode and Meaning in Via Corporis by Pura López Colomé and Geografía del dolor by Mónica González
- 16 Words, Memory, and Space in Intermedial Works by Gabriela Golder and Mariela Yeregui
- 17 Fungibility and the Intermedial Poem: Ana María Uribe, Belén Gache, and Karen Villeda
- 18 Hypertext and Biculturality in Two Autobiographical Hypermedia Works by Latina Artists Lucia Grossberger Morales and Jacalyn Lopez Garcia
- 19 Dialogues Across Media: The Creation of (New?) Hybrid Genres by Belén Gache and Marina Zerbarini
- Bibliography
- Index
- Tamesis
Summary
In 2017, online tabloids and magazines, such as The Daily Mail, The Sun, and Forbes, spread the news of two chatbots created by researchers at the Facebook AI Research Lab that were able to develop their own “secret” language to communicate between themselves. As a result, the programmers lost control over the bots’ communication and were forced to disconnect them. Even though Facebook immediately declared that they had not disconnected the bots because they had lost control over them, the reality is that the news, a great example of the now popular post-truth, created panic and discussion about how machines were reaching a level of intelligence that was out of our control. Of course, I was impressed by the news, mainly because it reminded me of a passage from Ricardo Piglia's novel La ciudad ausente (The Absent City), published in 1992. The passage described a machine created by the Argentine writer Macedonio Fernández, for the purposes of translating stories. However, at some point, the machine started to modify and expand the stories:
It began to speak about itself, that is why they want to shut it down. It's not a machine we’re talking about, but a more complex organism. A system that is pure energy. In one of the latest stories there appears an island, at the edge of the world, some kind of linguistic utopia for future life. (36)
Of course, Piglia was not the first to imagine a thinking machine. The question whether machines can think has been present since intelligent machines were first in the process of being developed. However, way before that, automated machines were in the imaginations of writers, scientists, and even social theorists, such as Marx, who speculates in The Grundrisse (1857–58) that there will be a time where machines will replace human labor. Nevertheless, it is in literature, especially science fiction, where properly “thinking” machines have been a recurrent topic in imagining the future of humanity. Of course, this future is usually seen as a dystopia where machines, meant to be prostheses of humankind helping humanity to progress in a positive way, end up turning into robots rebelling against us. In some way, those ideas, which were considered nothing but speculation or fantasy, are now becoming a reality that sometimes goes beyond our understanding.
- Type
- Chapter
- Information
- Publisher: Boydell & BrewerPrint publication year: 2023