Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-26T01:59:59.307Z Has data issue: false hasContentIssue false

4 - The Tensions of Heterochronicity on Cartographies of Imperial Motion in Japan

Published online by Cambridge University Press:  20 November 2020

Get access

Summary

Abstract

This chapter analyses the ways, in which intersections between historical narratives and cartographic design shaped the spatial imaginary of Japanese audiences. It follows early modern, modern, and contemporary visualizations of two narratives of imperial movement in Japan: the eastward march of the legendary first Emperor Jinmu and the Korean campaign of the equally legendary Empress Jingu. The study cases show how cartography was enlisted for a range of purposes, from confident depictions of exemplary movements to dynamic trajectories that accommodated multiple points of view. The study thus provides an example of the diagnostic value of historical motion maps as a litmus test for the agendas to which historical and geographical knowledge were employed by different ideological positions.

Keywords: Japan; heterochrony; imperial; narrative

Introduction

Just like a mountain climber, the historian needs detailed and accurate maps. The mountain climber can fortunately search and obtain the superb maps produced by the Land Survey Department of the [Japanese] Imperial Army. But where is the historian to search for such maps?

This is the beginning of an encomiastic review of a 1935 historical atlas in a Japanese newspaper. The argument relies on the contrast between maps produced by professional cartographers and those made for the use of historians. But these apparent opposites also share structural similarities that rely on shared assumptions. The first is the assumption of a stable object of study such as the history of Japan. Since the 1960s, this has been challenged both by insights into the social constructedness of history, and, in the case of Japan, by unpacking the variability of the term ‘Japan’ itself. The second assumption is that of the constancy of time and space as epistemological categories whose reality is to be captured by maps. However, it is now increasingly clear that history is constituted by overlapping ‘heterochronicities’, or ‘multiple temporalities’. This renders problematic attempts at mapping a universal time frame.

The case of East Asia is especially poignant, since it developed autonomous temporal and spatial categories that, in their turn, evolved over time. For example, when Jesuit scholars brought back news of Chinese chronology to Europe in the seventeenth century, European historiography had to reconsider its much shorter Bible-based chronology.

Type
Chapter
Information
Motion in Maps, Maps in Motion
Mapping Stories and Movement through Time
, pp. 105 - 128
Publisher: Amsterdam University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×