Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-23T14:13:43.896Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  21 November 2024

Katerina Stergiopoulou
Affiliation:
University of Edinburgh
Get access
Type
Chapter
Information
Modernist Hellenism
Pound, Eliot, H.D., and the Translation of Greece
, pp. 464 - 481
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abbott, Ruth. “T. S. Eliot’s Ghostly Footfalls: The Versification of ‘Four Quartets.’” Cambridge Quarterly 34.4 (2005): 365–85.CrossRefGoogle Scholar
Ackerley, C.J.Canto 82: Pound, Swinburne (Shelley) Aeschylus, Whitman.” Paideuma 17 (1988): 209–10.Google Scholar
Ackerman, Robert. The Myth and Ritual School: J. G. Frazer and the Cambridge Ritualists. New York: Routledge, 2006.Google Scholar
Adams, Stephen. “The Metrical Contract of The Cantos.” Journal of Modern Literature 15 (1988): 5572.Google Scholar
Adams, Stephen. “Pound’s Quantities and ‘Absolute Rhythm.’Essays in Literature 4 (1977): 95109.Google Scholar
Aeschylus. Agamemnon. Ed. Fraenkel, Eduard. 3 vols. Oxford: Clarendon Press, 1950.Google Scholar
Aeschylus. Agamemnon. Aeschylus ii. Ed. and trans. Sommerstein, Alan H.. Loeb Classical Library. Cambridge, MA: Harvard University Press, 2008.Google Scholar
Aldington, Richard. “Anti-Hellenism: A Note on Some Modern Art.” Egoist 1.2 (1914): 3536.Google Scholar
Aldington, Richard. An Autobiography in Letters. Ed. Gates, Norman T.. University Park: Penn State University Press, 1992.Google Scholar
Aldington, Richard. The Complete Poems. London: Wingate, 1948.Google Scholar
Aldington, Richard. Ezra Pound and T. S. Eliot: A Lecture. Hurst, Berkshire: Peacocks Press, 1954.Google Scholar
Aldington, Richard. Medallions in Clay. New York: Knopf, 1921.Google Scholar
Aldington, Richard. “Modern Poetry and the Imagists.” Egoist 1.11 (June 1, 1914): 201–03.Google Scholar
Aldington, Richard. “The New Art.” Egoist 1.5 (March 2, 1914): 97 [pseudonymously signed “Auceps”].Google Scholar
Aldington, Richard. “Pastoral Epigrams by Marco Antonio Flaminio.” Egoist 12.3 (December 1916): 180.Google Scholar
Alighieri, Dante. Il Convivio. Ed. Busnelli, G. and Vandelli, G.. Florence: Felice Le Monnier, 1964. (Available at https://digitaldante.columbia.edu).Google Scholar
Alighieri, Dante. Il Convivio (The Banquet). Trans. Lansing, Richard H.. Garland Library of Medieval Literature. New York: Garland, 1990. (Available at https://digitaldante.columbia.edu).Google Scholar
Alighieri, Dante. The Portable Dante. Ed. Milano, Paolo. Trans. Binyon, Laurence and Rossetti, D. G.. Notes by Grandgent, C. H.. Viking: New York, 1947.Google Scholar
Apter, Emily. “Translation with No Original: Scandals of Textual Reproduction.” In Nation, Language, and the Ethics of Translation. Ed. Bermann, Sandra and Wood, Michael. Princeton: Princeton University Press, 2005. 159–74.Google Scholar
Apter, Ronnie. Digging for the Treasure: Translation after Pound. New York: Lang, 1984.Google Scholar
Aristotle. The Politics. Trans. Rackham, H.. Loeb Classical Library. London: Heinemann, 1932.Google Scholar
Arnold, Margaret. “Thomas Stanley’s Aeschylus: Renaissance Practical Criticism of Greek Tragedy.” Illinois Classical Studies 9.2 (1984): 229–49.Google Scholar
Arraujo, Anderson. A Companion to Ezra Pound’s Guide to Kulchur. Clemson, SC: Clemson University Press, 2018.CrossRefGoogle Scholar
Arrowsmith, William. “English Verse Drama (ii): The Cocktail Party.” Hudson Review 3.3 (1950): 411–30.CrossRefGoogle Scholar
Arrowsmith, William. “Menander and Milk Wood.” Hudson Review 7.2 (1954): 291–96.CrossRefGoogle Scholar
Arrowsmith, William. “Transfiguration in Eliot and Euripides.” Sewanee Review 63.3 (1955): 421–42.Google Scholar
Asmis, Elizabeth, Bartsch, Shadi, and Nussbaum, Martha. “Seneca and His World.” In Seneca, , The Complete Tragedies. Vol. 2. vii–xxviii.Google Scholar
Austin, Norman. Helen of Troy and Her Shameless Phantom. Ithaca, NY: Cornell University Press, 1994.Google Scholar
Babcock, Robert G.Verses, Translations, and Reflections from ‘The Anthology’: H.D., Ezra Pound, and the Greek Anthology.” Sagetrieb 14.1/2 (1995): 201–16.Google Scholar
Bacigalupo, Massimo. The Forméd Trace: The Later Poetry of Ezra Pound. New York: Columbia University Press, 1980.CrossRefGoogle Scholar
Barbour, Susan. “The Origins of the Prose Captions in H.D.’s Helen in Egypt.” Review of English Studies, new series, 62.260 (2011): 466–90.Google Scholar
Baumann, Walter. “‘(as seen by Mackail)’: Ezra Pound’s Classics Guru.” In In Ezra Pound and London: New Perspectives. Ed. Baumann, Walter and Pratt, William. New York: AMS Press, 2015. 111–17.Google Scholar
Beasley, Rebecca. “The Direct Method: Ezra Pound, Non-Translation, and the International Future.” In Modernism and Non-Translation. Ed. Harding, Jason and Nash, John. Oxford: Oxford University Press, 2019. 6885.Google Scholar
Beasley, Rebecca. “Modernism’s Translations.” In The Handbook of Global Modernisms. Ed. Wollaeger, Mark with Eatough, Matte. New York: Oxford University Press, 2012. 551–70.Google Scholar
Beecroft, Alexander J.‘This is not a true story’: Stesichorus’s Palinode and the Revenge of the Epichoric.” Transactions and Proceedings of the American Philological Association 136.1 (2006): 4770.CrossRefGoogle Scholar
Benjamin, Walter. “Goethe’s Elective Affinities.” Selected Writings. Vol. 1. Ed. Bullock, Marcus and Jennings, Michael W.. Cambridge, MA: Belknap Press, 1996. 297360.Google Scholar
Benjamin, Walter. “One-Way Street.” Selected Writings. Vol. 1. Ed. Bullock, Marcus and Jennings, Michael W.. Cambridge, MA: Belknap Press, 1996. 444–88.Google Scholar
Benjamin, Walter. “The Task of the Translator.” Selected Writings. Vol. 1. Ed. Bullock, Marcus and Jennings, Michael W.. Cambridge, MA: Belknap Press, 1996. 253–63.Google Scholar
Benjamin, Walter. “Translation – For and Against.” Selected Writings. Vol. 1. Ed. Bullock, Marcus and Jennings, Michael W.. Cambridge, MA: Belknap Press, 1996. 249–52.Google Scholar
Benveniste, Émile. Problèmes de linguistique générale i. Paris: Gallimard, 1966.Google Scholar
Bérard, Victor. Les Phéniciens et l’Odyssée. 2 vols. Paris: Armand Colin, 1902–03.Google Scholar
Berman, Antoine. The Experience of the Foreign. Trans. Heyvaert, S.. Albany: SUNY Press, 1992.Google Scholar
Bernstein, Michael André. The Tale of the Tribe: Ezra Pound and the Modern Verse Epic. Princeton: Princeton University Press, 1980.CrossRefGoogle Scholar
Blanchot, Maurice. L’Écriture du désastre. Paris: Gallimard, 1980.Google Scholar
Blanchot, Maurice. L’Espace littéraire. Paris: Gallimard, 1955.Google Scholar
Blondell, Ruby. Helen of Troy: Beauty, Myth, Devastation. Oxford: Oxford University Press, 2013.CrossRefGoogle Scholar
Boheemen, Christel van. “Old Possum at Colonus: T. S. Eliot’s The Elder Statesman.” Dutch Quarterly Review of Anglo-American Letters 11.2 (1981): 119–32.Google Scholar
Bosher, Kathryn, Fiona, Macintosh, Justine, McConnell, and Patrice, Rankine, eds. The Oxford Handbook of Greek Drama in the Americas. Oxford: Oxford University Press, 2015.CrossRefGoogle Scholar
Bradbury, John M.Four Quartets: The Structural Symbolism.” Sewanee Review 59.2 (1951): 254–70.Google Scholar
Brooker, Jewel Spears. T. S. Eliot’s Dialectical Imagination. Baltimore: Johns Hopkins University Press, 2018.CrossRefGoogle Scholar
Brown, Sylvia G.Metrical Innovations in Euripides’ Later Plays.” American Journal of Philology 95.3 (1974): 207–34.Google Scholar
Brown, Sylvia G. Metrical Studies in the Lyrics of Euripides’ Late Plays. Dissertation, University of Michigan, 1972.Google Scholar
Browne, E. Martin. The Making of T. S. Eliot’s Plays. London: Cambridge University Press, 1969.Google Scholar
Browning, Robert. Robert Browning’s Poetry. Ed. Loucks, James F. and Stauffer, Andrew M.. New York: Norton, 2007.Google Scholar
Browning, Robert, trans. Agamemnon. London: Smith, 1877.Google Scholar
Bryant, Marsha, and Eaverly, Mary Ann. “Egypto-Modernism: James Henry Breasted, H.D., and the New Past.” Modernism/Modernity 14.3 (2007): 435–53.CrossRefGoogle Scholar
Budelmann, Felix. The Language of Sophocles: Communality, Communication and Involvement. Cambridge: Cambridge University Press, 2000.Google Scholar
Burian, Peter. “Tragedy Adapted for Stages and Screens: The Renaissance to the Present.” In The Cambridge Companion to Greek Tragedy. Ed. Easterling, P. E.. Cambridge: Cambridge University Press, 1997. 228–83.Google Scholar
Burnett, Gary. H.D. between Image and Epic: The Mysteries of Her Poetics. Ann Arbor: UMI Research Press, 1990.Google Scholar
Bush, Douglas. Mythology and the Romantic Tradition in English Poetry. Cambridge, MA: Harvard University Press, 1937.Google Scholar
Bush, Ronald. The Genesis of Ezra Pound’s Cantos. Princeton: Princeton University Press, 1976.Google Scholar
Butler, E. M. The Fortunes of Faust. Cambridge: Cambridge University Press, 1979.Google Scholar
Campbell, David A., ed. Greek Lyric i: Sappho and Alcaeus. Loeb Classical Library. Cambridge, MA: Harvard University Press, [1982] 1990.Google Scholar
Carne-Ross, D. S.The Anthology Transplanted.” Arion, new series 3.4 (1976): 507–17.Google Scholar
Carne-Ross, D. S.Greek Tragedy in Modernist Translation: H.D., Louis MacNeice, and Robert Lowell.” In Carne-Ross, Classics and Translation. Ed. Haynes, Kenneth. Lewisburg, PA: Bucknell University Press, 2010. 238–49.Google Scholar
Carne-Ross, D. S. Instaurations: Essays In and Out of Literature, Pindar to Pound. Berkeley: University of California Press, 1979.CrossRefGoogle Scholar
Carne-Ross, D. S.New Metres for Old: A Note on Pound’s Metric.” Arion 6 (1967): 216–32.Google Scholar
Carne-Ross, D. S.T. S. Eliot: Tropheia.” Arion 4.1 (1965): 520.Google Scholar
Carpentier, Martha Celeste. Ritual, Myth and the Modernist Text: The Influence of Jane Ellen Harrison on Joyce, Eliot and Woolf. Amsterdam: Gordon and Breach Publishers, 1998.Google Scholar
Carr, Helen. The Verse Revolutionaries: Ezra Pound, H.D. and The Imagists. London: Jonathan Cape, 2009.Google Scholar
Carson, Anne. Eros the Bittersweet. Funks Grove, IL: Dalkey Archive Press, 1998.Google Scholar
Carson, Anne. “Screaming in Translation: The Electra of Sophocles” (Translator’s Foreword). In Electra, trans. Carson, Anne. Oxford: Oxford University Press, 2001. 4148.Google Scholar
Carson, Anne, trans. If Not, Winter: Fragments of Sappho. New York: Vintage, 2003.Google Scholar
Catacchio, Nuccia Negroni. “Amber in Antiquity.” In Exotica in the Prehistoric Mediterranean. Ed. Vianello, Andrea. Oxford: Oxbow, 2011. 5658.CrossRefGoogle Scholar
Cocteau, Jean. Théâtre complet. Ed. Décaudin, Michel et al. Paris: Gallimard, 2003.Google Scholar
Collecott, Diana. H.D. and Sapphic Modernism, 1910–1950. Cambridge: Cambridge University Press, 1999.Google Scholar
Connor, Rachel. H.D. and the Image. Manchester: Manchester University Press, 2004.Google Scholar
Copp, Michael, ed. Imagist Dialogues: Letters between Aldington, Flint and Others. Cambridge: Lutterworth Press. 2009.Google Scholar
Cox, Fiona, and Theodorakopoulos, Elena, eds. Homer’s Daughters: Women’s Responses to Homer in the Twentieth Century and Beyond. Oxford: Oxford University Press, 2019.CrossRefGoogle Scholar
Crawford, Robert. Young Eliot: From St. Louis to The Waste Land. New York: Farrar, Straus and Giroux, 2015.Google Scholar
Dalgarno, Emily. Virginia Woolf and the Visible World. Cambridge: Cambridge University Press, 2001.Google Scholar
Dalgarno, Emily. “Virginia Woolf: Translation and ‘Iterability.’” Yearbook of English Studies 36.1 (2006): 145–56.CrossRefGoogle Scholar
Damrosch, David. “Antiquity.” In Hayot, and Walkowitz, , eds., A New Vocabulary of Global Modernism. 4358.Google Scholar
Davie, Donald. Ezra Pound: A Major New Study of the Life and Work of the Great American Poet. New York: Viking, 1976.Google Scholar
Deleuze, Gilles. “Literature and Life.” In Essays Critical and Clinical. Trans. Smith, Daniel W. and Greco, Michael A.. Minneapolis: University of Minnesota Press, 1997. 16.Google Scholar
Dillon, Matthew. Omens and Oracles: Divination in Ancient Greece. New York: Routledge, 2017.CrossRefGoogle Scholar
Donoghue, Denis. “Three Presences: Yeats, Eliot, Pound.” Hudson Review 62.4 (2010): 563–82.Google Scholar
Doolittle, Hilda (H.D.). Bid Me to Live: A Madrigal. Redding Ridge, CT: Black Swan, 1983.Google Scholar
Doolittle, Hilda (H.D.). “Choruses from Iphigeneia in Aulis.” Egoist 2.11 (1915): 171–72.Google Scholar
Doolittle, Hilda (H.D.). Collected Poems 1912–1944. Ed. Martz, Louis L.. New York: New Directions, 1983.Google Scholar
Doolittle, Hilda (H.D.). End to Torment. Ed. Pearson, Norman Holmes and King, Michael. New York: New Directions, 1979.Google Scholar
Doolittle, Hilda (H.D.). “The Farmer’s Bride.” Egoist 3.9 (September 1916): 135.Google Scholar
Doolittle, Hilda (H.D.). “Goblins and Pagodas.” Egoist 3.12 (December 1916): 183–4.Google Scholar
Doolittle, Hilda (H.D.). “H.D. by Delia Alton.” Iowa Review 16.3 (1986): 180221.Google Scholar
Doolittle, Hilda (H.D.). Helen in Egypt. New York: New Directions, 1961.Google Scholar
Doolittle, Hilda (H.D.). “Helen in Egypt.” In “Notes on Euripides, Pausanius, and Greek Lyric Poets.” TS. H.D. Papers (YCAL MSS 24, Box 43, Folder 1115). Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT.Google Scholar
Doolittle, Hilda (H.D.). HERmione. New York: New Directions, 1981.Google Scholar
Doolittle, Hilda (H.D.). Hippolytus Temporizes and Ion. New York: New Directions, 2003.Google Scholar
Doolittle, Hilda (H.D.). Hirslanden Notebooks. Ed. Matte Robinson and Demetres P. Tryphonopoulos. Victoria, B.C.: ELS Editions, 2015.Google Scholar
Doolittle, Hilda (H.D.). Magic Mirror; Compassionate Friendship; Thorn Thicket: A Tribute to Erich Heydt. Ed. Christodoulides, Nephie J., with preface by Tryphonopoulos, Demetres P. and Robinson, Matte. Victoria, B.C.: ELS Editions, 2012.Google Scholar
Doolittle, Hilda (H.D.). Palimpsest. Carbondale: Southern Illinois University Press, 1968.Google Scholar
Doolittle, Hilda (H.D.). Tribute to Freud. New York: New Directions, 1974.Google Scholar
Doolittle, Hilda (H.D.). Trilogy. Introduction and notes by Barnstone, Aliki. New York: New Directions, 1998.Google Scholar
Doolittle, Hilda (H.D.). “Verses, Translations, and Reflections from ‘The Anthology.’” Poetry 1.4 (1913): 118–22.Google Scholar
Downing, Eric. “Apate, Agon, and Literary Self-Reflexivity in Euripides’ Helen.” In Cabinet of the Muses. Ed. Griffith, Michael and Mastronarde, Donald J.. Atlanta: Scholars Press, 1990. 116.Google Scholar
Dowthwaite, James. Ezra Pound and 20th-Century Theories of Language: Faith with the Word. New York: Routledge, 2019.CrossRefGoogle Scholar
Du Bois, Page. “Sappho and Helen.” Arethusa 11 (1978): 8999.Google Scholar
DuPlessis, Rachel Blau. H.D., A Career of That Struggle. Bloomington: Indiana University Press, 1986.Google Scholar
DuPlessis, Rachel Blau. “Romantic Thralldom in H.D.” Contemporary Literature 20 (1979): 178203.CrossRefGoogle Scholar
DuPlessis, Rachel Blau, and Friedman, Susan Stanford. “‘Woman Is Perfect’: H.D.’s Debate with Freud.” Feminist Studies 7 (1981): 417–30.CrossRefGoogle Scholar
Duncan, Robert. The H.D. Book. Berkeley: University of California Press, 2011.Google Scholar
Earp, F. R. The Style of Sophocles. Cambridge: Cambridge University Press, 1944.Google Scholar
Eliot, T. S. The Complete Poems and Plays: 1909–1950. New York: Harcourt, Brace, 1980.Google Scholar
Eliot, T. S. The Complete Prose of T. S. Eliot. 7 vols. Series ed. Schuchard, Ronald. Baltimore: John Hopkins University Press, 2014–19.Google Scholar
Eliot, T. S. The Letters of T. S. Eliot. 9 vols. Series ed. Haffenden, John. New Haven: Yale University Press, 2011–2021.Google Scholar
Eliot, T. S. The Poems of T. S. Eliot. 2 vols. Ed. Ricks, Christopher and McCue, Jim. Baltimore: Johns Hopkins University Press, 2015.Google Scholar
Euripides. Bacchae; Iphigenia at Aulis; Rhesus. Ed. and trans. Kovacs, David. Loeb Classical Library. Cambridge, MA: Harvard University Press, 2002.Google Scholar
Euripides. Children of Heracles; Hippolytus; Andromache; Hecuba. Ed. and trans. Kovacs, David. Loeb Classical Library. Cambridge, MA: Harvard University Press, 2005.Google Scholar
Euripides. Helen; Phoenician Women; Orestes. Ed. and trans. Kovacs, David. Loeb Classical Library. Cambridge, MA: Harvard University Press, 2002.Google Scholar
Euripides. Trojan Women; Iphigenia among the Taurians; Ion. Ed. and trans. Kovacs, David. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1999.Google Scholar
Feldman, Matthew. “Introduction.” In Feldman, et al., eds., Historicizing Modernists. 119.Google Scholar
Feldman, Matthew, Svendsen, Anna, and Tonning, Erik, eds. Historicizing Modernists: Approaches to “Archivalism. London: Bloomsbury, 2021.CrossRefGoogle Scholar
Fenollosa, Ernest. The Chinese Written Character as a Medium for Poetry. Ed. Pound, Ezra. San Francisco: City Lights, 1968. 3rd printing.Google Scholar
Fernald, Anne. “O Sister Swallow: Sapphic Fragments as English Literature in Virginia Woolf.” In Virginia Woolf: Feminism and the Reader. New York: Macmillan, 2006. 1750.CrossRefGoogle Scholar
Ferris, David. Silent Urns: Romanticism, Hellenism, Modernity. Stanford: Stanford University Press, 2000.Google Scholar
Fiske, Shanyn. Heretical Hellenism: Women Writers, Ancient Greece and the Victorian Popular Imagination. Athens: Ohio University Press, 2008.Google Scholar
Fitch, John G., ed. Seneca’s Hercules Furens: A Critical Text with Introduction and Commentary. Ithaca, NY: Cornell University Press, 1987.Google Scholar
Flack, Leah. James Joyce and Classical Modernism. London: Bloomsbury, 2020.CrossRefGoogle Scholar
Flack, Leah. Modernism and Homer: The Odysseys of H.D., James Joyce, Osip Mandelstam, and Ezra Pound. Cambridge: Cambridge University Press, 2015.CrossRefGoogle Scholar
Ford, Andrew L. “‘A Song to Match My Song’: Lyrical Doubling in Euripides’ Helen.” In Allusion, Authority, and Truth: Critical Perspectives on Greek Poetic and Rhetorical Praxis. Ed. Mitsis, Philip and Tsagalis, Christos. Berlin: De Gruyter, 2010. 283302.CrossRefGoogle Scholar
Fredricksmeyer, Hardy C.A Diachronic Reading of Sappho fr. 16 LP.” Transactions and Proceedings of the American Philological Association 131 (2001): 7586.CrossRefGoogle Scholar
Freud, Sigmund. Beyond the Pleasure Principle. Trans. Strachey, James. New York: Norton, 1989.Google Scholar
Freud, Sigmund. Civilization and Its Discontents. Ed. and trans. Strachey, James. New York: Norton, 1961.Google Scholar
Freud, Sigmund. The Ego and the Id and Other Works. Standard Edition, vol. 19. London: Vintage, 2001.Google Scholar
Friedman, Susan Stanford. “Creating a Women’s Mythology: H.D.’s Helen in Egypt.” Women’s Studies 5 (1977): 163–97.CrossRefGoogle Scholar
Friedman, Susan Stanford. Penelope’s Web: Gender, Modernity, H.D.’s Fiction. Cambridge: Cambridge University Press, 1990.Google Scholar
Friedman, Susan Stanford. Psyche Reborn: The Emergence of H.D. Bloomington: Indiana University Press, 1981.Google Scholar
Friedman, Susan Stanford. “Serendipity: Finding a Draft Manuscript of H.D.’s ‘Helen.’” Sagetrieb 14.1/2 (1995): 711.Google Scholar
Friedman, Susan Stanford, ed. Analyzing Freud: Letters of H.D., Bryher, and Their Circle. New York: New Directions, 2002.Google Scholar
Friedman, Susan Stanford, and DuPlessis, Rachel Blau, eds. Signets: Reading H.D. Madison: University of Wisconsin Press, 1990.Google Scholar
Froula, Christine. Guide to Pound’s Selected Poems. New York: New Directions, 1983.Google Scholar
Froula, Christine. To Write Paradise: Style and Error in Pound’s Cantos. New Haven: Yale University Press, 1984.Google Scholar
Gallup, Donald. “Ezra Pound’s ‘An Opening for Agamemnon.’” Paideuma 15 (1986): 117–20.Google Scholar
Gardner, Helen. The Art of T. S. Eliot. London: Faber & Faber, 1968.Google Scholar
Gardner, Helen. The Composition of the Four Quartets. New York: Oxford University Press, 1978.Google Scholar
Gaudier-Brzeska, Henri. “Mr Gaudier-Brzeska on ‘The New Sculpture.’” Egoist 1.6 (March 16, 1914): 117–18.Google Scholar
George, Anita. “The Pisan Mysteries: Sex, Death and Rebirth in The Pisan Cantos.” Paideuma 25 (1996): 139–60.Google Scholar
Gere, Cathy. Knossos and the Prophets of Modernism. Chicago: University of Chicago Press, 2009.CrossRefGoogle Scholar
Gildersleeve, Basil. Hellas and Hesperia: The Vitality of Greek Studies in America. New York: Henry Holt, 1909.Google Scholar
Glaser, Ben. Modernism’s Metronome: Meter and Twentieth-Century Poetics. Baltimore: Johns Hopkins University Press, 2020.CrossRefGoogle Scholar
Glaser, Brian Brodhead. “H.D.’s Helen in Egypt: Aging and the Unconscious.” Journal of Modern Literature 28.4 (2005): 91109.Google Scholar
Goldhill, Simon. Who Needs Greek? Contests in the Cultural History of Hellenism. Cambridge: Cambridge University Press, 2002.Google Scholar
Goldwyn, Adam, ed. The Trojan Wars and the Making of the Modern World. Uppsala: Uppsala Universitet, 2015.Google Scholar
Goldwyn, Adam, and Nikopoulos, James, eds. Brill’s Companion to the Reception of Classics in International Modernism and the Avant-Garde. Leiden: Brill, 2016.Google Scholar
Golston, Michael. Rhythm and Race in Modernist Poetry and Science. New York: Columbia University Press, 2008.Google Scholar
Gordon, David. “Ezra Pound to Mary Barnard: An ABC of Metrics.” Paideuma 23 (1994): 159–79.Google Scholar
Gordon, David. “Letter to the Editor.” Paideuma 3.3 (1974): 420–21.Google Scholar
Gourd, Elizabeth. “Whose Idea of Tragedy? Mrs Dalloway and the Ancient Greek Tradition.” In Virginia Woolf and Heritage. Ed. de Gay, Jane, Breckin, Tom, and Reus, Anne. Clemson: Clemson University Press, 2016.Google Scholar
Graves, Robert. Greek Myths. London: Penguin, 1960.Google Scholar
Graziosi, Barbara, and Greenwood, Emily. Homer in the Twentieth Century: Between World Literature and the Western Canon. Oxford: Oxford University Press, 2007.CrossRefGoogle Scholar
Grégoire, Henri, and Méridier, Louis, ed. and trans. Hélène, Les Phéniciennes. Vol. 5 of Euripide. Paris: Belles Lettres, 1950.Google Scholar
Gregory, Eileen. “Euripides and H.D.’s Working Notebook for Helen in Egypt.” Sagetrieb 14.1/2 (1995): 83109.Google Scholar
Gregory, Eileen. “H.D. and Euripides: Ghostly Summonings.” In Classics in Modernist Translation. 121–27.Google Scholar
Gregory, Eileen. H.D. and Hellenism. Cambridge: Cambridge University Press, 1997.Google Scholar
Gregory, Eileen. “H.D. and Translation.” In Cambridge Companion to H.D. Ed. Christodoulides, Nephie J. and Mackay, Polina. Cambridge: Cambridge University Press, 2012. 143–57.Google Scholar
Gregory, Eileen. “Rose Cut in Rock: Sappho and H.D.’s Sea Garden.” In Friedman, and Duplessis, , eds., Signets. 129–54.Google Scholar
Gregory, Eileen. “Virginity and Erotic Liminality: H.D.’s ‘Hippolytus Temporizes.’” Contemporary Literature 31.2 (1990): 133–60.CrossRefGoogle Scholar
Gregory, Justina. “Euripidean Tragedy.” In A Companion to Greek Tragedy. Ed. Gregory, Justina. Oxford: Blackwell, 2005. 251–70.CrossRefGoogle Scholar
Gubar, Susan. “Sapphistries.” Signs 10.1 (1984): 4362.CrossRefGoogle Scholar
Guest, Barbara. Herself Defined: The Poet H.D. and Her World. Garden City, NY: Doubleday, 1984.Google Scholar
Gumpert, Matthew. Grafting Helen: The Abduction of the Classical Past. Madison: University of Wisconsin Press, 2001.Google Scholar
Güthenke, Constanze. “Nostalgia and Neutrality: A Response to Charles Martindale.” Classical Receptions Journal 5.2 (2013): 238–45.CrossRefGoogle Scholar
Güthenke, Constanze. Placing Modern Greece: The Dynamics of Romantic Hellenism, 1770–1840. Oxford: Oxford University Press, 2008.CrossRefGoogle Scholar
Hall, Edith. Adventures with Iphigenia in Tauris: A Cultural History of Euripides’ Black Sea Tragedy. Oxford: Oxford University Press, 2013.Google Scholar
Hall, Edith, and Macintosh, Fiona. Greek Tragedy and the British Theatre, 1660–1914. Oxford: Oxford University Press, 2005.CrossRefGoogle Scholar
Hall, Jonathan M. Hellenicity: Between Ethnicity and Culture. Chicago: University of Chicago Press, 2002.Google Scholar
Hanson, Kristin. “Quantitative Meter in English: The Lesson of Sir Philip Sidney.” English Language and Linguistics 5.1 (2001): 4191.CrossRefGoogle Scholar
Hanson, Kristin, and Kiparsky, Paul. “The Nature of Verse and Its Consequences for the Mixed Form.” Prosimetrum: Cross-Cultural Perspectives on Narrative in Prose and Verse. Ed. Harris, Joseph and Reichl, Karl. Cambridge: Brewer, 1997. 1743.Google Scholar
Hardwick, Lorna. “Women, Translation and Empowerment.” In Women, Scholarship and Criticism: Gender and Knowledge, c. 1790–1900. Ed. Bellamy, Joan, Laurence, Anne, and Perry, Gill. Manchester: Manchester University Press, 2000. 180–203.Google Scholar
Harloe, Katherine. Winckelmann and the Invention of Antiquity: History and Aesthetics in the Age of Altertumswissenschaft. Oxford: Oxford University Press, 2013.CrossRefGoogle Scholar
Harrison, Jane Ellen. Ancient Art and Ritual. New York: Henry Holt, 1913.Google Scholar
Harrison, Jane Ellen. “The Mythology of Athenian Local Cults.” In Mythology and Monuments of Ancient Athens Being a Translation of a Portion of the Attica of Pausanias, by Verrall, Margaret de G., 1890. xxi–clvi.Google Scholar
Harrison, Jane Ellen. Themis: A Study of the Social Origins of Greek Religion. Rev. ed. Cleveland: World Publishing Company, 1969 [1927].Google Scholar
Hart, Matthew. Nations of Nothing but Poetry: Modernism, Transnationalism, and Synthetic Vernacular Writing. New York: Oxford University Press, 2013.Google Scholar
Haynes, Kenneth. English Literature and Ancient Languages. Oxford: Oxford University Press, 2003.Google Scholar
Hayot, Eric, and Walkowitz, Rebecca L.. “Introduction.” In Hayot, and Walkowitz, , eds., A New Vocabulary for Global Modernism. 110.Google Scholar
Hayot, Eric, and Walkowitz, Rebecca L., eds. A New Vocabulary for Global Modernism. New York: Columbia University Press, 2016.CrossRefGoogle Scholar
Heilman, Robert B.Alcestis and The Cocktail Party.” Comparative Literature 5.2 (1953): 105–16.CrossRefGoogle Scholar
Hickman, Miranda, and Kozak, Lynn, eds. The Classics in Modernist Translation. London: Bloomsbury, 2019.CrossRefGoogle Scholar
Hickman, Miranda, “Poppies, Scarlet Flowers, ‘This Beauty’: H.D.’s Choruses for the Iphigeneia in Aulis and the First World War.” Classical Receptions Journal 10.4 (2018): 458–75.CrossRefGoogle Scholar
Hiscock, Matthew. “Reception Theory, New Humanism, and T. S. Eliot.” Classical Receptions Journal 12.3 (2020): 323–39.CrossRefGoogle Scholar
Hodgson-Wright, Stephanie. “Jane, Lady Lumley, Euripides’ Iphigenia at Aulis (c. 1554): Commentary.” In Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550–1700. Ed. Ostovich, Helen and Sauer, Elizabeth. New York: Routledge, 2003. 326–29.Google Scholar
Hokanson, Robert O’Brien. “‘Is it all a story?’: Questioning Revision in H.D.’s Helen in Egypt.” American Literature 64 (1992): 331–46.CrossRefGoogle Scholar
Hollenberg, Donna Krolik, ed. Between History and Poetry: The Letters of H.D. and Norman Holmes Pearson. Iowa City: University of Iowa Press, 1997.CrossRefGoogle Scholar
Hollenberg, Donna Krolik, H.D.: The Poetics of Childbirth and Creativity. Boston: Northeastern University Press, 1991.Google Scholar
Holley, Horace. “Imagists.” Egoist 1.12 (June 15, 1914): 236.Google Scholar
Homer. The Iliad. Vol. 1. Trans. Murray, A. T.. Rev. Wyatt, William F.. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1999.Google Scholar
Homer. The Iliad. Trans. Lattimore, Richmond. Chicago: University of Chicago Press, 2011.Google Scholar
Homer. The Odyssey. Vol. 1. Trans. Murray, A. T.. Rev. Dimock, George E.. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Hopkinson, Neil, ed. and trans. Theocritus, Moschus, Bion. Loeb Classical Library. Cambridge, MA: Harvard University Press, 2015.Google Scholar
Hulme, T. E.Romanticism and Classicism.” In The Collected Writings of T. E. Hulme. Ed. Csengeri, Karen. Oxford: Clarendon Press, 1994. 5973.Google Scholar
Isocrates. Discourses. Vol. 3. Trans. Van Hook, Larue. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1945.Google Scholar
Jackson, Brendan. “‘The Fulsomeness of her Prolixity’: Reflections on ‘H.D., Imagiste.’South Atlantic Quarterly 83 (Winter 1984): 91102.CrossRefGoogle Scholar
Jameson, Storm. “England’s Nest of Singing Birds.” Egoist 2.11 (November 1915): 175–76.Google Scholar
Jankowski, S. V.Ezra Pound’s Translation of Sophokles.” In Women of Trachis: A Version, by Pound, Ezra. New York: New Directions, 1957. xiii–xxiii.Google Scholar
Jansen, Anton. “Heracles and Friendship in Euripides and T. S. Eliot.” In Rewriting Texts Remaking Images: Interdisciplinary Perspectives. Ed. Boldt, Leslie, Federici, Corrado, and Virgulti, Ernesto. New York: Peter Lang, 2010. 8795.Google Scholar
Jeffreys, Elizabeth, ed. and trans. Digenis Akritis: The Grottaferrata and Escorial Versions. Cambridge Medieval Classics 7. Cambridge: Cambridge University Press, 1998.Google Scholar
Jenkins, Thomas E.The ‘Ultra-modern’ Euripides of Verrall, H.D., and MacLeish.” Classical and Modern Literature 27.1 (2007): 121–45.Google Scholar
Jones, David E. The Plays of T. S. Eliot. London: Routledge & Kegan Paul, 1960.Google Scholar
Junyk, Ihor. “‘A Fragment from Another Context’: Modernist Classicism and the Urban Uncanny in Rainer Maria Rilke.” Comparative Literature 62.3 (2010): 262–82.CrossRefGoogle Scholar
Katz, Daniel. American Modernism’s Expatriate Scene: The Labour of Translation. Edinburgh: Edinburgh University Press, 2007.Google Scholar
Keats, John. Keats’s Poetry and Prose. Ed. Cox, Jeffrey N.. New York: Norton, 2009.Google Scholar
Kenner, Hugh. The Poetry of Ezra Pound. Norfolk, CT: New Directions, 1951.Google Scholar
Kenner, Hugh. The Pound Era. Berkeley: University of California Press, 1971.CrossRefGoogle Scholar
Kindellan, Michael. The Late Cantos of Ezra Pound: Composition, Revision, Publication. London: Bloomsbury, 2017.Google Scholar
Knox, Bryant. “Allen Upward and Ezra Pound.” Paideuma 3.1 (1974): 7183.Google Scholar
Kodama, Sanehide, ed. Ezra Pound and Japan: Letters and Essays. Redding Ridge, CT: Black Swan, 1987.Google Scholar
Koestenbaum, Wayne. Double Talk: The Erotics of Male Literary Collaboration. New York: Routledge, 1989.Google Scholar
Kolocotroni, Vassiliki. “Still Life: Modernism’s Turn to Greece.” Journal of Modern Literature 35.2 (2012): 124.CrossRefGoogle Scholar
Kolocotroni, Vassiliki. “‘This Curious Silent Unrepresented Life’: Greek Lessons in Virginia Woolf’s Early Fiction.” Modern Language Review 100.2 (April 2005): 313–22.CrossRefGoogle Scholar
Konstan, David, trans. Hercules Mad. In Seneca, The Complete Tragedies, vol. 2. 53103.Google Scholar
Konstan, David, Hercules on Oeta. In Seneca, The Complete Tragedies, vol. 2. 105–79.Google Scholar
Korg, Jacob. Winter Love: Ezra Pound and H.D. Madison: University of Wisconsin Press, 2003.Google Scholar
Laity, Cassandra. “H.D. and A. C. Swinburne: Decadence and Modernist Women’s Writing.” Feminist Studies 15.3 (1989): 461–84.CrossRefGoogle Scholar
Laity, Cassandra. H.D. and the Victorian Fin de Siècle: Gender, Modernism, Decadence. Cambridge: Cambridge University Press, 1996.CrossRefGoogle Scholar
Lamos, Colleen. “Virginia Woolf’s Greek Lessons.” In Sapphic Modernities: Sexuality, Women and National Culture. Ed. Doan, Laura and Garrity, Jane. London: Palgrave Macmillan, 2006. 149–64.Google Scholar
Landor, Walter Savage. Gebir, Count Julian, and Other Poems. London: E. Moxon, 1831.Google Scholar
Lattimore, Richmond. “Review of H.D., Euripides’ Ion.” Poetry 51.3 (1937): 160–64.Google Scholar
Leach, Elsie. “Agamemnon as a Source of Murder in the Cathedral.” Yeats Eliot Review 11.1 (1991): 1418.Google Scholar
Lempert, Manya. Tragedy and the Modernist Novel. Cambridge: Cambridge University Press, 2020.CrossRefGoogle Scholar
Leontis, Artemis. “Greek Tragedy and Modern Dance: An Alternative Archaeology?” In The Oxford Handbook of Greek Drama in the Americas. Ed. Bosher, Kathryn, Macintosh, Fiona, McConnell, Justine, and Rankine, Patrice. Oxford: Oxford University Press, 2015. 204–20.Google Scholar
Liddell, Henry George, and Scott, Robert. A Greek–English Lexicon. Oxford: Clarendon Press, 1940.Google Scholar
Liebregts, Peter. “Ezra Pound.” In The Oxford History of Classical Reception in English Literature. Vol 5. Ed. Haynes, Kenneth. Oxford: Oxford University Press, 2019. 358–99.Google Scholar
Liebregts, Peter. Translations of Greek Tragedy in the Work of Ezra Pound. London: Bloomsbury, 2019.CrossRefGoogle Scholar
Liebregts, Peter. “W. B. Yeats and T. S. Eliot.” In The Oxford History of Classical Reception in English Literature. Vol 5. Ed. Haynes, Kenneth. Oxford: Oxford University Press, 2019. 226–66.Google Scholar
Liebregts, Peter. “‘With the sun in a golden cup’: Pound and Stesichorus in Canto 23.” In Ezra Pound and Modernism: The Irish Factor. Ed. Baumann, Walter and Pratt, William. Brighton: Edward Everett Root, 2017. 5969.Google Scholar
Liebregts, Peter. “Wrestling with Verbiage: Ezra Pound, Thomas Stanley and Aeschylus.” In Ezra Pound and London: New Perspectives. Ed. Baumann, Walter and Pratt, William. New York: AMS Press, 2015. 95109.Google Scholar
Lightfoot, Marjorie J.Charting Eliot’s Course in Drama.” Educational Theatre Journal 20.2 (1968): 186–97.CrossRefGoogle Scholar
Liveley, Genevieve. “‘After his wine-dark sea’: H.D. in Homer.” In Cox, and Theodorakopoulos, , eds., Homer’s Daughters. 2138.CrossRefGoogle Scholar
Longenbach, James. Modernist Poetics of History: Pound, Eliot, and a Sense of the Past. Princeton: Princeton University Press, 1987.CrossRefGoogle Scholar
Longenbach, James. Stone Cottage: Pound, Yeats, and Modernism. New York: Oxford University Press, 1988.Google Scholar
Lady Lumley, trans. Iphigenia at Aulis. Ed. Child, Harold H.. n.p.: Malone Society Reprints, 1909.Google Scholar
Lyon, Melvin E. H.D.’s Hippolytus Temporizes: Text and Context. Lincoln: University of Nebraska Press, 1991.Google Scholar
Macintosh, Fiona. “Tragedy in Performance: Nineteenth- and Twentieth-Century Productions.” The Cambridge Companion to Greek Tragedy. Ed. Easterling, P. E.. Cambridge: Cambridge University Press, 1997. 284323.CrossRefGoogle Scholar
Mackail, J. W.A Note on the Classical Revival.” TLS 746 (May 4, 1916): 205.Google Scholar
Mackail, J. W., ed. and trans. Select Epigrams from the Greek Anthology. 3rd ed. London: Longmans, 1911.Google Scholar
MacKay, Marina. Modernism and World War ii. Cambridge: Cambridge University Press, 2007.CrossRefGoogle Scholar
Marlowe, Christopher. The Complete Plays. Ed. Steane, J. B.. London: Penguin, 1986.Google Scholar
Marsden, Dora. “Concerning the Beautiful.” The New Freewoman 1.6 (1913): 102–04.Google Scholar
Marsh, Alec. Ezra Pound’s Washington Cantos and the Struggle for Light. London: Bloomsbury, 2021.CrossRefGoogle Scholar
Marsh, Alec. “Will This Yowling Never Cease? The Pound/Agresti Correspondence and the Changing Scope of Ezra Pound Studies.” In Feldman, et al., eds., Historicizing Modernists. 8797.Google Scholar
Marshall, C. W. The Structure and Performance of Euripides’ Helen. Cambridge: Cambridge University Press, 2014.CrossRefGoogle Scholar
Martin, Meredith. The Rise and Fall of Meter: Poetry and National Culture, 1860–1930. Princeton: Princeton University Press, 2012.Google Scholar
Martindale, Charles. Redeeming the Text: Latin Poetry and the Hermeneutics of Reception. New York: Cambridge University Press, 1993.Google Scholar
Mastronarde, Donald. “The Gods.” A Companion to Greek Tragedy. Ed. Gregory, Justina. London: Blackwell, 2005. 321–32.Google Scholar
Mauriac, Henry M. deAlexander the Great and the Politics of ‘Homonoia.’Journal of the History of Ideas 19 (1949): 104–14.Google Scholar
Mavrogordato, John, ed. and trans. Digenes Akrites. Oxford: Clarendon Press, 1956.Google Scholar
McCallum Barry, Carmel. “Learned Women of the Renaissance and Early Modern Period.” In Women Classical Scholars: Unsealing the Fountain from the Renaissance to Jacqueline de Romilly. Ed. Wyles, Rosie and Hall, Edith. Oxford: Oxford University Press, 2016. 2947.CrossRefGoogle Scholar
McDonald, Marianne. The Living Art of Greek Tragedy. Bloomington: Indiana University Press, 2003.CrossRefGoogle Scholar
Meltzer, Gary S.‘Where is the glory of Troy?’ Kleos in Euripides’ Helen.” Classical Antiquity 13.2 (1994): 234–55.CrossRefGoogle Scholar
Michelini, Ann Norris. Euripides and the Tragic Tradition. Madison: University of Wisconsin Press, 1987.Google Scholar
Milicia, Joseph. “H.D.’s ‘Athenians’: Son and Mother in ‘Hedylus.’” H.D. Centennial Issue, Contemporary Literature 27 (1986): 574–94.CrossRefGoogle Scholar
Mills, Jean. Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism. Columbus: Ohio State University Press, 2014.Google Scholar
Monroe, Harriet. “Notes and Annoucements.” Poetry 1 (1912): 6465.Google Scholar
Moore, Marianne. The Poems of Marianne Moore. Ed. Schulman, Grace. New York: Viking, 2003.Google Scholar
Morris, Adalaide. How to Live/What to Do: H.D.’s Cultural Poetics. Urbana: University of Illinois Press, 2003.Google Scholar
Murnaghan, Sheila. “H.D., Daughter of Helen: Mythology as Actuality.” In American Women and Classical Myths. Ed. Staley, Gregory A.. Waco: Baylor University Press, 2008. 6384.Google Scholar
Murray, Gilbert. Euripides and His Age. New York: Henry Holt, 1913.Google Scholar
Murray, Gilbert. A History of Ancient Greek Literature. New York: Appleton, 1903.Google Scholar
Nicholls, Peter. “‘2 doits to a boodle’: Reckoning with Thrones.” Textual Practice 18.2 (2004): 233–49.CrossRefGoogle Scholar
Nicholls, Peter. Ezra Pound: Politics, Economics and Writing. Atlantic Highlands, NJ: Humanities Press, 1984.CrossRefGoogle Scholar
Nicholls, Peter. “Late Pound: The Case of Canto cvii.” Journal of Philosophy 8.20 (2015): 116.Google Scholar
Niesen de Abruña, Laura. “Lengthened Shadow of a Myth: The Herakles Motif in T. S. Eliot’s Works.” South Atlantic Review 52.2 (1987): 6584.CrossRefGoogle Scholar
Nietzsche, Friedrich. The Birth of Tragedy. In Basic Writings of Nietzsche. Trans. Kaufmann, Walter. New York: Random House, 2000.Google Scholar
Nisbet, Gideon. Greek Epigram in Reception: J. A. Symonds, Oscar Wilde, and the Invention of Desire, 1805–1929. Oxford: Oxford University Press, 2013.CrossRefGoogle Scholar
North, Michael. The Dialect of Modernism: Race, Language, and Twentieth-Century Literature. New York: Oxford University Press, 1994.CrossRefGoogle Scholar
Olcott, Marianina. “Metre and Translation in Pound’s Women of Trachis.” San José Studies 12 (1986): 111–18.Google Scholar
Olson, Charles. Charles Olson and Ezra Pound: An Encounter at St. Elizabeths. Ed. Seelye, Catherine. New York: Viking, 1975.Google Scholar
Parker, Richard. “Some Contexts for Canto xcvi.” Glossator 10 (2018): 126.Google Scholar
Pater, Walter. Greek Studies: A Series of Essays. Oxford: Blackwell, 1973.Google Scholar
Paton, W. R., ed. and trans. The Greek Anthology. 5 vols. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1916–18.Google Scholar
Patterson, Ian. “Time, Free Verse, and the Gods of Modernism.” In Tradition, Translation, Trauma: The Classic and the Modern. Ed. Parker, Jan and Mathews, Timothy. Oxford: Oxford University Press, 2011. 175–90.Google Scholar
Pausanias, . Guide to Greece. Vol. 2. Trans. Levi, Peter. New York: Penguin, 1984.Google Scholar
Pearcy, Lee T.Grecian Theater in Philadelphia: 1800–1870.” In The Oxford Handbook of Greek Drama in the Americas. Ed. Bosher, Kathryn, Macintosh, Fiona, McConnell, Justine, and Rankine, Patrice. Oxford: Oxford University Press, 2015. 5369.Google Scholar
Pedrick, Victoria. Euripides, Freud, and the Romance of Belonging. Baltimore: Johns Hopkins University Press, 2007.CrossRefGoogle Scholar
Perris, Simon. “The Gentle, Jealous God”: Reading Euripides’ Bacchae in English. London: Bloomsbury, 2016.Google Scholar
Pfeijffer, Ilja Leonard. “Shifting Helen: An Interpretation of Sappho, Fragment 16.” Classical Quarterly 50.1 (2000): 16.CrossRefGoogle Scholar
Plotinus. Ennead iii. Trans. Armstrong, A. H.. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1967.Google Scholar
Pohlsander, H. A. Metrical Studies in the Lyrics of Sophocles. Leiden: Brill, 1964.CrossRefGoogle Scholar
Pound, Ezra. The ABC of Reading. New Haven: Yale University Press, 1934.Google Scholar
Pound, Ezra. “An Anachronism at Chinon.” Little Review 4.2 (June 1917): 1421.Google Scholar
Pound, Ezra. “The Art of Poetry: An Interview with Ezra Pound.” Ed. Ray, David. Paris Review 7.28 (1962): 2251.Google Scholar
Pound, Ezra. The Cantos. New York: New Directions, 1996.Google Scholar
Pound, Ezra. “The Caressability of the Greeks.” Egoist 1.6 (March 16, 1914), 117.Google Scholar
Pound, Ezra. “Exhibition at the Goupil Gallery.” Egoist 1.6 (1914): 109.Google Scholar
Pound, Ezra. Ezra Pound and Dorothy Shakespear, Their Letters, 1909–1914. Ed. Pound, Omar and Litz, A. Walton. New York: New Directions, 1984.Google Scholar
Pound, Ezra. Ezra Pound’s Poetry and Prose: Contributions to Periodicals. 11 vols. Ed. Baechler, Lea, Litz, A. Walton, and Longenbach, James. New York: Garland, 1991.Google Scholar
Pound, Ezra. Gaudier-Brzeska: A Memoir. New York: New Directions, 1970.Google Scholar
Pound, Ezra. Guide to Kulchur. New York: New Directions, 1970.Google Scholar
Pound, Ezra. “Hellenist Series v.” Egoist 6.1 (January–February 1919): 69.Google Scholar
Pound, Ezra. “Hellenist Series vi.” Egoist 6.2 (March–April 1919): 2425.Google Scholar
Pound, Ezra. Instigations. New York: Boni and Liveright, 1920.Google Scholar
Pound, Ezra. “The Island of Paris: A Letter.” The Dial 69 (December 1920): 635–39.Google Scholar
Pound, Ezra. The Selected Letters of Ezra Pound, 1907–1941. Ed. D. D. Paige. New York: New Directions, 1971.Google Scholar
Pound, Ezra. The Letters of Ezra Pound to Alice Corbin Henderson. Ed. Nadel, Ira B.. Austin: University of Texas Press, 1993.Google Scholar
Pound, Ezra. Literary Essays. Norfolk, CT: New Directions, 1968.Google Scholar
Pound, Ezra. “The New Sculpture.” Egoist 1.4 (February 16, 1914): 6768.Google Scholar
Pound, Ezra. Poems and Translations. Ed. Sieburth, Richard. New York: Library of America, 2003.Google Scholar
Pound, Ezra. “Poesies 1917–1920, Jean Cocteau.” The Dial 70 (January 1921): 110.Google Scholar
Pound, Ezra. Polite Essays. London: Faber & Faber, 1937.Google Scholar
Pound, Ezra. “Rabindranath Tagore.” Fortnightly Review 93.55 (1913): 571–79.Google Scholar
Pound, Ezra. Review of Certain Noble Plays of Japan and Noh, or Accomplishment. Little Review 4.4 (1917): 810.Google Scholar
Pound, Ezra. Selected Prose, 1909–1965. Ed. Cookson, William. New York: New Directions, 1973.Google Scholar
Pound, Ezra. The Spirit of Romance. Ed. Sieburth, Richard. New York: New Directions, 2005.Google Scholar
Pound, Ezra. “Status Rerum.” Poetry 1.4 (1913): 123–27.Google Scholar
Pound, Ezra. “Tagore’s Poems.” Poetry 3 (1912): 9294.Google Scholar
Pound, Ezra, trans. “Dialogues of Fontenelle v.” Egoist 3.9 (September 1916): 133–34.Google Scholar
Pound, Ezra, “Women of Trachis.” Hudson Review 6.4 (1954): 487523.CrossRefGoogle Scholar
Pound, Ezra, and Fleming, Rudd. Elektra. Princeton: Princeton University Press, 1989.Google Scholar
Pound, Ezra, and Spann, Marcella, eds. Confucius to Cummings: An Anthology of Poetry. New York: New Directions, 1964.Google Scholar
Pound, Omar, and Spoo, Robert, eds. Ezra and Dorothy Pound: Letters in Captivity, 1945–1946. New York: Oxford University Press, 1999.Google Scholar
Preston, Carrie J. Learning to Kneel: Noh, Modernism, and Journeys in Teaching. New York: Columbia University Press, 2016.Google Scholar
Prins, Yopie. Ladies’ Greek. Princeton: Princeton University Press, 2017.Google Scholar
Prins, Yopie. “Metrical Translation: Nineteenth-Century Homers and the Hexameter Mania.” In Nation, Language and the Ethics of Translation. Ed. Bermann, Sandra and Wood, Michael. Princeton: Princeton University Press, 2005. 229–56.Google Scholar
Prins, Yopie. Victorian Sappho. Princeton: Princeton University Press, 1999.CrossRefGoogle Scholar
Prins, Yopie. “‘Violence bridling speech’: Browning’s Translation of Aeschylus’ Agamemnon.” Victorian Poetry 27 (1989): 151–70.Google Scholar
Quinn, Josephine. In Search of the Phoenicians. Princeton: Princeton University Press, 2018.CrossRefGoogle Scholar
Rabaté, Jean-Michel. Language, Sexuality, and Ideology in Ezra Pound’s Cantos. Albany: SUNY Press, 1986.CrossRefGoogle Scholar
Rainey, Lawrence S. Ezra Pound and the Monument of Culture: Text, History, and the Malatesta Cantos. Chicago: University of Chicago Press, 1991.Google Scholar
Read, Forrest, ed. Pound/Joyce. New York: New Directions, 1967.Google Scholar
Reck, Michael. Ezra Pound: A Close-Up. New York: McGraw Hill, 1967.Google Scholar
Reckford, Kenneth J. “Heracles and Mr. Eliot.” Comparative Literature 16.1 (1964): 118.CrossRefGoogle Scholar
Reid, Richard. “Introduction.” In Elektra by Pound, Ezra and Fleming, Rudd. Princeton, NJ: Princeton University Press, 1989. ix–xx.Google Scholar
Reynolds, Margaret. The Sappho History. New York: Palgrave, 2003.Google Scholar
Richards, Joshua. “Aristophanic Structures in Sweeney Agonistes, ‘The Hollow Men,’ and Murder in the Cathedral.” T. S. Eliot Studies Annual 1 (2017): 157–76.CrossRefGoogle Scholar
Ricks, Christopher. T. S. Eliot and Prejudice. London: Faber & Faber, 1988.Google Scholar
Riikonen, H. K.Ezra Pound and the Greek Anthology.” Quaderni di Palazzo Serra 15 (2008): 181–94.Google Scholar
Rives, Rochelle. Modernist Impersonalities: Affect, Authority, and the Subject. New York: Palgrave Macmillan, 2012.CrossRefGoogle Scholar
Robinson, Douglas, ed. Western Translation Theory from Herodotus to Nietzsche. New York: Routledge, 2002.Google Scholar
Rogers, Gayle. Incomparable Empires: Modernism and the Translation of Spanish and American Literature. New York: Columbia University Press, 2016.CrossRefGoogle Scholar
Rogers, Gayle. “Translation.” In Hayot, and Walkowitz, , eds., A New Vocabulary for Global Modernism. 248–62.Google Scholar
Rohrbach, Erika. “H.D. and Sappho: ‘A precious inch of palimpsest.’” In Re-Reading Sappho: Reception and Transmission. Ed. Greene, Ellen. Berkeley: University of California Press, 1996. 184–98.Google Scholar
Rosenblitt, J. Alison. E.E. Cummings’ Modernism and the Classics: Each Imperishable Stanza. Oxford: Oxford University Press, 2016.CrossRefGoogle Scholar
Rosenmeyer, P. A.Her Master’s Voice: Sappho’s Dialogue with Homer.” Materiali e discussioni 39 (1997): 123–49.Google Scholar
Ruthven, K. K. A Guide to Ezra Pound’s Personae. Berkeley: University of California Press, 1969.CrossRefGoogle Scholar
Sansone, David. “Theonoe and Theoclymenus.” Symbolae Osloenses 60 (1985): 1736.CrossRefGoogle Scholar
Schleiermacher, Friedrich. “On the Different Methods of Translating,” trans. Robinson, Douglas. In Western Translation Theory from Herodotus to Nietzsche. Ed. Robinson, Douglas. New York: Routledge, 2002. 225–38.Google Scholar
Scott, Jill. Electra after Freud. Ithaca, NY: Cornell University Press, 2005.Google Scholar
Seelbach, Wilhelm. “Ezra Pound und Sappho fr. 95 L.-P.” Antike und Abendland 16.1 (1970): 8384.CrossRefGoogle Scholar
Segal, Charles. “The Two Worlds of Euripides’ Helen.” Transactions and Proceedings of the American Philological Association 102 (1971): 553614.CrossRefGoogle Scholar
Seneca. The Complete Tragedies. Vol. 2. Ed. Bartsch, Shadi. Chicago: University of Chicago Press, 2017.Google Scholar
Severin, Laura. “Cutting Philomela’s Tongue: The Cocktail Party’s Cure for a Disorderly World.” Modern Drama 36.3 (1993): 396408.Google Scholar
Shelley, P. B.Preface to Prometheus Unbound.” In Shelley’s Poetry and Prose. Ed. Reiman, Donald H. and Fraistat, Neil. Norton Critical Edition, 2nd ed. New York: Norton, 2002. 206–09.Google Scholar
Shioji, Ursula. Ezra Pound’s Pisan Cantos and the Noh. Frankfurt: Peter Lang, 1998.Google Scholar
Silva, Maria de Fátima. “Helen.” In Brill’s Companion to the Reception of Euripides. Leiden: Brill, 2015. 174–98.Google Scholar
Slatkin, Laura. The Power of Thetis: Allusion and Interpretation in the Iliad. Berkeley: University of California Press, 1992.Google Scholar
Smith, Carol H. T. S. Eliot’s Dramatic Theory and Practice: From Sweeney Agonistes to the Elder Statesman. Princeton: Princeton University Press, 1963.CrossRefGoogle Scholar
Smith, William. Dictionary of Greek and Roman Biography and Mythology. Vol. 2. London: J. Murray, 1876.Google Scholar
Solmsen, Friedrich.ΟΝΟΜΑ and ΠΡΑΓΜΑ in Euripides’ Helen.” Classical Review 48.4 (1934): 119–21.Google Scholar
Sophocles, . Antigone. Trans. Lloyd-Jones, Hugh. In Sophocles: Works, English and Greek. Vol. 2. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1994.Google Scholar
Sophocles, . The Antigone. Ed. and trans. Jebb, Sir Richard C.. In The Plays and Fragments. Part iii. Cambridge: Cambridge University Press, 1900.Google ScholarGoogle Scholar
Sophocles, . Electra. Trans. Carson, Anne. Introduction and notes Shaw, Michael. Oxford: Oxford University Press, 2001.Google Scholar
Sophocles, . Electra. Trans. Lloyd-Jones, Hugh. In Sophocles: Works, English and Greek. Vol. 1. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1994.Google Scholar
Sophocles, . The Electra. Ed. and trans. Sir Richard C. Jebb. In The Plays and Fragments. Part VI. Cambridge: Cambridge University Press, 1894. Reprinted as Sophocles: Plays. Gen. ed. P. E. Easterling. London: Bristol Classical Press, 2004.Google Scholar
Sophocles, . The Trachiniae. Ed. and trans. Sir Richard C. Jebb. In The Plays and Fragments. Part V. Cambridge: Cambridge University Press, 1902. Reprinted as Sophocles: Plays. Gen. ed. P. E. Easterling. London: Bristol Classical Press, 2004.Google Scholar
Sophocles, . The Women of Trachis. Trans. Hugh Lloyd-Jones. In Sophocles: Works, English and Greek. Vol. 2. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1994.Google Scholar
Speare, M. E. The Pocket Book of Verse: Great English and American Poems. New York: Pocket Books, 1940.Google Scholar
Spencer, Terence. Fair Greece! Sad Relic: Literary Philhellenism from Shakespeare to Byron. London: Weidenfeld & Nicolson, 1954.Google Scholar
Spiro, Joanna. “Weighed in the Balance: H.D.’s Resistance to Freud in ‘Writing on the Wall.’American Imago 2.2 (2001): 597621.CrossRefGoogle Scholar
Staley, Gregory A.T. S. Eliot’s Seneca.” In Brill’s Companion to Roman Tragedy. Ed. Harrison, George W. M.. Leiden: Brill, 2015. 348–63.Google Scholar
Steiner, George, ed. Homer in English. New York: Penguin, 1996.Google Scholar
Stergiopoulou, Katerina. “‘And a good job’?: Elektrifying English at St. Elizabeths.” Journal of Modern Literature 39.1 (2015): 87111.CrossRefGoogle Scholar
Stergiopoulou, Katerina. “Between the Lines: Seferis Anti-writing Pound’s Homer.” Comparative Literature 66.4 (2014): 375–98.CrossRefGoogle Scholar
Stergiopoulou, Katerina. “Translating the Greeks.” In Translation: Crafts, Contexts, Consequences. Ed. Steyn, Jan. Cambridge: Cambridge University Press, 2022. 82111.CrossRefGoogle Scholar
Steven, Mark. “Shipwrecks and Mountaintops: Notes on Canto cii.” Glossator 10 (2018): 185213.Google Scholar
Storer, Edward. “Poetic Drama.” Egoist 4.11 (December 1917): 173–74.Google Scholar
Sullivan, J. P.Ezra Pound and the Classics.” In New Approaches to Ezra Pound: A Co-ordinated Investigation of Pound’s Poetry and Ideas. Ed. Hesse, Eva. London: Faber, 1969. 215–41.Google Scholar
Summers, Walter. “The Authorship of the Hercules Oetaeus.” Classical Review 19.1 (1905): 4054.CrossRefGoogle Scholar
Surette, Leon. A Light from Eleusis: A Study of Ezra Pound’s Cantos. Oxford: Clarendon Press, 1979.Google Scholar
Suzuki, Mihoko. Metamorphoses of Helen: Authority, Difference, and the Epic. Ithaca, NY: Cornell University Press, 1989.Google Scholar
Swinburne, Algernon Charles. Major Poems and Selected Prose. Ed. McGann, Jerome and Charles L., Sligh. New Haven: Yale University Press, 2004.Google Scholar
Sword, Helen. “Leda and the Modernists.” PMLA 107.2 (1992): 305–18.Google Scholar
Syros, Christine. “Beyond Language: Ezra Pound’s Translation of the Sophoclean Electra.” Paideuma 23 (1994): 107–39.Google Scholar
Taxidou, Olga. Tragedy, Modernity and Mourning. Edinburgh: Edinburgh University Press, 2004.Google Scholar
Tearle, Oliver. T. E. Hulme and Modernism. London: Bloomsbury, 2013.CrossRefGoogle Scholar
Terrell, Carroll. A Companion to the Cantos of Ezra Pound. Berkeley: University of California Press, 1980–84.Google Scholar
Tiffany, Daniel. Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Tryphonopoulos, Demetres P., and Surette, Leon, eds. I cease not to yowl”: Ezra Pound’s Letters to Olivia Rossetti Agresti. Urbana and Chicago: University of Illinois Press, 1998.Google Scholar
Turner, Frank M.Why the Greeks and Not the Romans in Victorian Britain.” In Rediscovering Hellenism: The Hellenic Inheritance and the English Imagination. Ed. Clarke, G. W., with the assistance of Bade, J. C.. Cambridge: Cambridge University Press, 1989. 6181.Google Scholar
Twitchell-Waas, Jeffrey. “Seaward: H.D.’s Helen in Egypt as a Response to Pound’s Cantos.” Twentieth Century Literature 44.4 (1998): 464–83.CrossRefGoogle Scholar
Verrall, A. W., ed. and trans. The Ion of Euripides. Cambridge: Cambridge University Press, 1890.Google Scholar
Way, Arthur S., trans. Euripides. Vol. 4. London: Heinemann, 1916.Google Scholar
Wenthe, William. “‘The hieratic dance’: Prosody and the Unconscious in H.D.’s Poetry.” Sagetrieb 14.1/2 (1995): 113–40.Google Scholar
Whiteman, Bruce. “Sappho; or, on Loss.” Hudson Review 66.4 (2014): 673–88.Google Scholar
Whitman, Walt. Poetry and Prose. New York: Library of America, 1996.Google Scholar
Whittier-Ferguson, John. Framing Pieces: Designs of the Gloss in Joyce, Woolf, and Pound. Oxford: Oxford University Press, 1996.CrossRefGoogle Scholar
Whittier-Ferguson, John. Mortality and Form in Late Modernist Literature. Cambridge: Cambridge University Press, 2014.CrossRefGoogle Scholar
Wilamowitz-Moellendorf, Ulrich von. Euripides Ion. Berlin: Weidman, 1926.Google Scholar
Wiles, David. “Sophoclean Diptychs: Modern Translations of Dramatic Poetry.” Arion Third Series 13.1 (2005): 926.Google Scholar
Williams, William Carlos. Imaginations. Ed. Schott, Webster. New York: New Directions, 1971.Google Scholar
Williams, William Carlos. Paterson. Ed. MacGowan, Christopher. New York: New Directions, 1995.Google Scholar
Wilson, Emily. “Introduction.” Seneca: Six Tragedies. Ed. and trans. Wilson, Emily. Oxford: Oxford University Press, 2010. vii–xxvi.Google Scholar
Winckelmann, Johann Joachim. Werke. Vol. 1. Stuttgart: Hoffmann, 1847.Google Scholar
Wohl, Victoria. Euripides and the Politics of Form. Princeton: Princeton University Press, 2015.Google Scholar
“The Women of Trachis: A Symposium.” Ezra Pound Newsletter 5 (January 1955): 38.Google Scholar
Woolf, Virginia. “On Not Knowing Greek.” In The Common Reader. New York: Harcourt, 1948. 3959.Google Scholar
Worman, Nancy. Virginia Woolf’s Greek Tragedy. London: Bloomsbury, 2019.Google Scholar
Worsley, T. C.Mr Eliot at Colonus.New Statesman (August 30, 1958): 245–46.Google Scholar
Xie, Ming. Ezra Pound and the Appropriation of Chinese Poetry. New York: Garland, 1999.Google Scholar
Yao, Steven G. Translation and the Languages of Modernism: Gender, Politics, Language. New York: Palgrave Macmillan, 2002.CrossRefGoogle Scholar
Yeats, William Butler. “Introduction.” In Oxford Book of Modern Verse, 1892–1935. Oxford: Clarendon Press, 1936. v–xlii.Google Scholar
Yeats, William Butler. The Poems. The Collected Works of W. B. Yeats. Vol. 1. Ed. Finneran, Richard J.. New York: Scribner, 1997.Google Scholar
Zeitlin, Froma. Playing the Other: Gender and Society in Classical Greek Literature. Chicago: University of Chicago Press, 1996.Google Scholar
Zilboorg, Caroline, ed. Richard Aldington and H.D.: Their Lives in Letters 1918–61. Manchester: Manchester University Press, 2003.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Katerina Stergiopoulou, University of Edinburgh
  • Book: Modernist Hellenism
  • Online publication: 21 November 2024
  • Chapter DOI: https://doi.org/10.1017/9781009371469.014
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Katerina Stergiopoulou, University of Edinburgh
  • Book: Modernist Hellenism
  • Online publication: 21 November 2024
  • Chapter DOI: https://doi.org/10.1017/9781009371469.014
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Katerina Stergiopoulou, University of Edinburgh
  • Book: Modernist Hellenism
  • Online publication: 21 November 2024
  • Chapter DOI: https://doi.org/10.1017/9781009371469.014
Available formats
×