Book contents
- Messiaen in Context
- Composers in Context
- Messiaen in Context
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Abbreviations
- Part I Mondial Messiaen
- Chapter 1 Introduction
- Chapter 2 Messiaen’s Family
- Chapter 3 Yvonne Loriod
- Chapter 4 Messiaen and the Paris Conservatoire
- Chapter 5 Messiaen and Classical India and Greece
- Chapter 6 Messiaen and the USA
- Chapter 7 Messiaen and the Idea of Japan
- Chapter 8 Messiaen and China
- Chapter 9 Messiaen and Australia
- Part II Messiaen and Theology
- Part III Composers, Performers, and Critics
- Part IV Concepts and Legacy
- Select Bibliography
- Index
Chapter 9 - Messiaen and Australia
The Composer as Lyrebird
from Part I - Mondial Messiaen
Published online by Cambridge University Press: 09 November 2023
- Messiaen in Context
- Composers in Context
- Messiaen in Context
- Copyright page
- Contents
- Figures
- Tables
- Musical Examples
- Contributors
- Abbreviations
- Part I Mondial Messiaen
- Chapter 1 Introduction
- Chapter 2 Messiaen’s Family
- Chapter 3 Yvonne Loriod
- Chapter 4 Messiaen and the Paris Conservatoire
- Chapter 5 Messiaen and Classical India and Greece
- Chapter 6 Messiaen and the USA
- Chapter 7 Messiaen and the Idea of Japan
- Chapter 8 Messiaen and China
- Chapter 9 Messiaen and Australia
- Part II Messiaen and Theology
- Part III Composers, Performers, and Critics
- Part IV Concepts and Legacy
- Select Bibliography
- Index
Summary
This chapter examines Messiaen’s fascination and engagement with Australia. In particular, it focusses on Messiaen’s engagement with notable figures in that country, and some of his activities on his visit to Australia in 1988. In particular, it discusses Messiaen’s engagement with Australian birds (especially the lyrebird), and with Australian composers and musicians.
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- Messiaen in Context , pp. 76 - 84Publisher: Cambridge University PressPrint publication year: 2023