Book contents
- Mark Twain in Context
- Mark Twain in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- Chronology
- Abbreviations
- Part I Life
- Part II Literary Contexts
- Part III Historical and Cultural Contexts
- Part IV Reception and Criticism
- Part V Historical, Creative, and Cultural Legacies
- Chapter 32 Film, Television, and Theater Adaptations
- Chapter 33 Copyright, Trademark, and Brand
- Chapter 34 Mark Twain Sites
- Further Reading
- Index
- References
Chapter 33 - Copyright, Trademark, and Brand
from Part V - Historical, Creative, and Cultural Legacies
Published online by Cambridge University Press: 12 December 2019
- Mark Twain in Context
- Mark Twain in Context
- Copyright page
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- Chronology
- Abbreviations
- Part I Life
- Part II Literary Contexts
- Part III Historical and Cultural Contexts
- Part IV Reception and Criticism
- Part V Historical, Creative, and Cultural Legacies
- Chapter 32 Film, Television, and Theater Adaptations
- Chapter 33 Copyright, Trademark, and Brand
- Chapter 34 Mark Twain Sites
- Further Reading
- Index
- References
Summary
Within his lifetime, Mark Twain established his alter ego as a brand, a recognizable commodity used to sell books, of course, but also inventions of his like Mark Twain’s Patented Self-Pasting Scrapbook. His name and likeness were used to sell cigars, whiskey, and a number of other products. After his death in 1910, his popularity and brand endured, even grew. He became a character that others used for their own purposes, until he has today become an icon and symbol of America. The history of Mark Twain’s use in popular culture is a fascinating study.
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- Information
- Mark Twain in Context , pp. 341 - 353Publisher: Cambridge University PressPrint publication year: 2020