Introduction

The renewed and persistent interest in the Mahabharata in the twentieth century has most often been linked to the rise of the Indian national(ist) movement in general and a specific nativist and parochial understanding of nationalism in particular. Seen from this perspective, the interest in the Mahabharata stands for an understanding of modern India that is based on the presumption of an ancient and everlasting homogeneous identity of the Indian people as well as a forced equation of ‘Indian’ with ‘Hindu’. While this standard account of the relationship between the Indian epics and right-wing nationalism has been as influential as it is convincing, it fails to analyse the larger historical and epistemological changes that provided the background for the renewed interest in the epic as form. In order to address this epistemological aspect, I propose to look at the larger history of the epic and the construction of a national identity in a global context in order to ask what prompted the interest in the epics on a functional level. Why were they read and retold so many times apart from the certainly true but hardly sufficient reason of them serving as a reminder of and evidence for the existence of a historical basis for the allegedly homogeneous identity in question?

In order to engage with the global significance as well as the philosophical and political implications of the relationship between the epic and nationalism, I look at three specific actors and at how they drew from, as well as referred and contributed to, the discourse on the epic form through their specific reading and reception of the Mahabharata: Friedrich Schlegel's analysis of the allegedly shared roots of Indo-European philosophical thought in ancient folk literature (specifically in his book Über die Sprache und Weisheit der Indier, 1808), Maithilisharan Gupt's attempt to recount the history of India as the history of the Aryan race from the mythico-historical times of the Mahabharata to the future of an independent India in his long narrative poem Bharat Bharati (1912), and Jawaharlal Nehru's seemingly uneasy (as well as rather sporadic) rejection of any form of a potentially political engagement with the Mahabharata as inevitably contributing to a parochial and Hindu supremacist notion of Indian nationalism.