Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-23T14:51:22.436Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  30 April 2020

Nil Santiáñez
Affiliation:
St Louis University, Missouri
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
The Literature of Absolute War
Transnationalism and World War II
, pp. 241 - 268
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abraham, Nicolas, and Török, Mária, The Shell and the Kernel: Renewals of Psychoanalysis, trans. and ed. Rand, Nicholas T. (University of Chicago Press, 1994).Google Scholar
Adams, Robert Martin, Nil: Episodes in the Literary Conquest of Void during the Nineteenth Century (Oxford University Press, 1966).Google Scholar
Adkins, Joan F., “Sacrifice and Dehumanization in Plievier’s Stalingrad,” War, Literature, and the Arts 2.1 (1990), 122.Google Scholar
Agamben, Giorgio, Nudities, trans. Kishik, David and Pedatella, Stefan (Stanford University Press, 2011).Google Scholar
Agamben, Giorgio, Remnants of Auschwitz: The Witness and the Archive, trans. Heller-Roazen, Daniel (New York: Zone Books, 1999).Google Scholar
Agawa, Hiroyuki, Devil’s Heritage, trans. Maki, John (Tokyo: Hokuseido Press, 1957).Google Scholar
Agazzi, Elena, and Schütz, Erhard, eds., Heimkehr. Eine zentrale Kategorie der Nachkriegszeit (Berlin: Duncker & Humblot, 2010).CrossRefGoogle Scholar
Aglan, Alya, and Frank, Robert, eds., 1937–1947: La guerre-monde, 2 vols. (Paris: Gallimard, 2015).Google Scholar
Ahrens, Jörn, “Macht der Gewalt. Hannah Arendt, Theodor W. Adorno und die Prosa Gert Ledigs,” Literatur für Leser 24.3 (2001), 165–78.Google Scholar
Allport, Alan, Demobbed: Coming Home after the Second World War (New Haven, CT: Yale University Press, 2009).Google Scholar
Alt, Peter-André, “Der Schelm und die Nazis. Ordnungsstörung als pikareskes Prinzip im Erzählen über das Dritte Reich: Malaparte, Grass und Littell,” Wilde Lektüren. Literatur und Leidenschaft, ed. Amthor, Wiebke, Hille, Almut, and Scharnowski, Susanne (Bielefeld: Aisthesis, 2012), 383407.Google Scholar
Améry, Jean, At the Mind’s Limits: Contemplations by a Survivor on Auschwitz and Its Realities, trans. Sidney Rosenfeld and Stella P. Rosenfeld (Bloomington, IN: Indiana University Press, 1980).Google Scholar
Anderson, K. L., “A Horrid, Malicious, Bloody Flame: Elegy, Irony and Rose Macaulay’s Blitzed London,” Literary London: Interdisciplinary Studies in the Representation of London 5.2 (2007), www.literarylondon.org, accessed September 14, 2016.Google Scholar
Andrews, Colman, “Eating Malaparte,” Malaparte: A House Like Me, ed. McDonough, Michael and Wolfe, Tom (New York: Clarkson Potter, 1999), 150–55.Google Scholar
Arendt, Hannah, Eichmann in Jerusalem: A Report on the Banality of Evil, revised and expanded ed. (New York: Penguin, 1994).Google Scholar
Arendt, Hannah, The Origins of Totalitarianism, new ed. (New York: Harcourt Brace and Company, 1979).Google Scholar
Arnold, Jörg, The Allied Air War and Urban Memory: The Legacy of Strategic Bombing in Germany (Cambridge University Press, 2011).Google Scholar
Aron, Raymond, The Century of Total War (New York: Doubleday & Company, 1954).Google Scholar
Aron, Raymond, Penser la guerre, Clausewitz (Paris: Gallimard, 1976).Google Scholar
Assmann, Aleida, Der lange Schatten der Vergangenheit. Erinnerungskultur und Geschichtspolitik (Munich: C. H. Beck, 2006).Google Scholar
AtomicBombMuseum.org, www.atomicbombmuseum.org, 2006, accessed March 13, 2015.Google Scholar
Baldoli, Claudia, and Knapp, Andrew, Forgotten Blitzes: France and Italy under Allied Air Attack, 1940–1945 (London: Continuum, 2012).Google Scholar
Baldoli, Claudia, Knapp, Andrew, and Overy, Richard, eds., Bombing, States and Peoples in Western Europe, 1940–1945 (London: Continuum, 2011).Google Scholar
Balzer, Bernd, Wolfgang Borchert. Draußen vor der Tür (Frankfurt am Main: Diesterweg, 1983).Google Scholar
Bance, Alan F., “The Brutalization of Warfare on the Eastern Front: History and Fiction,” The Second World War in Literature: Eight Essays, ed. Higgins, Ian (Edinburgh: Scottish Academic Press, 1986), 97114.Google Scholar
Banchelli, Eva, “Heimkehr als Gründungsmythos: Walter Kolbenhoff,” Heimkehr. Eine zentrale Kategorie der Nachkriegszeit, ed. Agazzi, Elena and Schütz, Erhard (Berlin: Duncker & Humblot, 2010), 117–28.Google Scholar
Barjonet, Aurélie, and Razinsky, Liran, eds., Writing the Holocaust Today: Critical Perspectives on Jonathan Littell’s The Kindly Ones (Amsterdam: Rodopi, 2012).Google Scholar
Barnhart, Michael A., Japan Prepares for Total War: The Search for Economic Security, 1919–1941 (Ithaca, NY: Cornell University Press, 1987).Google Scholar
Barnouw, Dagmar, Germany 1945: Views of War and Violence (Bloomington, IN: Indiana University Press, 1996).Google Scholar
Barnouw, Dagmar, The War in the Empty Air: Victims, Perpetrators, and Postwar Germans (Bloomington, IN: Indiana University Press, 2005).Google Scholar
Barrett, Gerard, “Souvenirs from France: Textual Traumatism in Henry Green’s Back,” The Fiction of the 1940s: Stories of Survival, ed. Mengham, Rod and Reeve, N. H. (Basingstoke: Palgrave, 2001), 169–84.Google Scholar
Barthes, Roland, The Pleasure of the Text, trans. Richard Miller (New York: Farrar, Strauss and Giroux, 1975).Google Scholar
Bartov, Omer, Hitler’s Army: Soldiers, Nazis, and War in the Third Reich (New York: Oxford University Press, 1991).Google Scholar
Bartov, Omer, “Trauma and Absence,” European Memories of the Second World War, ed. Peitsch, Helmut, Burdett, Charles, and Gorrara, Claire (New York: Berghahn Books, 1999), 258–71.Google Scholar
Bataille, Georges, La littérature et le mal (Paris: Gallimard, 1957).Google Scholar
Bauer, Josef Martin, So weit die Füße tragen (Frankfurt am Main: Fischer, 1963).Google Scholar
Bayer, Gerd, “World War II Fiction and the Ethics of Trauma,” Ethics and Trauma in Contemporary British Fiction, ed. Onega, Susana and Ganteau, Jean-Michel (Amsterdam: Rodopi, 2011), 155–74.Google Scholar
Beckwith, Sarah, “Preserving, Conserving, Deserving the Past: A Meditation on Ruin as Relic in Postwar Britain in Five Fragments,” A Place to Believe In: Locating Medieval Landscapes, ed. Lees, Clare A. and Overing, Gillian R. (University Park, PA: Pennsylvania State University Press, 2006), 191210.Google Scholar
Beevor, Antony, The Second World War (New York: Back Bay Books, 2012).Google Scholar
Beidler, Philip D., Beautiful War: Studies in a Dreadful Fascination (Tuscaloosa, AL: University of Alabama Press, 2016).Google Scholar
Bell, David A., The First Total War (Boston, MA: Houghton Mifflin Company, 2007).Google Scholar
Bellamy, Chris, Absolute War: Soviet Russia in the Second World War (New York: Alfred A. Knopf, 2007).Google Scholar
Bellmann, Werner, “Nachwort,” Der Engel schwieg, by Böll, Heinrich, 6th ed. (Munich: Deutscher Taschenbuch Verlag, 2009), 193211.Google Scholar
Bellosta, Marie-Christine, “Féerie pour une autre fois I et II: Un spectacle et un prologue,” La Revue des Lettres Modernes 543–546 (1978), 3162.Google Scholar
Beloborodova, Darina, “Die Negativität in der Trümmerliteratur der Nachkriegszeit,” Triangulum. Germanistisches Jahrbuch für Estland, Lettland und Litauen (2010), 11–29.Google Scholar
Bergen, Doris L., War & Genocide: A Concise History of the Holocaust, 2nd ed. (Lanham, MD: Rowman & Littlefield Publishers, 2009).Google Scholar
Berlemann, Dominic, “Das soziale Gedächtnis und der Nebencode des Literatursystems am Beispiel von Gert Ledigs Luftkriegsroman Vergeltung,” Kanon, Wertung und Vermittlung. Literatur in der Wissensgesellschaft, ed. Beilein, Matthias, Stockinger, Claudia, and Winko, Simone (Berlin: De Gruyter, 2012), 7792.Google Scholar
Bernstein, Richard J., Radical Evil: A Philosophical Interrogation (Cambridge: Polity, 2002).Google Scholar
Bevan, David, ed., Literature and War (Amsterdam: Rodopi, 1990).Google Scholar
Bevan, Robert, The Destruction of Memory: Architecture at War, 2nd expanded ed. (London: Reaktion Books, 2016).Google Scholar
Biddle, Tami Davis, “Air Power,” The Laws of War: Constraints on Warfare in the Western World, ed. Howard, Michael, Andreopoulos, George J., and Shulman, Mark R. (New Haven, CT: Yale University Press, 1994), 140–59.Google Scholar
Biess, Frank, Homecomings: Returning POWs and the Legacies of Defeat in Postwar Germany (Princeton University Press, 2006).Google Scholar
Black, Jeremy, The Age of Total War, 1860–1945 (Lanham, MD: Rowan & Littlefield Publishers, 2006).Google Scholar
Black, Monica, “The Ghosts of War,” The Cambridge History of the Second World War, ed. Geyer, Michael and Tooze, Adam, vol. 3/3 (Cambridge University Press, 2015), 654–74.Google Scholar
Blanchot, Maurice, L’écriture du désastre (Paris: Gallimard, 1980).Google Scholar
Boemeke, Manfred, Chickering, Roger, and Förster, Stig, eds., Anticipating Total War: The German and American Experiences, 1871–1914 (Cambridge University Press, 1999).Google Scholar
Böhme, Hartmut, Hubert Fichte. Riten des Autors und Leben der Literatur (Stuttgart: J. B. Metzlersche Verlagsbuchhandlung, 1992).Google Scholar
Bohrer, Karl Heinz, “Der Skandal einer Imagination des Bösen. Im Rückblick auf Die Wohlgesinnten von Jonathan Littell,” Merkur. Deutsche Zeitschrift für europäisches Denken 65.2 (2011), 129–46.Google Scholar
Böll, Heinrich, “Bekenntnis zur Trümmerliteratur,” Werke. Essayistische Schriften und Reden, by Böll, Heinrich, ed. Balzer, Bernd, vol. 1 (Cologne: Kiepenheuer & Witsch, 1979), 3134.Google Scholar
Böll, Heinrich, Der Engel schwieg, 6th ed. (Munich: Deutscher Taschenbuch Verlag, 2009).Google Scholar
Booth, Wayne C., The Rhetoric of Fiction, 2nd ed. (University of Chicago Press, 1983).Google Scholar
Borchert, Wolfgang, Draußen vor der Tür und ausgewählte Erzählungen (Hamburg: Rowohlt Taschenbuch, 2012).Google Scholar
Bourke, Joanna, Fear: A Cultural History (Emeryville, CA: Shoemaker & Hoard, 2006).Google Scholar
Bowen, Elizabeth, The Heat of the Day (New York: Anchor Books, 2002).Google Scholar
Boxwell, D. A., “Recalling Forgotten, Neglected, Underrated, or Unjustly Out-of-Print Works,” War, Literature, and the Arts 11.2 (1999), 207–16.Google Scholar
Braudel, Fernand, Écrits sur l’histoire (Paris: Flammarion, 1969).Google Scholar
Brock, Rita Nakashima, and Lettini, Gabriella, Soul Repair: Recovering from Moral Injury after War (Boston, MA: Beacon Press, 2012).Google Scholar
Bronfen, Elisabeth, Specters of War: Hollywood’s Engagement with Military Conflict (New Brunswick, NJ: Rutgers University Press, 2012).Google Scholar
Brown, Kevin, “The Psychiatrists Were Right: Anomic Alienation in Kurt Vonnegut’s Slaughterhouse-Five,” South Central Review: The Journal of the South Central Modern Language Association 28.2 (2011), 101–9.Google Scholar
Brown, Llewellyn, “L’esthétique du cataclysme: Féerie pour une autre fois II de L.-F. Céline,” Littératures 42 (2000), 115–25.Google Scholar
Browning, Christopher R., Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland, revised ed. (New York: Harper Perennial, 2017).Google Scholar
Budick, Sanford, and Iser, Wolfgang, “Introduction,” Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory, ed. Budick, Sanford and Iser, Wolfgang (Stanford University Press, 1987), xixxi.Google Scholar
Budick, Sanford, and Iser, Wolfgang, eds., Languages of the Unsayable: The Play of Negativity in Literature and Literary Theory (Stanford University Press, 1987).Google Scholar
Budge, Kent G., “The Pacific War Online Encyclopedia,” 2007–13, www.pwencycl.kgbudge.com, accessed September 12, 2017.Google Scholar
Buelens, Gert, Durrant, Sam, and Eaglestone, Robert, eds., The Future of Trauma Theory: Contemporary Literary and Cultural Criticism (London: Routledge, 2014).Google Scholar
Burdett, Charles, “Changing Identities through Memory: Malaparte’s Self-Figurations in Kaputt,” European Memories of the Second World War, ed. Peitsch, Helmut, Burdett, Charles, and Gorrara, Claire (New York: Berghahn Books, 1999), 110–19.Google Scholar
Burgess, Gordon J. A., “The Failure of the Film of the Play: Draußen vor der Tür and Liebe 47,” German Life and Letters 38.2 (1985), 155–64.Google Scholar
Burgess, Gordon J. A., The Life and Works of Wolfgang Borchert (Rochester, NY: Camden House, 2003).Google Scholar
Cacicedo, Alberto, “‘You Must Remember This’: Trauma and Memory in Catch-22 and Slaughterhouse-Five,” Critique: Studies in Contemporary Fiction 46.4 (2005), 357–68.Google Scholar
Calder, Angus, The Myth of the Blitz (London: Pimlico, 1991).Google Scholar
Calvocoressi, Peter, Wint, Guy, and Pritchard, John, Total War: The Causes and Courses of the Second World War, 2nd ed. (New York: Pantheon Books, 1989).Google Scholar
Calzoni, Raul, “Chasms of Silence: The Luftkrieg in German Literature from a Reunification Perspective,” Memories and Representations of War: The Case of World War I and World War II, ed. Lamberti, Elena and Fortunati, Vita (Amsterdam: Rodopi, 2009), 255–72.Google Scholar
Calzoni, Raul, “Vielstimmigkeit der Zeitgeschichte in Walter Kempowskis Das Echolot,” Keiner kommt davon. Zeitgeschichte in der Literatur nach 1945, ed. Schütz, Erhard and Hardtwig, Wolfgang (Göttingen: Vandenhoeck & Ruprecht, 2008), 130–50.Google Scholar
Caputo, Philip, A Rumor of War, 2nd ed. (New York: Picador, 2017).Google Scholar
Carp, Stefanie, “Schlachtbeschreibungen. Ein Blick auf Walter Kempowski und Alexander Kluge,” Vernichtungskrieg. Verbrechen der Wehrmacht, 1941–1944, ed. Heer, Hannes and Naumann, Klaus (Hamburg: Hamburger Edition, 1995), 664–79.Google Scholar
Caruth, Cathy, “Introduction,” Trauma: Explorations in Memory, ed. Caruth, Cathy (Baltimore, MD: Johns Hopkins University Press, 1995), 312.Google Scholar
Caruth, Cathy, Unclaimed Experience: Trauma, Narrative, and History (Baltimore, MD: Johns Hopkins University Press, 1996).Google Scholar
Caruth, Cathy, ed., Trauma: Explorations in Memory (Baltimore, MD: Johns Hopkins University Press, 1995).Google Scholar
Caserio, Robert L., “The Heat of the Day: Modernism and Narrative in Paul de Man and Elizabeth Bowen,” Modern Language Quarterly: A Journal of Literary History 54.2 (1993), 263–84.Google Scholar
Castner, Brian, The Long Walk: A Story of War and the Life That Follows (New York: Anchor Books, 2013).Google Scholar
Cavarero, Adriana, Horrorism: Naming Contemporary Violence, trans. McCuaig, William (New York: Columbia University Press, 2009).Google Scholar
Cavell, Stanley, Philosophy the Day after Tomorrow (Cambridge, MA: The Belknap Press of Harvard University Press, 2005).Google Scholar
Céline, Louis-Ferdinand, Féerie pour une autre fois (Paris: Gallimard, 1995).Google Scholar
Cerovic, Masha, “Le front Germano-Soviétique (1941–1945): Une apocalypse européenne,” 1937–1947: La guerre-monde, ed. Aglan, Alya and Frank, Robert, vol. 1/2 (Paris: Gallimard, 2015), 913–62.Google Scholar
Chatman, Seymour, Story and Discourse: Narrative Structure in Fiction and Film (Ithaca, NY: Cornell University Press, 1978).Google Scholar
Chickering, Roger, “Are We There Yet? World War II and the Theory of Total War,” A World at Total War: Global Conflict and the Politics of Destruction, 1937–1945, ed. Chickering, Roger and Förster, Stig (Cambridge University Press, 2005), 118.Google Scholar
Chickering, Roger, “Introduction to Part II,” The Cambridge History of War, vol. 4: War and the Modern World, ed. Chickering, Roger, Showalter, Dennis, and van de Ven, Hans (Cambridge University Press, 2012), 183–91.Google Scholar
Chickering, Roger, “Total War: The Use and Abuse of a Concept,” Anticipating Total War: The German and American Experiences, 1871–1914, ed. Boemeke, Manfred F., Chickering, Roger, and Förster, Stig (Cambridge University Press, 1999), 1328.Google Scholar
Chickering, Roger, and Förster, Stig, eds., Great War, Total War: Combat and Mobilization on the Western Front, 1914–1918 (Cambridge University Press, 2000).Google Scholar
Chickering, Roger, and Förster, Stig, eds., The Shadows of Total War: Europe, East Asia, and the United States, 1919–1939 (Cambridge University Press, 2003).Google Scholar
Chickering, Roger, Showalter, Dennis, and van de Ven, Hans, eds., The Cambridge History of War, vol. 4: War and the Modern World (Cambridge University Press, 2012).Google Scholar
Childers, Thomas, Soldier from the War Returning: The Greatest Generation’s Troubled Homecoming from World War II (Boston, MA: Mariner Books, 2009).Google Scholar
Childs, Peter, Modernism (London: Routledge, 2000).CrossRefGoogle Scholar
Clausen, Bettina, “Der Heimkehrerroman,” Mittelweg 36 5 (1992), 5770.Google Scholar
Clausewitz, Carl von, On War, trans. and ed. Howard, Michael and Paret, Peter (Princeton University Press, 1984).Google Scholar
Clausewitz, Carl von, Schriften – Aufsätze – Studien – Briefe. Dokumente aus dem Clausewitz-, Scharnhorst- und Gneisenau-Nachlass sowie aus öffentlichen und privaten Sammlungen, ed. Hahlweg, Werner, vol. 1 (Göttingen: Vandenhoeck & Ruprecht, 1966).Google Scholar
Clausewitz, Carl von, Vom Kriege, ed. Hahlweg, Werner (Bonn: Ferdinand Dümmlers, 1973).Google Scholar
Clément, Murielle Lucie, ed., Les Bienveillantes de Jonathan Littell (Cambridge: Open Book, 2010).Google Scholar
Cliche, Anne Élaine, “Féerie pour un temps sans mesure: Louis-Ferdinand Céline chroniqueur du désastre,” Des fins et des temps: Les limites de l’imaginaire, ed. Chassay, Jean-François, Cliché, Anne Élaine, and Gervais, Bertrand (Les Presses de l’Université de Montréal, 2005), 59113.Google Scholar
Cloonan, William, The Writing of War: French and German Fiction and World War II (Gainesville, FL: University Press of Florida, 1999).Google Scholar
Coady, C. A. J., “Bombing and the Morality of War,” Bombing Civilians: A Twentieth-Century History, ed. Tanaka, Yuki and Young, Marilyn B. (New York: New Press, 2009), 191214.Google Scholar
Compagnon, Antoine, “Nazism, History, and Fantasy: Revisiting Les Bienveillantes,” Yale French Studies 121 (2012), 113–27.Google Scholar
Connelly, Mark, We Can Take It! Britain and the Memory of the Second World War (Harlow: Pearson Education Limited, 2004).Google Scholar
Conrad, Joseph, Heart of Darkness. The Congo Diary (London: Penguin, 2007).Google Scholar
Copeland, David, “Reading and Translating Romance in Henry Green’s Back,” Studies in the Novel 32.1 (2000), 4969.Google Scholar
Copjec, Joan, ed., Radical Evil (London: Verso, 1996).Google Scholar
Cosgrove, Mary, “Narrating German Suffering in the Shadow of Holocaust Victimology: W. G. Sebald, Contemporary Trauma Theory, and Dieter Forte’s Air Raids Epic,” Germans as Victims in the Literary Fiction of the Berlin Republic, ed. Taberner, Stuart and Berger, Karina (Rochester, NY: Camden House, 2009), 162–76.Google Scholar
Costello, John, The Pacific War, 1941–1945 (New York: Harper Perennial, 2009).Google Scholar
Craps, Stef, “Beyond Eurocentrism: Trauma Theory in the Global Age,” The Future of Trauma Theory: Contemporary Literary and Cultural Criticism, ed. Buelens, Gert, Durrant, Sam, and Eaglestone, Robert (London: Routledge, 2014), 4561.Google Scholar
Crosthwaite, Paul, Trauma, Postmodernism and the Aftermath of World War II (Basingstoke: Palgrave Macmillan, 2009).Google Scholar
Damiano, Carla A., Walter Kempowski’s Das Echolot: Sifting and Exposing the Evidence via Montage (Heidelberg: Universitätsverlag Carl Winter, 2005).Google Scholar
Daudet, Léon, La guerre totale (Paris: Nouvelle Librairie Nationale, 1918).Google Scholar
Dawes, James, The Language of War: Literature and Culture in the U.S. from the Civil War through World War II (Cambridge, MA: Harvard University Press, 2002).Google Scholar
Dawidowicz, Lucy S., The War against the Jews, 1933–1945 (New York: Holt, Rinehart and Winston, 1975).Google Scholar
de Certeau, Michel, The Practice of Everyday Life, trans. Steven Rendall (Berkeley, CA: University of California Press, 1984).Google Scholar
DeCoste, Damon Marcel, “Modernism’s Shell-Shocked History: Amnesia, Repetition, and the War in Graham Greene’s The Ministry of Fear,” Twentieth Century Literature 45.4 (1999), 428–52.CrossRefGoogle Scholar
Deer, Patrick, Culture in Camouflage: War, Empire, and Modern British Literature (Oxford University Press, 2009).Google Scholar
Derrida, Jacques, Specters of Marx: The State of the Debt, the Work of Mourning and the New International, trans. Peggy Kamuf (London: Routledge, 1994).Google Scholar
Dörr, Volker C., Mythomimesis. Mythische Geschichtsbilder in der westdeutschen (Erzähl-) Literatur der frühen Nachkriegszeit (1945–1952) (Berlin: Schmidt, 2004).Google Scholar
Dörr, Volker C., “Mythos als diskursive und narrative Kategorie in der frühen Nachkriegsliteratur Westdeutschlands,” Komparatistik als Arbeit am Mythos, ed. Schmitz-Emans, Monika and Lindemann, Uwe (Heidelberg: Synchron, 2004), 305–18.Google Scholar
Dorsey, John T., “The Theme of Survival in John Hersey’s Hiroshima and Ibuse Masuji’s Black Rain,” Tamkang Review: A Quarterly of Comparative Studies between Chinese and Foreign Literatures 14.1–4 (1983), 85100.Google Scholar
Douhet, Giulio, The Command of the Air, trans. Ferrari, Dino (Washington, DC: Office of Air Force History, 1983).Google Scholar
Dower, John W., War without Mercy: Race and Power in the Pacific War (New York: Pantheon Books, 1986).Google Scholar
Downes, Alexander B., Targeting Civilians in War (Ithaca, NY: Cornell University Press, 2008).Google Scholar
Drews, Jörg, “Die Toten sind nicht wirklich tot. Zu Walter Kempowskis literarischen Memorial Das Echolot,” Vergangene Gegenwart – gegenwärtige Vergangenheit. Studien, Polemiken und Laudationes zur deutschsprachigen Literatur, 1960–1994, ed. Drews, Jörg (Bielefeld: Aisthesis, 1994), 225–38.Google Scholar
Dukes, Thomas, “Desire Satisfied: War and Love in The Heat of the Day and Moon Tiger,” War, Literature, and the Arts 3.1 (1991), 7597.Google Scholar
Echevarria, II, Antulio, J., Military Strategy: A Very Short Introduction (New York: Oxford University Press, 2017).Google Scholar
Echternkamp, Jörg, and Martens, Stefan, eds., Experience and Memory: The Second World War in Europe (New York: Berghahn Books, 2010).Google Scholar
Echternkamp, Jörg, and Martens, Stefan, eds., “The Meanings of the Second World War in Contemporary European History,” Experience and Memory: The Second World War in Europe, ed. Echternkamp, Jörg and Martens, Stefan (London: Berghahn Books, 2010), 245–69.Google Scholar
Eco, Umberto, The Limits of Interpretation (Bloomington, IN: Indiana University Press, 1990).Google Scholar
Eksteins, Modris, Rites of Spring: The Great War and the Birth of the Modern Age (Boston, MA: Mariner Books, 2000).Google Scholar
Ellis, Steve, British Writers and the Approach of World War II (Cambridge University Press, 2015).Google Scholar
Engberg-Pedersen, Anders, Empire of Chance: The Napoleonic Wars and the Disorder of Things (Cambridge, MA: Harvard University Press, 2015).Google Scholar
Engberg-Pedersen, Anders, and Maurer, Kathrin, eds., Visualizing War: Emotions, Technologies, Communities (London: Routledge, 2018).Google Scholar
English, Richard, Modern War: A Very Short Introduction (Oxford University Press, 2013).Google Scholar
Enzensberger, Hans Magnus, Europa in Ruinen. Augenzeugenberichte aus den Jahren 1944–1948 (Munich: Deutscher Taschenbuch Verlag, 1995).Google Scholar
Eysteinsson, Astradur, The Concept of Modernism (Ithaca, NY: Cornell University Press, 1990).Google Scholar
Favaro, A., et al., “Full and Partial Post-Traumatic Stress Disorder among World War II Prisoners of War,” Psychopathology 39.4 (2006), 187–91.Google Scholar
Favret, Mary A., War at a Distance: Romanticism and the Making of Modern Wartime (Princeton University Press, 2010).Google Scholar
Féerie,” Le Grand Robert de la langue française, ed. Rey, Alain (Paris: Dictionnaires Le Robert, 2001).Google Scholar
Feigel, Lara, The Love-Charm of Bombs: Restless Lives in the Second World War (New York: Bloomsbury, 2013).Google Scholar
Ferdjani, Youssef, “Les Bienveillantes: Le National-Socialisme comme mal métaphysique,” Les Bienveillantes de Jonathan Littell, ed. Clément, Murielle Lucie (Cambridge: Open Book, 2010), 263–76.Google Scholar
Ferguson, Rex, “Blind Noise and Deaf Visions: Henry Green’s Caught, Synaesthesia and the Blitz,” Journal of Modern Literature 33.1 (2009), 102–16.Google Scholar
Ferris, John R., et al., eds., The Cambridge History of the Second World War, 3 vols. (Cambridge University Press, 2015).CrossRefGoogle Scholar
Fichte, Hubert, Detlevs Imitationen “Grünspan” (Frankfurt am Main: Fischer, 2005).Google Scholar
Fickert, Kurt J., “The Christ-Figure in Borchert’s Draußen vor der Tür,” Germanic Review 54 (1979), 165–69.Google Scholar
Florentin, Eddy, (with the collaboration of Archambault, Claude), Quand les Alliés bombardaient la France, 1940–1945 (N.p.: Perrin, 1997).Google Scholar
Förster, Alice, and Beck, Birgit, “Post-Traumatic Stress Disorder and World War II: Can a Psychiatric Concept Help Us Understand Postwar Society?,” Life after Death: Approaches to a Cultural and Social History of Europe during the 1940s and 1950s, ed. Bessel, Richard and Schumann, Dirk (Cambridge University Press, 2003), 1535.Google Scholar
Förster, Stig, “Introduction,” Great War, Total War: Combat and Mobilization on the Western Front, 1914–1918, ed. Chickering, Roger and Förster, Stig (Cambridge University Press, 2000), 116.Google Scholar
Förster, Stig, “Das Zeitalter des totalen Krieges,” Mittelweg 36 8 (1999), 1929.Google Scholar
Förster, Stig, ed., An der Schwelle zum totalen Krieg. Die militärische Debatte über den Krieg der Zukunft, 1919–1939 (Paderborn: Ferdinand Schöningh, 2002).Google Scholar
Förster, Stig, and Nagler, Jörg, eds., On the Road to Total War: The American Civil War and the German Wars of Unification, 1861–1871 (Cambridge University Press, 1997).Google Scholar
Forte, Dieter, Das Haus auf meinen Schultern (Frankfurt am Main: Fischer, 2002).Google Scholar
Fox, Thomas C., “East Germany and the Bombing War,” Bombs Away! Representing the Air War over Europe and Japan, ed. Wilms, Wilfried and Rasch, William (Amsterdam: Rodopi, 2006), 113–30.Google Scholar
Frank, Joseph, The Idea of Spatial Form (New Brunswick, NJ: Rutgers University Press, 1991).Google Scholar
Freese, Peter, “Kurt Vonnegut’s Slaughterhouse-Five: Or, How to Storify an Atrocity,” Historiographic Metafiction in Modern American and Canadian Literature, ed. Engler, Bernd and Müller, Kurt (Paderborn: Ferdinand Schöningh, 1994), 209–22.Google Scholar
Freud, Sigmund, The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. Strachey, James, ed. Strachey, James, Freud, Anna, Strachey, Alix, and Tyson, Alan, 24 vols. (London: Hogarth/Institute of Psycho-Analysis, 1953–74).Google Scholar
Freud, Sigmund, The Uncanny, The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. Strachey, James, ed. Strachey, James, Freud, Anna, Strachey, Alix, and Tyson, Alan, vol. 17/24 (London: Hogarth/Institute of Psycho-Analysis, 1953–74).Google Scholar
Friedländer, Saul, Nazi Germany and the Jews, 1939–1945: The Years of Extermination (New York: Harper Perennial, 2008).Google Scholar
Friedrich, Jörg, Der Brand. Deutschland im Bombenkrieg, 1940–1945 (Munich: Propyläen, 2002).Google Scholar
Fritz, Stephen G., Ostkrieg: Hitler’s War of Extermination in the East (Lexington, KY: University Press of Kentucky, 2011).Google Scholar
Fuchs, Anne, After the Dresden Bombing: Pathways of Memory, 1945 to the Present (New York: Palgrave Macmillan, 2012).Google Scholar
Fussell, Paul, The Great War and Modern Memory (Oxford University Press, 1975).Google Scholar
Gallie, W. B., Philosophers of Peace and War: Kant, Clausewitz, Marx, Engels and Tolstoy (Cambridge University Press, 1978).Google Scholar
Ganteau, Jean-Michel, “‘A Conflict between an Image and a Man’: The Visual Diction of Romance in Graham Greene’s The End of the Affair,” Etudes Britanniques Contemporaines: Revue de la Société d’Etudes Anglaises Contemporaines 31 (2006), 6981.Google Scholar
Gardiner, Juliet, The Blitz: The British under Attack (London: Harper Press, 2010).Google Scholar
Garrard, John, and Garrard, Carrol, The Life and Fate of Vasily Grossman, 2nd ed. (Barnsley: Pen & Sword, 2012).Google Scholar
Gebhardt, Lisette, “Trümmerliteratur. Am Beispiel von Shiina Rinzō und Wolfgang Borchert,” Japanstudien. Jahrbuch des deutschen Instituts für Japanstudien 8 (1996), 129–51.Google Scholar
Gesing, Fritz, “Sterben im Bombenhagel: Hans Erich Nossacks Der Untergang und Gert Ledigs Vergeltung,” Deutschunterricht. Beiträge zu seiner Praxis und wissenschaftlichen Grundlegung 54.1 (2002), 4858.Google Scholar
Gillian, Annie, “Féerie pour une autre fois et le cinéma,” La Revue des Lettres Modernes 543–546 (1978), 83106.Google Scholar
Gini, Enza, “‘Nachdenklich und hungrig’ – Heinrich Böll kehrt aus dem Krieg heim,” Heimkehr. Eine zentrale Kategorie der Nachkriegszeit, ed. Agazzi, Elena and Schütz, Erhard (Berlin: Duncker & Humblot, 2010), 129–41.Google Scholar
Ginsberg, Robert, The Aesthetics of Ruins (Amsterdam: Rodopi, 2004).Google Scholar
Gladwell, Malcolm, “Getting over It: The Man in the Gray Flannel Suit Put the War behind Him. What’s Changed?,” The New Yorker 80.34 (2004), 7579.Google Scholar
Gordon, Avery F., Ghostly Matters: Haunting and the Sociological Imagination (Minneapolis, MN: University of Minnesota Press, 2008).Google Scholar
Grana, Gianni, Curzio Malaparte (Milan: Marzorati editore, 1961).Google Scholar
Grayling, A. C., Among the Dead Cities: The History and Moral Legacy of the World War II Bombing of Civilians in Germany and Japan (New York: Bloomsbury, 2006).Google Scholar
Grayzel, Susan R., At Home and Under Fire: Air Raids and Culture in Britain from the Great War to the Blitz (Cambridge University Press, 2012).Google Scholar
Green, Henry, Back (Champaign, IL: Dalkey Archive Press, 2009).Google Scholar
Green, Henry, Caught (New York Review Books, 2016).Google Scholar
Greene, Graham, The End of the Affair (New York: Penguin, 2004).Google Scholar
Greene, Graham, The Ministry of Fear (New York: Penguin, 2005).Google Scholar
Gross, Robert F., “Figuring Guilt: Wolfgang Borchert’s Outside the Door and Carl Zuckmayer’s The Song in the Fiery Furnace,” Journal of Religion and Theatre 5.1 (2006), 18.Google Scholar
Grossman, Vasily, Life and Fate, trans. Chandler, Robert (New York Review Books, 2006).Google Scholar
Grossman, Vasily, A Writer at War: A Soviet Journalist with the Red Army, 1941–1945, trans. and ed. Beevor, Antony and Vinogradova, Luba (New York: Vintage Books, 2005).Google Scholar
Guest, Kristen, ed., Eating Their Words: Cannibalism and the Boundaries of Cultural Identity (Albany, NY: State University of New York Press, 2001).Google Scholar
Guillemard, Julien, L’enfer du Havre, 1940–1944: Témoignage (Paris: Les Éditions Médicis, 1945).Google Scholar
Gumpert, Matthew, The End of Meaning: Studies in Catastrophe (Newcastle upon Tyne: Cambridge Scholars Publishing, 2012).Google Scholar
Hachiya, Michihiko, Hiroshima Diary: The Journal of a Japanese Physician, August 6–September 30, 1945, trans. and ed. Wells, Warner (Chapel Hill, NC: University of North Carolina Press, 1995).Google Scholar
Hage, Volker, Zeugen der Zerstörung. Die Literaten und der Luftkrieg (Frankfurt am Main: Fischer, 2003).Google Scholar
Hage, Volker, ed., Hamburg 1943: Literarische Zeugnisse zum Feuersturm (Frankfurt am Main: Fischer, 2003).Google Scholar
Hagen, Jerome T., War in the Pacific, 5 vols. (Honolulu, HI: Hawaii Pacific University, 1998–2010).Google Scholar
Hahn, Hans, “Intertextuelle Studien zur Kriegsheimkehr. Ein heuristischer Versuch,” German Life and Letters 67.3 (2014), 341–57.Google Scholar
Ham, Paul, Hiroshima Nagasaki: The Real Story of the Atomic Bombings and Their Aftermath (New York: Picador, 2014).Google Scholar
Hamilton, Patrick, The Slaves of Solitude (New York Review Books, 2007).Google Scholar
Handel, Michael I., ed., Clausewitz and Modern Strategy (Totowa, NJ: Frank Cass and Company Limited, 1986).Google Scholar
Hanley, James, No Directions (London: André Deutsch, 1990).Google Scholar
Hanson, Victor Davis, The Second World Wars: How the First Global Conflict Was Fought and Won (New York: Basic Books, 2017).Google Scholar
Hara, Tamiki, Summer Flowers, Hiroshima: Three Witnesses, trans. and ed. Minear, Richard H. (Princeton University Press, 1990).Google Scholar
Harris, Frederick, Encounters with Darkness: French and German Writers on World War II (New York: Oxford University Press, 1983).Google Scholar
Harrisson, Tom, Living through the Blitz (New York: Schocken Books, 1976).Google Scholar
Hasegawa, Tsuyoshi, “Were the Atomic Bombings of Hiroshima and Nagasaki Justified?,” Bombing Civilians: A Twentieth-Century History, ed. Tanaka, Yuki and Young, Marilyn B. (New York: New Press, 2009), 97134.Google Scholar
Hastings, Max, Inferno: The World at War, 1939–1945 (New York: Alfred A. Knopf, 2011).Google Scholar
Heer, Hannes, and Naumann, Klaus, eds., Vernichtungskrieg. Verbrechen der Wehrmacht, 1941–1944 (Hamburg: Hamburger Edition, 1995).Google Scholar
Hell, Julia, “Ruins Travel: Orphic Journeys through 1940s Germany,” Writing Travel: The Poetics and Politics of the Modern Journey, ed. Zilcosky, John (University of Toronto Press, 2008), 123–62.Google Scholar
Hempel, Dirk, Kempowski, Walter. Eine bürgerliche Biographie (Munich: btb, 2004).Google Scholar
Hentea, Marius, “Fictional Doubles in Henry Green’s Back,” Review of English Studies 61.251 (2010), 614–26.Google Scholar
Hentea, Marius, Henry Green at the Limits of Modernism (Brighton: Sussex Academic Press, 2014).Google Scholar
Herbert, Ulrich, “Zwischen Beschaulichkeit und Massenmord. Die Kriegswende 1943 aus der Perspektive des Alltags,” Neue politische Literatur 40.2 (1995), 185–89.Google Scholar
Herman, Judith, Trauma and Recovery: The Aftermath of Violence – From Domestic Abuse to Political Terror (New York: Basic Books, 1997).Google Scholar
Herr, Michael, Dispatches: 1967–1975, Reporting Vietnam: American Journalism 1959–1975, vol. 2/2 (New York: Library of America, 1998).Google Scholar
Hersey, John, Hiroshima (New York: Alfred A. Knopf, 1946).Google Scholar
Hibakusha: Survivors of Hiroshima and Nagasaki, trans. Sekimori, Gaynor (Tokyo: Kōsei Publishing Co., 1986).Google Scholar
Hicks, Jim, Lessons from Sarajevo: A War Stories Primer (Amherst, MA: University of Massachusetts Press, 2013).Google Scholar
Higgins, Ian, ed., The Second World War in Literature: Eight Essays (Edinburgh: Scottish Academic Press, 1986).Google Scholar
Highmore, Ben, “Playgrounds and Bombsites: Postwar Britain’s Ruined Landscapes,” Cultural Politics 9.3 (2013), 323–36.Google Scholar
Hilberg, Raul, The Destruction of the European Jews (New York: Holmes & Meier, 1985).Google Scholar
Hippler, Thomas, Bombing the People: Giulio Douhet and the Foundations of Air-Power Strategy, 1884–1939 (Cambridge University Press, 2013).Google Scholar
Hodgson, Katharine, “The Soviet War,” The Cambridge Companion to the Literature of World War II, ed. MacKay, Marina (Cambridge University Press, 2009), 111–22.Google Scholar
Hoefert, Sigfrid, “Zur Darstellung von Kampfhandlungen mit technischen Mitteln – Anhand von Werken von Gert Ledig und Stefan Heym,” Wahrheitsmaschinen. Der Einfluss technischer Innovationen auf die Darstellung und das Bild des Krieges in den Medien und Künsten, ed. Glunz, Claudia and Schneider, Thomas F. (Göttingen: Vandenhoeck & Ruprecht, 2010), 253–62.Google Scholar
Hope, William, Curzio Malaparte (Market Harborough: Troubador, 2000).Google Scholar
Hope, William, “The Narrative Contract Strained: The Problems of Narratorial Neutrality in Malaparte’s Kaputt,” Italianist: Journal of the Department of Italian Studies, University of Reading 19 (1999), 178–92.Google Scholar
Horkheimer, Max, and Adorno, Theodor W., Dialectic of Enlightenment, trans. Cumming, John (London: Verso, 1997).Google Scholar
Horn, Maren, and Möller, Christina, “‘Sie erzählen, und ich werfe die Geschichten mit dem Bildwerfer an die Wand’. Der Schriftsteller Walter Kempowski als Archivar – Der Archivar Walter Kempowski als Schriftsteller,” Akten-kundig? Literatur, Zeitgeschichte und Archiv, ed. Atze, Marcel et al. (Vienna: Praesens, 2007), 316–37.Google Scholar
Horowitz, Sara R., Voicing the Void: Muteness and Memory in Holocaust Fiction (Albany, NY: State University of New York Press, 1997).Google Scholar
Horta Fernandes, António, Livro dos contrastes: Guerra & política (Porto: Fronteira do Caos Editores, 2017).Google Scholar
Houston Grey, Stephanie, “Writing Redemption: Trauma and the Authentication of the Moral Order in Hibakusha Literature,Text & Performance Quarterly 22.1 (2002), 123.Google Scholar
Howard, Michael, Clausewitz (Oxford University Press, 1983).Google Scholar
Höyng, Peter, “From Darkness to Visibility: Walter Kempowski’s Das Echolot [Sonar] and Günter Grass’ Im Krebsgang [Crab Walk] as Two Overdue Narratives Facing World War II in Germany,” Reconstructing Societies in the Aftermath of War: Memory, Identity, and Reconciliation, ed. Brizio-Skov, Flavia and Delfino, Susanna (Boca Raton, FL: Bordighera, 2004), 169–87.Google Scholar
Hull, Isabel V., Absolute Destruction: Military Culture and the Practices of War in Imperial Germany (Ithaca, NY: Cornell University Press, 2005).Google Scholar
Hundrieser, Gabriele, “Die Leerstelle der Leerstelle? Das Phänomen Gert Ledig, die Ästhetik der Gewalt und die Literaturgeschichtsschreibung,” Weimarer Beiträge. Zeitschrift für Literaturwissenschaft, Ästhetik und Kulturwissenschaften 49.3 (2003), 361–79.Google Scholar
Husson, Édouard, and Terestchenko, Michel, Les complaisantes: Jonathan Littell et l’écriture du Mal (Paris: François-Xavier de Guibert, 2007).Google Scholar
Hutchinson, George, Facing the Abyss: American Literature and Culture in the 1940s (New York: Columbia University Press, 2018).Google Scholar
Hutton, Margaret-Anne, “Jonathan Littell’s Les Bienveillantes: Ethics, Aesthetics and the Subject of Judgment,” Modern & Contemporary France 18.1 (2010), 115.Google Scholar
Hynes, Samuel, The Soldiers’ Tale: Bearing Witness to Modern War (London: Penguin, 1997).Google Scholar
Ibuse, Masuji, Black Rain, trans. John Bester (New York: Kodansha International, 2012).Google Scholar
Igarashi, Yoshikuni, Bodies of Memory: Narratives of War in Postwar Japanese Culture, 1945–1970 (Princeton University Press, 2000).Google Scholar
Indiana, Gary, “A Million Little Theses: Curzio Malaparte Became the Proust of the Abattoir of Europe’s Upheaval. Does It Matter That He Made It Up?,” BookForum: The Review for Art, Fiction, & Culture 13.2 (2006), 810.Google Scholar
Jackson, Rosemary, Fantasy: The Literature of Subversion (London: Routledge, 1988).Google Scholar
Jameson, Fredric, The Antinomies of Realism (London: Verso, 2013).Google Scholar
Jones, James, The Thin Red Line (New York: Dial Press Trade Paperbacks, 2012).Google Scholar
Jünger, Ernst, “Total Mobilization,” trans. Golb, Joel and Wolin, Richard, The Heidegger Controversy: A Critical Reader, ed. Wolin, Richard (New York: Columbia University Press, 1991), 119–39.Google Scholar
Jurca, Catherine, “The Sanctimonious Suburbanite: Sloan Wilson’s The Man in the Gray Flannel Suit,” American Literary History 11.1 (1999), 82106.Google Scholar
Kant, Immanuel, The Metaphysics of Morals, trans. and ed. Mary Gregor, (Cambridge University Press, 1996).Google Scholar
Kant, Immanuel, Religion within the Boundaries of Mere Reason and Other Writings, trans. and ed. Wood, Allen and di Giovanni, George (Cambridge University Press, 1998).Google Scholar
Kapoor, S., “Chaos and Order in Elizabeth Bowen’s The Heat of the Day,” Panjab University Research Bulletin (Arts) 22.2 (1991), 119–23.Google Scholar
Kasack, Hermann, Die Stadt hinter dem Strom (Frankfurt am Main: Suhrkamp, 1996).Google Scholar
Kasperl, Claudio, “‘Nun ist alles anders’. Zur narrativen Gestaltung einer Grenzsituation in Hubert Fichtes Roman Detlevs Imitationen ‘Grünspan’,Grenzsituationen. Wahrnehmung, Bedeutung und Gestaltung in der neueren Literatur, ed. Lauterbach, Dorothea, Spörl, Uwe, and Wunderlich, Uli (Göttingen: Vandenhoeck & Ruprecht, 2002), 303–30.Google Scholar
Keegan, John, A History of Warfare (New York: Vintage Books, 1994).Google Scholar
Keegan, John, The Second World War (New York: Penguin, 1989).Google Scholar
Kempowski, Walter, Culpa. Notizen zum “Echolot” (Munich: btb, 2007).Google Scholar
Kempowski, Walter, Das Echolot. Abgesang’45. Ein kollektives Tagebuch, 4th ed. (Munich: btb, 2007).Google Scholar
Kempowski, Walter, Das Echolot. Barbarossa’41. Ein kollektives Tagebuch, 5th ed. (Munich: btb, 2004).Google Scholar
Kempowski, Walter, Das Echolot. Fuga furiosa. Ein kollektives Tagebuch, Winter 1945, 2nd ed., 4 vols. (Munich: btb, 2004).Google Scholar
Kempowski, Walter, Das Echolot. Ein kollektives Tagebuch. Januar und Februar 1943, 2nd ed., 4 vols. (Munich: btb, 1997).Google Scholar
Kempowski, Walter, Der rote Hahn. Dresden im Februar 1945 (Munich: btb, 2001).Google Scholar
Kershaw, Ian, Hitler, the Germans, and the Final Solution (New Haven, CT: Yale University Press, 2008).Google Scholar
Kiesel, Otto Erich, Die unverzagte Stadt (Hamburg: Volksbücherei-Verlag Goslar, 1949).Google Scholar
Kilgour, Maggie, From Communion to Cannibalism: An Anatomy of Metaphors of Incorporation (Princeton University Press, 1990).Google Scholar
Kita, Morio, The House of Nire, trans. Keene, Dennis (Tokyo: Kodansha International, 1990).Google Scholar
Klein, Holger, with Flower, John and Homberger, Eric, eds., The Second World War in Fiction (London: Macmillan Press, 1984).Google Scholar
Klein, Thoralf, and Schumacher, Frank, eds., Kolonialkriege. Militärische Gewalt im Zeichen des Imperialismus (Hamburg: Hamburger Edition, 2006).Google Scholar
Klemperer, Victor, The Language of the Third Reich: LTI – Lingua Tertii Imperii: A Philologist’s Notebook, trans. Brady, Martin (London: Continuum, 2002).Google Scholar
Kluge, Alexander, Der Luftangriff auf Halberstadt am 8. April 1945 (Frankfurt am Main: Suhrkamp, 2008).Google Scholar
Knoll, Samson B., “Moskau–Stalingrad–Berlin: Theodor Plievier’s War Trilogy Revisited,” Literatur und Geschichte, ed. Menges, Karl, Winkler, Michael, and Thunecke, Jörg (Amsterdam: Rodopi, 1998), 171203.Google Scholar
Kolbenhoff, Walter, Heimkehr in die Fremde (Frankfurt am Main: Suhrkamp, 1988).Google Scholar
Kovács, Kálmán, “Der Engel schwieg. Heinrich Bölls Roman aus dem Nachlaß,” University of Dayton Review 23.2 (1995), 1527.Google Scholar
Kraske, Bernd M., “Draußen vor der Tür. Anmerkungen zur Hörspiel-Rezeption,” Wolfgang Borchert. Werk und Wirkung, ed. Wolff, Rudolf (Bonn: Bouvier, 1984), 3855.Google Scholar
Krellner, Ulrich, “‘Aber im Keller die Leichen sind immer noch da’. Die Opfer-Debatte in der deutschen Literatur nach 1989,” Moderna Språk 99.2 (2005), 155–68.Google Scholar
Krimmer, Elisabeth, The Representation of War in German Literature (Cambridge University Press, 2010).Google Scholar
Kristeva, Julia, Powers of Horror: An Essay on Abjection, trans. Leon S. Roudiez (New York: Columbia University Press, 1982).Google Scholar
Kristeva, Julia, “A propos des Bienveillantes (De l’abjection à la banalité du mal),” Infini 99 (2007), 2235.Google Scholar
Krystal, Henry, “Integration and Self-Healing in Post-Traumatic States: A Ten-Year Retrospective,” American Imago 48 (1991), 93118.Google Scholar
Kuehn, John T., “The War in the Pacific, 1941–1945,” The Cambridge History of the Second World War, ed. Ferris, John and Mawdsley, Evan, vol. 1/3 (Cambridge University Press, 2015), 420–54.Google Scholar
Kuß, Susanne, “Kriegführung ohne hemmende Kulturschranke. Die deutschen Kolonialkriege in Südwestafrika (1904–1907) und Ostafrika (1905–1908),” Kolonialkriege. Militärische Gewalt im Zeichen des Imperialismus, ed. Klein, Thoralf and Schumacher, Frank (Hamburg: Hamburger Edition, 2006), 208–47.Google Scholar
Kuznetsov, A. Anatoli, Babi Yar: A Document in the Form of a Novel, trans. Floyd, David (New York: Farrar, Straus and Giroux, 1970).Google Scholar
Labanyi, Jo, “History and Hauntology; or, What Does One Do with the Ghosts of the Past? Reflections on Spanish Film and Fiction of the Post-Franco Period,” Disremembering the Dictatorship: The Politics of Memory in the Spanish Transition to Democracy, ed. Resina, Joan Ramon (Amsterdam: Rodopi, 2000), 6582.Google Scholar
LaCapra, Dominick, Writing History, Writing Trauma, 2nd ed. (Baltimore, MD: Johns Hopkins University Press, 2014).Google Scholar
Lakoff, Robin Tolmach, The Language War (Berkeley, CA: University of California Press, 2000).Google Scholar
Lamberti, Elena, and Fortunati, Vita, eds., Memories and Representations of War: The Case of World War I and World War II (Amsterdam: Rodopi, 2009).Google Scholar
Lamy-Rested, Élise, Parole vraie, parole vide: Des Bienveillantes aux exécuteurs (Paris: Garnier, 2014).Google Scholar
Lanzmann, Claude, Shoah (Paris: Gallimard, 1997).Google Scholar
Lassner, Phyllis, “Reimagining the Arts of War: Language & History in Elizabeth Bowen’s The Heat of the Day & Rose Macaulay’s The World My Wilderness,” Perspectives on Contemporary Literature 14 (1988), 3038.Google Scholar
Laub, Dori, “Bearing Witness, or the Vicissitudes of Listening,” Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History, by Felman, Shoshana and Laub, Dori (London: Routledge, 1992), 5774.Google Scholar
Lawson, Colette, “The Natural History of Destruction: W. G. Sebald, Gert Ledig, and the Allied Bombings,” Germans as Victims in the Literary Fiction of the Berlin Republic, ed. Taberner, Stuart and Berger, Karina (Rochester, NY: Camden House, 2009), 2941.Google Scholar
Ledig, Gert, Die Stalinorgel (Frankfurt am Main: Suhrkamp, 2000).Google Scholar
Ledig, Gert, Vergeltung (Frankfurt am Main: Suhrkamp, 2001).Google Scholar
Ledwidge, Frank, Aerial Warfare: The Battle for the Skies (New York: Oxford University Press, 2018).Google Scholar
Lehmann, Rosamond, The Echoing Grove (London: Virago, 2000).Google Scholar
Lethen, Helmut, “Das Echolot des Geschichtszeichens Stalingrad,” Walter Kempowski. Bürgerliche Repräsentanz, Erinnerungskultur, Gegenwartsbewältigung, ed. Hagestedt, Lutz (Berlin: De Gruyter, 2010), 319–31.Google Scholar
Levenson, Michael, ed., The Cambridge Companion to Modernism (Cambridge University Press, 1999).Google Scholar
Levinas, Emmanuel, “Useless Suffering,” The Provocation of Levinas: Rethinking the Other, ed. Bernasconi, Robert and Wood, David, trans. Cohen, Richard (London: Routledge, 1988), 156–65.Google Scholar
Lifton, Robert Jay, Death in Life: Survivors of Hiroshima (New York: Random House, 1967).Google Scholar
Líman, Antonín, Ibuse Masuji: A Century Remembered (Prague: Karolinum, 2008).Google Scholar
Limon, John, Writing after War: American War Fiction from Realism to Postmodernism (Oxford University Press, 1994).Google Scholar
Lindqvist, Sven, A History of Bombing, trans. Rugg, Linda Haverty (New York: New Press, 2001).Google Scholar
Link-Heer, Ursula, “Versuch über das Makabre. Zu Curzio Malapartes Kaputt,” LiLi. Zeitschrift fur Literaturwissenschaft und Linguistik 19.75 (1989), 96116.Google Scholar
Lippit, Akira Mizuta, Atomic Light (Shadow Optics) (Minneapolis, MN: University of Minnesota Press, 2005).Google Scholar
Littell, Jonathan, Les Bienveillantes (Paris: Gallimard, 2006).Google Scholar
Long, Christian, “Mapping Suburban Fiction,” Journal of Language, Literature and Culture 60.3 (2013), 193213.Google Scholar
Lothe, Jakob, “Authority, Reliability, and the Challenge of Reading: The Narrative Ethics of Jonathan Littell’s The Kindly Ones,” Narrative Ethics, ed. Lothe, Jakob, Hawthorn, Jeremy, and Donskis, Leonidas (Amsterdam: Rodopi, 2013), 103–18.Google Scholar
Louar, Nadia, “Is Kindly Just Kinky? Irony and Evil in Jonathan Littell’s The Kindly Ones,” Evil in Contemporary French and Francophone Literature, ed. Powers, Scott M. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2011), 136–58.Google Scholar
Luckhurst, Roger, The Trauma Question (London: Routledge, 2008).Google Scholar
Ludendorff, Erich, Der totale Krieg (Munich: Ludendorffs Verlag, 1935).Google Scholar
Macaulay, Rose, The World My Wilderness (London: Collins, 1950).Google Scholar
MacDonogh, Giles, After the Reich: The Brutal History of the Allied Occupation (New York: Basic Books, 2007).Google Scholar
MacKay, Marina, Modernism, War, and Violence (London: Bloomsbury, 2017).Google Scholar
MacKay, Marina, Modernism and World War II (Cambridge University Press, 2007).Google Scholar
MacKay, Marina, ed., The Cambridge Companion to the Literature of World War II (Cambridge University Press, 2009).Google Scholar
Magot, Céline, “Elizabeth Bowen’s London in The Heat of the Day: An Impression of the City in the Territory of War,” Literary London: Interdisciplinary Studies in the Representation of London 3.1 (2005), www.literarylondon.org/, accessed August 9, 2016.Google Scholar
Mailer, Norman, The Naked and the Dead (New York: Picador, 1998).Google Scholar
Malaparte, Curzio, Kaputt, trans. Hofstadter, Dan (New York Review Books, 2005).Google Scholar
Markusen, Eric, and Kopf, David, The Holocaust and Strategic Bombing: Genocide and Total War in the Twentieth Century (Boulder, CO: Westview Press, 1995).Google Scholar
Martelli, Giampaolo, Curzio Malaparte (Turin: Borla, 1968).Google Scholar
Martschukat, Jürgen, “Men in Gray Flannel Suits: Troubling Masculinities in 1950s America,” Gender Forum 32 (2011), 19.Google Scholar
Matthews, J. H., The Inner Dream: Céline as a Novelist (Syracuse, NY: Syracuse University Press, 1978).Google Scholar
Mayer, Arno J., Why Did the Heavens Not Darken? The “Final Solution” in History (New York: Pantheon Books, 1988).Google Scholar
McCarthy, Patrick, “La multiplicité des narrateurs dans Féerie pour une autre fois,” Céline: Actes du Colloque International de Paris (27–30 Juillet 1976) (Paris: Société d’Etudes Céliniennes, 1978), 231–46.Google Scholar
McLoughlin, Kate, Authoring War: The Literary Representation of War from the Iliad to Iraq (Cambridge University Press, 2011).Google Scholar
McLoughlin, Kate, Veteran Poetics: British Literature in the Age of Mass Warfare, 1790–2015 (Cambridge University Press, 2018).Google Scholar
McLoughlin, Kate, “War and Words,” The Cambridge Companion to War Writing, ed. McLoughlin, Kate (Cambridge University Press, 2009), 1524.Google Scholar
McLoughlin, Kate, ed., The Cambridge Companion to War Writing (Cambridge University Press, 2009).Google Scholar
McMillin, Arnold, “The Second World War in Official and Unofficial Russian Prose,” The Second World War in Literature: Eight Essays, ed. Higgins, Ian (Edinburgh: Scottish Academic Press, 1986), 1931.Google Scholar
McNicholas, Joseph Colin, “Corporate Culture and the American Novel: Producers, Persuaders, and Communicators,” Ph.D. dissertation (University of Texas at Austin, 1999).Google Scholar
Meagher, Robert E., Killing from the Inside Out: Moral Injury and Just War (Eugene, OR: Cascade Books, 2014).Google Scholar
Melfi, Mary Ann, “The Landscape of Grief: Graham Greene’s The Ministry of Fear,” South Atlantic Review 69.2 (2004), 5473.Google Scholar
Mellor, Leo, Reading the Ruins: Modernism, Bombsites and British Culture (Cambridge University Press, 2011).Google Scholar
Mengham, Rod, “Broken Glass,” The Fiction of the 1940s: Stories of Survival, ed. Mengham, Rod and Reeve, N. H. (Basingstoke: Palgrave, 2001), 124–33.Google Scholar
Mengham, Rod, The Idiom of the Time: The Writings of Henry Green (Cambridge University Press, 1982).Google Scholar
Messent, Peter, “Memoirs of a Survivor: Masuji Ibuse’s Black Rain,” Foreign Literature Studies/Wai Guo Wen Xue Yan Jiu 2.112 (2005), 128–32.Google Scholar
Meyer-Minnemann, Klaus, “Die (Un)Sagbarkeit des Schreckens: Alexander Kluge, Hans Erich Nossack und Ralph Giordano über Bombentod und Zerstörung,” Etudes Germaniques 67.2 (2012), 351–76.Google Scholar
Mieszkowski, Jan, Watching War (Stanford University Press, 2012).Google Scholar
Mileck, Joseph, “Wolfgang Borchert: ‘Draußen vor der Tür’: A Young Poet’s Struggle with Guilt and Despair,” Monatshefte 51 (1959), 328–36.Google Scholar
Miller, Kristine A., British Literature of the Blitz: Fighting the People’s War (New York: Palgrave Macmillan, 2009).Google Scholar
Miller, Kristine A., “‘Even a Shelter’s Not Safe’: The Blitz on Homes in Elizabeth Bowen’s Wartime Writing,” Twentieth Century Literature 45.2 (1999), 138–58.Google Scholar
Miller, Kristine A., “‘The World Has Been Remade’: Gender, Genre, and the Blitz in Graham Greene’s The Ministry of Fear,” Genre: Forms of Discourse and Culture 36.1–2 (2003), 131–50.Google Scholar
Minogue, Sally, and Palmer, Andrew, The Remembered Dead: Poetry, Memory and the First World War (Cambridge University Press, 2018).Google Scholar
Moore, Bob, “Prisoners of War,” The Cambridge History of the Second World War, ed. Ferris, John and Mawdsley, Evan, vol. 1/3 (Cambridge University Press, 2015), 664–89.Google Scholar
Morlang, Thomas, “‘Die Wahehe haben ihre Vernichtung gewollt.’ Der Krieg der ‘kaiserlichen Schutztruppe’ gegen die Hehe in deutsch-Ostafrika (1890–1898),” Kolonialkriege. Militärische Gewalt im Zeichen des Imperialismus, ed. Klein, Thoralf and Schumacher, Frank (Hamburg: Hamburger Edition, 2006), 80108.Google Scholar
Mueller, Stefanie, “Corporate Power and the Public Good in Sloan Wilson’s The Man in the Gray Flannel Suit,” COPAS: Current Objectives of Postgraduate American Studies 14.1 (2013), 112.Google Scholar
Müller, Hans-Harald, “Nachwort. Stalingrad. Zur Geschichte und Aktualität von Theodor Plieviers Roman,” Stalingrad, by Plievier, Theodor, 2nd ed. (Cologne: Kiepenheuer & Witsch, 2011), 443–63.Google Scholar
Munton, Alan, English Fiction of the Second World War (London: Faber and Faber, 1989).Google Scholar
Murat, Jean-Christophe, “City of Wars: The Representation of Wartime London in Two Novels of the 1940s: James Hanley’s No Directions and Patrick Hamilton’s The Slaves of Solitude,” Anglophonia: French Journal of English Studies 25 (2009), 329–40.Google Scholar
Murphy, Richard, “History, Fiction, and the Avant-Garde: Narrativisation and the Event,” Phrasis: Studies in Language and Literature 48.1 (2007), 83103.Google Scholar
Nagai, Takashi, The Bells of Nagasaki, trans. Johnston, William (Tokyo: Kodansha International, 1994).Google Scholar
Nagai, Takashi, We of Nagasaki: The Story of Survivors in an Atomic Wasteland, trans. Shirato, Ichiro and Silverman, Herbert B. L. (New York: Duell, Sloan and Pearce, 1951).Google Scholar
Nekrasov, Victor, Front-Line Stalingrad, trans. Floyd, David (Barnsley: Pen & Sword Military, 2012).Google Scholar
Nelson, Donald F., “To Live or Not to Live: Notes on Archetypes and the Absurd in Borchert’s Draußen vor der Tür,” German Quarterly 48.3 (1975), 343–54.Google Scholar
Nettelbeck, Colin W., “Temps et espaces dans Féerie pour une autre fois,” La Revue des Lettres Modernes 543–546 (1978), 6381.Google Scholar
Nickel, Gunther, “Faction: Theodor Plievier: Stalingrad (1945),” Von Böll bis Buchheim. Deutsche Kriegsprosa nach 1945, ed. Wagener, Hans (Amsterdam: Rodopi, 1997), 4962.Google Scholar
Niefanger, Dirk, “Die Dramatisierung der ‘Stunde Null’. Die frühen Nachkriegsstücke von Borchert, Weisenborn und Zuckmayer,” Zwei Wendezeiten. Blicke auf die deutsche Literatur 1945 und 1989, ed. Erhart, Walter and Niefanger, Dirk (Tübingen: Niemeyer, 1997), 4770.Google Scholar
Nietzsche, Friedrich, Jenseits von Gut und Böse, Sämtliche Werke, ed. Colli, Giorgio and Montinari, Mazzino, vol. 5/15 (Munich: Deutscher Taschenbuch Verlag, 1999).Google Scholar
Niven, Bill, ed., Germans as Victims: Remembering the Past in Contemporary Germany (New York: Palgrave Macmillan, 2006).Google Scholar
Norris, Margot, Writing War in the Twentieth Century (Charlottesville, VA: University Press of Virginia, 2000).Google Scholar
North, Michael, Henry Green and the Writing of His Generation (Charlottesville, VA: University Press of Virginia, 1984).Google Scholar
Nossack, Hans Erich, Nekyia. Bericht eines Überlebenden (Frankfurt am Main: Suhrkamp, 1961).Google Scholar
Nossack, Hans Erich, Der Untergang (Frankfurt am Main: Suhrkamp, 1976).Google Scholar
Oda, Makoto, H: A Hiroshima Novel, trans. Whittaker, D. H. (Tokyo: Kodansha International, 1990).Google Scholar
Odom, Keith C., Henry Green (Boston, MA: Twayne, 1978).Google Scholar
Ōta, Yōko, City of Corpses, Hiroshima: Three Witnesses, trans. and ed. Minear, Richard H. (Princeton University Press, 1990).Google Scholar
Overy, Richard, The Bombing War: Europe, 1939–1945 (London: Allen Lane, 2013).Google Scholar
Overy, Richard, Russia’s War: A History of the Soviet War Effort, 1941–1945 (New York: Penguin Books, 1998).Google Scholar
Pake, Lucy S., “Courtly Love in Our Own Time: Graham Greene’s The End of the Affair,” Lamar Journal of the Humanities 8.2 (1982), 3643.Google Scholar
Panitz, Eberhard, Die Feuer sinken. Roman der Dresdner Februartage 1945 (Schkeuditz: Schkeudizer Buchverlag, 2000).Google Scholar
Panitz, Eberhard, Leben für Leben. Roman einer Familie (Halle: Mitteldeutscher Verlag, 1987).Google Scholar
Pape, Walter, “‘Mich für mein ganzes Leben verletzendes Geschehen als Erlebnis’. Die Luftangriffe auf Salzburg (1944) in Thomas Bernhards Die Ursache und Alexander Kluges Der Luftangriff auf Halberstadt am 8. April 1945,” Bombs Away! Representing the Air War over Europe and Japan, ed. Wilms, Wilfried and Rasch, William (Amsterdam: Rodopi, 2006), 181–97.Google Scholar
Paret, Peter, Clausewitz and the State (Oxford University Press, 1976).Google Scholar
Paret, Peter, The Cognitive Challenge of War: Prussia 1806 (Princeton University Press, 2009).Google Scholar
Paris, Michael, “The First Air Wars – North Africa and the Balkans, 1911–13,” Journal of Contemporary History 26.1 (1991), 97109.Google Scholar
Peitsch, Helmut, “Theodor Pliviers Stalingrad,” Faschismuskritik und Deutschlandbild, ed. Fritsch, Christian and Winckler, Lutz (Berlin: Argument, 1981), 83102.Google Scholar
Peitsch, Helmut, “Vom ‘Realismus’ eines Kriegsromans – ‘Unmittelbar’, ‘Magisch’, oder ‘Tendenziös’? Walter Kolbenhoff: Von unserem Fleisch und Blut (1947),” Von Böll bis Buchheim. Deutsche Kriegsprosa nach 1945, ed. Wagener, Hans (Amsterdam: Rodopi, 1997), 6390.Google Scholar
Peitsch, Helmut, Burdett, Charles, and Gorrara, Claire, eds., European Memories of the Second World War (New York: Berghahn Books, 1999).Google Scholar
Phelan, James, Living to Tell about It: A Rhetoric and Ethics of Character Narration (Ithaca, NY: Cornell University Press, 2005).Google Scholar
Piette, Adam, Imagination at War: British Fiction and Poetry, 1939–1945 (London: Papermac, 1995).Google Scholar
Piper, Don, “Soviet Union,” The Second World War in Fiction, ed. Klein, Holger, Flower, John, and Homberger, Eric (London: Macmillan Press, 1984), 131–72.Google Scholar
Piper, Ernst, Nacht über Europa. Kulturgeschichte des Ersten Weltkriegs (Berlin: List Taschenbuch, 2014).Google Scholar
Plievier, Theodor, Stalingrad, 2nd ed. (Cologne: Kiepenheuer & Witsch, 2011).Google Scholar
Pöhlman, Markus, “Zur Etymologie des totalen Krieges,” An der Schwelle zum totalen Krieg. Die militärische Debatte über den Krieg der Zukunft, 1939–1939, ed. Förster, Stig (Paderborn: Ferdinand Schöningh, 2002), 346–51.Google Scholar
Pong, Beryl, “The Archaeology of Postwar Childhood in Rose Macaulay’s The World My Wilderness,” Journal of Modern Literature 37.3 (2014), 92110.Google Scholar
Pong, Beryl, “Space and Time in the Bombed City: Graham Greene’s The Ministry of Fear and Elizabeth Bowen’s The Heat of the Day,” Literary London: Interdisciplinary Studies in the Representation of London 7.1 (2009), www.literarylondon.org, accessed June 4, 2016.Google Scholar
Powers, Scott M., “Jonathan Littell’s The Kindly Ones: Evil and the Ethical Limits of the Post-Modern Narrative,” Evil in Contemporary French and Francophone Literature, ed. Powers, Scott M. (Newcastle upon Tyne: Cambridge Scholars Publishing, 2011), 159202.Google Scholar
Pratt, Mary Louise, “Harm’s Way: Language and the Contemporary Arts of War,” PMLA 124.5 (2009), 1515–31.Google Scholar
Prendergast, Christopher, The Order of Mimesis: Balzac, Stendhal, Nerval, Flaubert (Cambridge University Press, 1986).Google Scholar
Preußer, Heinz-Peter, “Regarding and Imagining: Contrived Immediacy of the Allied Bombing Campaign in Photography, Novel and Historiography,” A Nation of Victims? Representations of German Wartime Suffering from 1945 to the Present, ed. Schmitz, Helmut (Amsterdam: Rodopi, 2007), 141–59.Google Scholar
Priestley, J. B., Three Men in New Suits (New York: Harper & Brothers Publishers, 1945).Google Scholar
Rachamimov, Iris, “Military Captivity in Two World Wars: Legal Frameworks and Camp Regimes,” The Cambridge History of War, vol. 4: War and the Modern World, ed. Chickering, Roger, Showalter, Dennis, and van de Ven, Hans (Cambridge University Press, 2012), 214–35.Google Scholar
Radvan, Florian, “Nachwort,” Die Stalinorgel, by Ledig, Gert (Frankfurt am Main: Suhrkamp, 2003), 203–29.Google Scholar
Rapoport, Anatol, “Introduction,” On War, by Carl von Clausewitz, ed. Rapoport, Anatol (London: Penguin, 1982), 1180.Google Scholar
Rasson, Luc, “How Nazis Undermine Their Own Point of View,” Writing the Holocaust Today: Critical Perspectives on Jonathan Littell’s The Kindly Ones, ed. Barjonet, Aurélie and Razinsky, Liran (Amsterdam: Rodopi, 2012), 97110.Google Scholar
Rasson, Luc, “Le narrateur SS a-t-il lu Sade?,” Paroles de salauds: Max Aue et cie, ed. Rasson, Luc (Amsterdam: Rodopi, 2013), 103–13.Google Scholar
Rau, Petra, “The Common Frontier: Fictions of Alterity in Elizabeth Bowen’s The Heat of the Day and Graham Greene’s The Ministry of Fear,” Literature and History 14.1 (2005), 3155.Google Scholar
Rawlinson, Mark, British Writing of the Second World War (New York University Press, 2000).Google Scholar
Razinsky, Liran, “We Are All the Same: Max Aue, Interpreter of Evil,” Yale French Studies 121 (2012), 140–54.Google Scholar
Rehfeldt, Martin, “Archiv und Inszenierung. Zur Bedeutung der Autorinszenierung für Walter Kempowskis Das Echolot und Benjamin von Stuckrad-Barres Soloalbum,” Walter Kempowski. Bürgerliche Repräsentanz, Erinnerungskultur, Gegenwartsbewältigung, ed. Hagestedt, Lutz (Berlin: De Gruyter, 2010), 369–90.Google Scholar
Reid, J. H., “From ‘Bekenntnis zur Trümmerliteratur’ to Frauen vor Flußlandschaft: Art, Power and the Aesthetics of Ruins,” University of Dayton Review 24.3 (1997), 3548.Google Scholar
Reid, J. H., “Draußen vor der Tür in Context,” Modern Languages: Journal of the Modern Language Association 61 (1980), 184–90.Google Scholar
Renger, Reinhard, “‘Der Engel schwieg’: Heinrich Bölls erster Roman,” Kultur-Chronik 10.6 (1992), 1821.Google Scholar
Resnais, Alain, director, Hiroshima mon amour (Neuilly sur Seine: Argos Films, 1959), www.amazon.com/Hiroshima-mon-amour-English-Subtitled/dp/B00ZRCAG3M/ref=sr_1_1?keywords=hiroshima+mon+amour&qid=1558516754&s=instant-video&sr=8-1, accessed September 1, 2018.Google Scholar
Rhodes, Richard, Masters of Death: The SS-Einsatzgruppen and the Invention of the Holocaust (New York: Vintage Books, 2003).Google Scholar
Richter, Hans Werner, Die Geschlagenen (Munich: Deutscher Taschenbuch Verlag, 1969).Google Scholar
Riggan, William, Pícaros, Madmen, Naïfs, and Clowns: The Unreliable First-Person Narrator (Norman, OK: University of Oklahoma Press, 1981).Google Scholar
Rigney, Ann, “All This Happened, More or Less: What a Novelist Made of the Bombing of Dresden,” History and Theory 48.2 (2009), 524.Google Scholar
Rohrwasser, Michael, “Theodor Plieviers Kriegsbilder,” Schuld und Sühne? Kriegserlebnis und Kriegsdeutung in deutschen Medien der Nachkriegszeit (1945–1961), ed. Heukenkamp, Ursula (Amsterdam: Rodopi, 2001), 139–53.Google Scholar
Roland, Hubert, and Schneiberg, Judith, “Hermann Kasacks Nachkriegsroman Die Stadt hinter dem Strom (1947). Versuch einer ethischen Deutung,” Literarische Mikrokosmen. Begrenzung und Entgrenzung/Les microcosmes littéraires: Limites et ouvertures, ed. Drösch, Christian, Roland, Hubert, and Vanasten, Stephanie (Brussels: Presses Interuniversitaires Européennes (P.I.E.)/Peter Lang, 2006), 123–46.Google Scholar
Rosen, Jules, “The Persistence of Traumatic Memories in World War II Prisoners of War,” Journal of the American Geriatrics Society 57.12 (2009), 2346–47.Google Scholar
Roth, Philip, The American Trilogy, 1997–2000: American Pastoral, I Married a Communist, The Human Stain (New York: Library of America, 2011).Google Scholar
Rothberg, Michael, Traumatic Realism: The Demands of Holocaust Representation (Minneapolis, MN: University of Minnesota Press, 2000).Google Scholar
Rupp, Gerhard, “Zweiter Weltkrieg im Drama. Literarhistorischer Kontext und schülerische Lebenswelt am Beispiel von Wolfgang Borchert, Günther Weisenborn und Carl Zuckmayer,” Deutsche Dramen. Interpretationen zu Werken von der Aufklärung bis zur Gegenwart, vol. 2: Von Hauptmann bis Botho Strauss, ed. Müller-Michaels, Harro (Königstein: Athenäum, 1981), 85111.Google Scholar
Ryan, Judith, The Uncompleted Past: Postwar German Novels and the Third Reich (Detroit, MI: Wayne State University Press, 1983).Google Scholar
Saint-Amour, Paul K., Tense Future: Modernism, Total War, Encyclopedic Form (New York: Oxford University Press, 2015).Google Scholar
Santiáñez, Nil, Investigaciones literarias: Modernidad, historia de la literatura y modernismos (Barcelona: Crítica, 2002).Google Scholar
Sauer, Fritz Joachim, “Der Luftkrieg der Literatur,” Sprache – Literatur – Kultur. Text im Kontext, ed. Andersson, Bo, Müller, Gernot, and Stoeva-Holm, Dessislava (Uppsala University, 2010), 263–77.Google Scholar
Scarry, Elaine, The Body in Pain: The Making and Unmaking of the World (Oxford University Press, 1985).Google Scholar
Schaffer, Ronald, “The Bombing Campaigns in World War II: The European Theater,” Bombing Civilians: A Twentieth-Century History, ed. Tanaka, Yuki and Young, Marilyn B. (New York: New Press, 2009), 829.Google Scholar
Schmitt, Carl, The Concept of the Political, trans. Schwab, George, expanded ed. (University of Chicago Press, 2007).Google Scholar
Schmitt, Carl, The Nomos of the Earth in the International Law of the Jus Publicum Europaeum, trans. Ulmen, G. L. (New York: Telos, 2003).Google Scholar
Schmitt, Carl, Theory of the Partisan: Intermediate Commentary on the Concept of the Political, trans. Ulmen, G. L. (New York: Telos, 2007).Google Scholar
Schmitt, Carl, Writings on War, trans. and ed. Nunan, Timothy (Cambridge: Polity, 2011).Google Scholar
Schmitz, Helmut, ed., A Nation of Victims? Representations of German Wartime Suffering from 1945 to the Present (Amsterdam: Rodopi, 2007).Google Scholar
Schmitz, Helmut, and Seidel-Arpaci, Annette, eds., Narratives of Trauma: Discourses of German Wartime Suffering in National and International Perspective (Amsterdam: Rodopi, 2011).Google Scholar
Schmollinger, Annette, “Leben im Angesicht des Todes. Anmerkungen zu Hermann Kasacks Roman Die Stadt hinter dem Strom,” Die totalitäre Erfahrung. Deutsche Literatur und Drittes Reich, ed. Kroll, Frank-Lothar (Berlin: Duncker & Humblot, 2003), 235–66.Google Scholar
Schumacher, Frank, “‘Niederbrennen, plündern und töten sollt ihr.’ Der Kolonialkrieg der USA auf den Philippinen (1899–1913),” Kolonialkriege. Militärische Gewalt im Zeichen des Imperialismus, ed. Klein, Thoralf and Schumacher, Frank (Hamburg: Hamburger Edition, 2006), 109–44.Google Scholar
Schütz, Herbert, Hermann Kasack: The Role of the Critical Intellect in the Creative Writer’s Work (Frankfurt am Main: Peter Lang, 1972).Google Scholar
Schwab, Gabriele, Haunting Legacies: Violent Histories and Transgenerational Trauma (New York: Columbia University Press, 2010).Google Scholar
Scullion, Rosemarie, “Writing and Resistance in Louis-Ferdinand Céline’s Féerie pour une autre fois I,” Esprit créateur 38.3 (1998), 2839.Google Scholar
Sebald, W. G., Luftkrieg und Literatur. Mit einem Essay zu Alfred Andersch, 5th ed. (Frankfurt am Main: Fischer, 2005).Google Scholar
Sebald, W. G., “Zwischen Geschichte und Naturgeschichte. Versuch über die literarische Beschreibung totaler Zerstörung mit Anmerkungen zu Kasack, Nossack und Kluge,” Orbis Litterarum: International Review of Literary Studies 37.4 (1982), 345–66.Google Scholar
Seidel Arpaci, Annette, “Lost in Translations? The Discourse of ‘German Suffering’ and W. G. Sebald’s Luftkrieg und Literatur,” A Nation of Victims? Representations of German Wartime Suffering from 1945 to the Present, ed. Schmitz, Helmut (Amsterdam: Rodopi, 2007), 161–79.Google Scholar
Selden, Mark, “A Forgotten Holocaust: U.S. Bombing Strategy, the Destruction of Japanese Cities, and the American Way of War from the Pacific War to Iraq,” Bombing Civilians: A Twentieth-Century History, ed. Tanaka, Yuki and Young, Marilyn B. (New York: New Press, 2009), 7796.Google Scholar
Semprun, Jorge, Literature or Life, trans. Coverdale, Linda (New York: Penguin, 1997).Google Scholar
Sevin, Dieter H., Individuum und Staat. Das Bild des Soldaten in der Romantrilogie Theodor Plieviers (Bonn: Bouvier, 1972).Google Scholar
Shahan, Cyrus, “Less than Bodies: Cellular Knowledge and Alexander Kluge’s ‘The Air Raid on Halberstadt on 8 April 1945’,” Germanic Review 85.4 (2010), 340–58.Google Scholar
Shandley, Robert R., Rubble Films: German Cinema in the Shadow of the Third Reich (Philadelphia, PA: Temple University Press, 2001).Google Scholar
Shankman, S., “God, Ethics, and the Novel: Dostoevsky and Vasily Grossman,” Neohelicon 42.2 (2015), 371–87.Google Scholar
Shapiro, Stephen A., “Henry Green’s Back: The Presence of the Past,” Critique: Studies in Contemporary Fiction 7 (1964), 8796.Google Scholar
Shay, Jonathan, Odysseus in America: Combat Trauma and the Trials of Homecoming (New York: Scribner, 2002).Google Scholar
Shepley, Nick, Henry Green: Class, Style, and the Everyday (Oxford University Press, 2016).Google Scholar
Sherman, Kenneth, “Vasily Grossman’s Treblinka,” Brick 82 (2009), 138–46.Google Scholar
Sherman, Nancy, Afterwar: Healing the Moral Wounds of Our Soldiers (New York: Oxford University Press, 2015).Google Scholar
Sherry, Vincent, The Great War and the Language of Modernism (New York: Oxford University Press, 2006).Google Scholar
Sherry, Vincent, ed., The Cambridge History of Modernism (Cambridge University Press, 2017).Google Scholar
Sloterdijk, Peter, Terror from the Air, trans. Patton, Amy and Corcoran, Steve (Los Angeles: Semiotext(e), 2009).Google Scholar
Smith, Sidonie, and Watson, Julia, Reading Autobiography: A Guide for Interpreting Life Narratives (Minneapolis, MN: University of Minnesota Press, 2001).Google Scholar
Snape, Ray, “Plaster Saints, Flesh and Blood Sinners: Graham Greene’s The End of the Affair,” Durham University Journal 74.2 (1982), 241–50.Google Scholar
Snyder, Timothy, Bloodlands: Europe between Hitler and Stalin (New York: Basic Books, 2010).Google Scholar
Sontag, Susan, Regarding the Pain of Others (New York: Picador, 2003).Google Scholar
Speed, N., Engdahl, B., Schwartz, B., and Eberly, R., “Post-Traumatic Stress Disorder as a Consequence of the POW Experience,” Journal of Nervous and Mental Disease 117.3 (1989), 147–53.Google Scholar
Speier, Hans, “The Social Types of War,” American Journal of Sociology 46.4 (1941), 445–54.Google Scholar
Sprinker, Michael, ed., Ghostly Demarcations: A Symposium on Jacques Derrida’s Specters of Marx (London: Verso, 1999).Google Scholar
Stašková, Alice, “Transfigurations d’un procès: Les narrataires céliniens dans Féerie pour une autre fois I,” Classicisme de Céline, ed. Derval, André (Paris: Société d’Etudes Céliniennes, 1999), 339–54.Google Scholar
Steiner, George, Language & Silence: Essays on Language, Literature, and the Inhuman (New Haven, CT: Yale University Press, 1998).Google Scholar
Stevenson, Randall, Literature and the Great War, 1914–1918 (Oxford University Press, 2013).Google Scholar
Stewart, Victoria, “The Auditory Uncanny in Wartime London: Graham Greene’s The Ministry of Fear,” Textual Practice 18.1 (2004), 6581.Google Scholar
Stewart, Victoria, Narratives of Memory: British Writing of the 1940s (New York: Palgrave Macmillan, 2006).Google Scholar
Stone, David R., “Operations on the Eastern Front, 1941–1945,” The Cambridge History of the Second World War, ed. Ferris, John and Mawdsley, Evan, vol. 1/3 (Cambridge University Press, 2015), 331–57.Google Scholar
Stonebridge, Lyndsey, “Bombs and Roses: The Writing of Anxiety in Henry Green’s Caught,” Diacritics: A Review of Contemporary Criticism 28.4 (1998), 2543.Google Scholar
Stonebridge, Lyndsey, “Theories of Trauma,” The Cambridge Companion to the Literature of World War II, ed. MacKay, Marina (Cambridge University Press, 2009), 194206.Google Scholar
Stonebridge, Lyndsey, The Writing of Anxiety: Imagining Wartime in Mid-Century British Culture (New York: Palgrave Macmillan, 2007).Google Scholar
Stotesbury, John A., “A Postcolonial Reading of Metropolitan Space in Graham Greene’s The End of the Affair,” London in Literature: Visionary Mappings of the Metropolis, ed. Onega, Susana and Stotesbury, John A. (Heidelberg: Universitätsverlag Carl Winter, 2002), 107–21.Google Scholar
Stout, Janis P., Coming Out of War: Poetry, Grieving, and the Culture of the World Wars (Tuscaloosa, AL: University of Alabama Press, 2005).Google Scholar
Strachan, Hew, Carl von Clausewitz’s On War: A Biography (New York: Atlantic Monthly Press, 2006).Google Scholar
Streim, Gregor, “Der Bombenkrieg als Sensation und als Dokumentation. Gert Ledigs Roman Vergeltung und die Debatte um W. G. Sebalds Luftkrieg und Literatur,” Krieg in den Medien, ed. Preußer, Heinz-Peter (Amsterdam: Rodopi, 2005), 293312.Google Scholar
Streim, Gregor, “Germans in the Lager. Reports and Narratives About Imprisonments in Post-War Allied Internment Camps,” A Nation of Victims? Representations of German Wartime Suffering from 1945 to the Present, ed. Schmitz, Helmut (Amsterdam: Rodopi, 2007), 3149.Google Scholar
Suleiman, Susan Rubin, “Performing a Perpetrator as Witness: Jonathan Littell’s Les Bienveillantes,” After Testimony: The Ethics and Aesthetics of Holocaust Narrative for the Future, ed. Lothe, Jakob, Suleiman, Susan Rubin, and Phelan, James (Columbus, OH: Ohio State University Press, 2012), 99119.Google Scholar
Suleiman, Susan Rubin, “When the Perpetrator Becomes a Reliable Witness of the Holocaust: On Jonathan Littell’s Les Bienveillantes,” New German Critique: An Interdisciplinary Journal of German Studies 106 (2009), 119.Google Scholar
Swofford, Anthony, “Full Metal Jacket Seduced My Generation and Sent Us to War,” The New York Times Magazine (August 18, 2018), www.nytimes.com/2018/04/18/magazine/full-metal-jacket-ermey-marine-corps.html, accessed October 8, 2018.Google Scholar
Swofford, Anthony, Jarhead: A Marine’s Chronicle of the Gulf War and Other Battles (New York: Scribner, 2003).Google Scholar
Tachibana, Reiko, “The Japanese War,” The Cambridge Companion to the Literature of World War II, ed. MacKay, Marina (Cambridge University Press, 2009), 137–48.Google Scholar
Tachibana, Reiko, Narrative as Counter-Memory: A Half-Century of Postwar Writing in Germany and Japan (Albany, NY: State University of New York Press, 1998).Google Scholar
Takayoshi, Ichiro, American Writers and the Approach of World War II, 1935–1941: A Literary History (Cambridge University Press, 2015).Google Scholar
Tanaka, Yuki, and Young, Marilyn B., eds., Bombing Civilians: A Twentieth-Century History (New York: New Press, 2009).Google Scholar
Teekell, Anna, “Elizabeth Bowen and Language at War,” New Hibernia Review/Iris Éireannach Nua: A Quarterly Record of Irish Studies 15.3 (2011), 6179.Google Scholar
Thiher, Allen, Céline: The Novel as Delirium (New Brunswick, NJ: Rutgers University Press, 1972).Google Scholar
Thiher, Allen, “Féerie pour une autre fois: Mythe et modernisme,” La Revue des Lettres Modernes 560–564 (1979), 107–21.Google Scholar
Thurston, Luke, Literary Ghosts from the Victorians to Modernism: The Haunting Interval (London: Routledge, 2012).Google Scholar
Tillman, Barrett, Whirlwind: The Air War against Japan, 1942–1945 (New York: Simon & Schuster, 2010).Google Scholar
Timm, Uwe, Am Beispiel meines Bruders, 4th ed. (Munich: Deutscher Taschenbuch Verlag, 2007).Google Scholar
Tomko, Helena M., “Böll’s War: Catholic Inner Immigration, Apocalyptic Dystopia, and ‘Stunde Null’,” German Life and Letters 67.3 (2014), 358–77.Google Scholar
Traverso, Enzo, “Prologue. 1914–1945: Le monde au prisme de la guerre,” 1937–1947: La guerre-monde, ed. Aglan, Alya and Frank, Robert, vol. 1/2 (Paris: Gallimard, 2015), 2358.Google Scholar
Treat, John Whittier, “Hiroshima and the Place of the Narrator,” Journal of Asian Studies 48.1 (1989), 2949.Google Scholar
Treat, John Whittier, Pools of Water, Pillars of Fire: The Literature of Ibuse Masuji (Seattle, WA: University of Washington Press, 1988).Google Scholar
Treat, John Whittier, Writing Ground Zero: Japanese Literature and the Atomic Bomb (University of Chicago Press, 1995).Google Scholar
Truman, Harry S., “Statement by the President Announcing the Use of the A-Bomb at Hiroshima,” The American Presidency Project, 1999–2017, www.presidency.ucsb.edu/ws/?pid=1216, accessed August 6, 2017.Google Scholar
Turse, Nick, Kill Anything That Moves: The Real American War in Vietnam (New York: Metropolitan Books, 2013).Google Scholar
Valla, Jean-Claude, La France sous les bombes américaines, 1942–1945 (Paris: Éditions de la Librairie Nationale, 2001).Google Scholar
van Creveld, Martin, The Changing Face of War: Combat from the Marne to Iraq (New York: Presidio Press, 2008).Google Scholar
Vandervort, Bruce, Wars of Imperial Conquest in Africa, 1830–1914 (Bloomington, IN: Indiana University Press, 1998).Google Scholar
Vees-Gulani, Susanne, “Diagnosing Billy Pilgrim: A Psychiatric Approach to Kurt Vonnegut’s Slaughterhouse-Five,” Critique: Studies in Contemporary Fiction 44.2 (2003), 175–84.Google Scholar
Vees-Gulani, Susanne, Trauma and Guilt: Literature of Wartime Bombing in Germany (Berlin: De Gruyter, 2003).Google Scholar
Voinovich, Vladimir, “The Life and Fate of Vasily Grossman and His Novel,” Survey: A Journal of East & West Studies 29.1 (1985), 186–89.Google Scholar
Vonnegut, Kurt, Slaughterhouse-Five, or, The Children’s Crusade: A Duty-Dance with Death (New York: Dell Publishing, 1991).Google Scholar
Waldmeir, Joseph J., American Novels of the Second World War (The Hague: Mouton & Co., 1969).Google Scholar
Waller, Willard, The Veteran Comes Back (New York: Dryden Press, 1944).Google Scholar
Walsh, Jeffrey, American War Literature, 1914 to Vietnam (New York: St. Martin’s Press, 1982).Google Scholar
Wasson, Sara, Urban Gothic of the Second World War: Dark London (New York: Palgrave Macmillan, 2010).Google Scholar
Watson, Barbara Bellow, “Variations on an Enigma: Elizabeth Bowen’s War Novel,” Southern Humanities Review 15.2 (1981), 131–51.Google Scholar
Watts, Philip, “An Introduction to Céline,” Fiction 12.1 (1994), 3554.Google Scholar
Waugh, Evelyn, Sword of Honor (New York: Back Bay Books, 2012).Google Scholar
Wehler, Hans-Ulrich, “‘Absoluter’ und ‘totaler’ Krieg. Von Clausewitz zu Ludendorff,” Politische Vierteljahresschrift 19 (1969), 220–48.Google Scholar
Weidauer, Friedemann, “Sollen wir ihn reinlassen? Wolfgang Borcherts Draußen vor der Tür in neuen Kontexten,” German Life and Letters 59.1 (2006), 122–39.Google Scholar
White, Hayden, The Content of the Form: Narrative Discourse and Historical Representation (Baltimore, MD: Johns Hopkins University Press, 1987).Google Scholar
Wilms, Wilfried, and Rasch, William, eds., Bombs Away! Representing the Air War over Europe and Japan (Amsterdam: Rodopi, 2006).Google Scholar
Wilson, Sloan, The Man in the Gray Flannel Suit (New York: Thunder’s Mouth Press, 2002).Google Scholar
Winn, James Anderson, The Poetry of War (Cambridge University Press, 2008).Google Scholar
Winter, Jay, Sites of Memory, Sites of Mourning: The Great War in European Cultural History (Cambridge University Press, 1998).Google Scholar
Wittgenstein, Ludwig, Philosophical Investigations, trans. Anscombe, G. E. M., 2nd ed. (Oxford: Blackwell Publishers, 1997).Google Scholar
Wittgenstein, Ludwig, Tractatus Logico-Philosophicus, trans. Pears, D. F. and McGuinness, B. F. (London: Routledge, 2001).Google Scholar
Wood, David, What Have We Done: The Moral Injury of Our Longest Wars (New York: Little, Brown and Company, 2016).Google Scholar
Wright, Gordon, The Ordeal of Total War, 1939–1945 (New York: Harper & Row, 1968).Google Scholar
Zimmerer, Jürgen, “Krieg, KZ und Völkermord in Südwestafrika. Der erste deutsche Genozid,” Völkermord in Deutsch-Südwestafrika. Der Kolonialkrieg (1904–1908) in Namibia und seine Folgen, ed. Zeller, Joachim and Zimmerer, Jürgen (Berlin: Ch. Links, 2003), 4563.Google Scholar
Zimmering, Max, Phosphor und Flieder. Vom Untergang und Wiederaufstieg der Stadt Dresden (Berlin: Dietz, 1954).Google Scholar
Zimmermann-Thiel, Gisela, “‘Echolot’: A Warning,” Kultur-Chronik 12.4 (1994), 48.Google Scholar
Žižek, Slavoj, Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology (Durham, NC: Duke University Press, 1993).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Nil Santiáñez, St Louis University, Missouri
  • Book: The Literature of Absolute War
  • Online publication: 30 April 2020
  • Chapter DOI: https://doi.org/10.1017/9781108861144.007
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Nil Santiáñez, St Louis University, Missouri
  • Book: The Literature of Absolute War
  • Online publication: 30 April 2020
  • Chapter DOI: https://doi.org/10.1017/9781108861144.007
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Nil Santiáñez, St Louis University, Missouri
  • Book: The Literature of Absolute War
  • Online publication: 30 April 2020
  • Chapter DOI: https://doi.org/10.1017/9781108861144.007
Available formats
×