The fourth chapter traces Philip K. Dick’s adaptations of ancient East Asian cosmology to structure America’s ethnically heterogeneous future in the emergent North Atlantic world order. Dick finds inspiration in I-Ching, an ancient Chinese system of divination that arose to combat chaos in an era of warring states. Dick’s references to China in The Man in the High Castle belongs to a career-long hunt for devices that might delay the decay of traditional forms of belonging. The I-Ching must be distinguished, however, from the magic aerosols and hand-cast ceramics that appear elsewhere in the Dick canon, for it offers a means with which to imagine a culturally coherent America. Thanks to the I-Ching, three archetypal forms of totality—American suburbia, European totalitarianism, and Third World primitivism—that remain irreconcilable in Now Wait for Last Year constitute a functioning amalgamation in High Castle. Along the way, I place Dick’s interest in the I-Ching in an intellectual tradition at least as old as Hegel, which posited that the Chinese, putatively never afflicted by Cartesian dualism, retained access to a sense of totality foreclosed to Europeans and North Americans.