Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 Theatricality, a View from the Landscape
- 2 Gardens of the Gods : Classical Revival, Intermedi, Early Opera and the Idea of Nature
- 3 The (Singing) Figure in the Landscape
- 4 Triumph over Nature : Machines and Meraviglia on the Seventeenthcentury Stage
- 5 The Theatre in the Landscape : Pliny to Pratolino
- 6 The Garden as Stage, the Visitor as Performer
- 7 Stages without Actors : Theatres of Sculpture, Water and Flowers
- 8 Performing in the Parrhasian Grove : Green Theatres and the Academies
- Bibliography
- Index
Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction
- 1 Theatricality, a View from the Landscape
- 2 Gardens of the Gods : Classical Revival, Intermedi, Early Opera and the Idea of Nature
- 3 The (Singing) Figure in the Landscape
- 4 Triumph over Nature : Machines and Meraviglia on the Seventeenthcentury Stage
- 5 The Theatre in the Landscape : Pliny to Pratolino
- 6 The Garden as Stage, the Visitor as Performer
- 7 Stages without Actors : Theatres of Sculpture, Water and Flowers
- 8 Performing in the Parrhasian Grove : Green Theatres and the Academies
- Bibliography
- Index
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- Landscape and the Arts in Early Modern ItalyTheatre, Gardens and Visual Culture, pp. 263 - 286Publisher: Amsterdam University PressPrint publication year: 2022