Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-09T13:51:52.286Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

2 - The Writer and the Civil Rights Movement

Douglas Field
Affiliation:
Staffordshire University
Get access

Summary

On 17 May 1963 James Baldwin appeared on the front cover of Time Magazine. The painting by the well-known artist Boris Chaliapin shows Baldwin looking out with furrowed brow under the banner ‘Birmingham and Beyond: the Negro's Push for Equality’. Inside the magazine, a lengthy article, ‘Nation: The Root of the Problem’ focuses on Baldwin. The article claims that ‘in the U.S. today there is not another writer – white or black – who expresses with such poignancy and abrasiveness the dark realities of the racial ferment in North and South’. Baldwin, Time Magazine suggests, is the voice of the Civil Rights movement.

Baldwin's appearance on the cover of such a popular weekly is testament to his importance and significance in the popular imagination, not just as a writer but as a civil rights activist. That year, Martin Luther King, Jr, was the magazine's ‘Man of the Year’, but it was a rare feat for an African American to be on the cover of any major US publication in the early 1960s. Baldwin's third novel, Another Country, published in 1962, was the second best-selling novel of 1963 after William Golding's Lord of the Flies. In 1962 the New Yorker published a long two part essay, ‘A Letter from a Region in My Mind’ that was reprinted as The Fire Next Time the following year, a book that became one of the manifestos of the Civil Rights movement. Unlike Richard Wright, who remained in France, and Ralph Ellison, who believed that political involvement corroded artistic talent, Baldwin lent his support to numerous civil rights organizations, contributing articles and interviews to scores of publications.

The article in Time Magazine, while testifying to Baldwin's influence as writer at the height of his success, simultaneously authenticates and undermines the writer's role in the Civil Rights movement. ‘He is not, by any stretch of the imagination’, the unnamed author writes, ‘a Negro leader’. The article makes it clear that Baldwin ‘tries no civil rights cases in the courts’; he ‘preaches from no pulpit, devises no stratagems for sit-ins, Freedom Riders or street marchers’. Baldwin, in other words, is not a lawyer, preacher or political organizer. What, then, was Baldwin's role?

Type
Chapter
Information
James Baldwin
, pp. 28 - 43
Publisher: Liverpool University Press
Print publication year: 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×