Book contents
- Irish Literature in Transition, 1880–1940
- Irish Literature In Transition
- Irish Literature in Transition, 1880–1940
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Chapter 1 Introduction
- Part I Revisionary Foundations
- Part II Revolutionary Forms
- Part III Major Figures in Transition
- Chapter 10 Ageing Yeats: From Fascism to Disability
- Chapter 11 ‘I myself delight in Miss Edgeworth’s novels’: Gender, Power and the Domestic in Lady Gregory’s Work
- Chapter 12 Synge and Disappearing Ireland
- Chapter 13 Drumcondra Modernism: Joyce’s Suburban Aesthetic
- Chapter 14 London Irish: Wilde, Shaw and Yeats
- Part IV Aftermaths and Outcomes
- Part V Frameworks in Transition
- Index
Chapter 11 - ‘I myself delight in Miss Edgeworth’s novels’: Gender, Power and the Domestic in Lady Gregory’s Work
from Part III - Major Figures in Transition
Published online by Cambridge University Press: 28 February 2020
- Irish Literature in Transition, 1880–1940
- Irish Literature In Transition
- Irish Literature in Transition, 1880–1940
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Chapter 1 Introduction
- Part I Revisionary Foundations
- Part II Revolutionary Forms
- Part III Major Figures in Transition
- Chapter 10 Ageing Yeats: From Fascism to Disability
- Chapter 11 ‘I myself delight in Miss Edgeworth’s novels’: Gender, Power and the Domestic in Lady Gregory’s Work
- Chapter 12 Synge and Disappearing Ireland
- Chapter 13 Drumcondra Modernism: Joyce’s Suburban Aesthetic
- Chapter 14 London Irish: Wilde, Shaw and Yeats
- Part IV Aftermaths and Outcomes
- Part V Frameworks in Transition
- Index
Summary
Augusta Gregory used her power in the domestic sphere as a mechanism for effecting change in the public sphere. Her career as a writer was forged by her creative responses to her private life: marriage at the age of twenty-eight to William Gregory; an important love affair with Wilfred Scawen Blunt; the freedom and responsibility that came with being widowed at just thirty-nine years of age. Recently, with a focus on Gregory’s relationships with Sir William, Blunt and Gregory’s protégé, W. B. Yeats, Lucy McDiarmid shows how, ‘surrounded by men and pleasing them, Lady Gregory created a public voice for herself and entered the world of professional authorship’.
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- Information
- Irish Literature in Transition, 1880–1940 , pp. 196 - 211Publisher: Cambridge University PressPrint publication year: 2020