Book contents
- Frontmatter
- Contents
- Acknowledgements
- Edinburgh Critical Studies in Modernism, Drama and Performance
- Introduction
- 1 Desiring Women: Irish Playwrights, New Women and Queer Socialism, 1892–1894
- 2 Arrested Development: Utopian Desires, Designs and Deferrals in Man and Superman and John Bull's Other Island
- 3 We'll Keep the Red Flag Flying Here: Syndicalism, Jim Larkin and Irish Masculinity at the Abbey Theatre, 1911–1919
- 4 Mobilising Maurya: J. M. Synge, Bertolt Brecht and the Revolutionary Mother
- 5 The Flaming Sunflower: The Soviet Union and Sean O'Casey's Post-Realism
- Epilogue: What The Irish Left – Sean O'Casey, Samuel Beckett and Lorraine Hansberry's The Sign in Sidney Brustein's Window
- Works Cited
- Index
Acknowledgements
Published online by Cambridge University Press: 06 January 2018
- Frontmatter
- Contents
- Acknowledgements
- Edinburgh Critical Studies in Modernism, Drama and Performance
- Introduction
- 1 Desiring Women: Irish Playwrights, New Women and Queer Socialism, 1892–1894
- 2 Arrested Development: Utopian Desires, Designs and Deferrals in Man and Superman and John Bull's Other Island
- 3 We'll Keep the Red Flag Flying Here: Syndicalism, Jim Larkin and Irish Masculinity at the Abbey Theatre, 1911–1919
- 4 Mobilising Maurya: J. M. Synge, Bertolt Brecht and the Revolutionary Mother
- 5 The Flaming Sunflower: The Soviet Union and Sean O'Casey's Post-Realism
- Epilogue: What The Irish Left – Sean O'Casey, Samuel Beckett and Lorraine Hansberry's The Sign in Sidney Brustein's Window
- Works Cited
- Index
Summary
- Type
- Chapter
- Information
- Irish Drama and the Other RevolutionsPlaywrights, Sexual Politics and the International Left, 1892–1964, pp. vi - viiPublisher: Edinburgh University PressPrint publication year: 2017