Book contents
- Frontmatter
- Dedication
- Contents
- Foreword
- Preface
- Acknowledgments
- PART ONE The Conductor's Mind
- PART TWO The Conductor's Skills
- PART THREE The Conductor's Hands
- PART FOUR The Conductor and the Musicians
- PART FIVE The Conductor and the Instruments
- PART SIX The Conductor, the Composer, and the Score
- PART SEVEN The Conductor and the Audience
- 36 Addressing the Audience
- 37 Applause, Platform Demeanor, Coughing
- 38 Program Planning
- PART EIGHT The Conductor and “the Business”
- PART NINE Inside the Conductor
- Suggested Reading
- Musical Example Credits
- A Note on the Illustrations
- Index of Conductors
37 - Applause, Platform Demeanor, Coughing
from PART SEVEN - The Conductor and the Audience
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Dedication
- Contents
- Foreword
- Preface
- Acknowledgments
- PART ONE The Conductor's Mind
- PART TWO The Conductor's Skills
- PART THREE The Conductor's Hands
- PART FOUR The Conductor and the Musicians
- PART FIVE The Conductor and the Instruments
- PART SIX The Conductor, the Composer, and the Score
- PART SEVEN The Conductor and the Audience
- 36 Addressing the Audience
- 37 Applause, Platform Demeanor, Coughing
- 38 Program Planning
- PART EIGHT The Conductor and “the Business”
- PART NINE Inside the Conductor
- Suggested Reading
- Musical Example Credits
- A Note on the Illustrations
- Index of Conductors
Summary
The English conductor Malcolm Sargent was a master at handling applause. After a performance he&d shake a soloist by the hand while giving sotto voce instructions: “Take one bow and walk off.” Or while shaking a concertmaster&s hand: “Don&t sit down, I&m coming back for another bow.” I even heard him call out to an applauding chorus in London&s Royal Albert Hall, “Keep it going, keep it going!” After a Messiah performance under Sargent, concertmaster Tom Rowlette decided six curtain calls were enough for any conductor and began to lead the orchestra off the platform. Halfway off, he met Sargent coming back for another bow. Sir Malcolm struggled manfully against the tidal wave of departing musicians—waving, blowing kisses to the audience, and hissing “get back, you fools, get back” through the clenched teeth of his smile. Of course, he was swept offstage. Tom was summoned to his dressing room: “Mr. Rowlette, how could you do this to me after all the years we&ve worked together? How could you?” Tom&s reply was brilliant: “I&m really terribly sorry, Sir Malcolm, but you&d conducted so magnificently that I just couldn&t wait to come backstage to congratulate you.” “Well, yes,” replied Sargent, “it did go awfully well, didn&t it?”.
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- Information
- Inside Conducting , pp. 205 - 207Publisher: Boydell & BrewerPrint publication year: 2013