Book contents
- The Imagery and Politics of Sexual Violence in Early Renaissance Italy
- The Imagery and Politics of Sexual Violence in Early Renaissance Italy
- Copyright page
- Contents
- Acknowledgments
- One Introduction
- Two Victims of Lust
- Three Medicalized Misogyny
- Four Rape As a Weapon of War
- Five Political Allegories
- Six Abduction in Illustrated Romances
- Seven Lucretia and the Renaissance of Rape
- Eight Conclusion
- Bibliography
- Index
One - Introduction
Published online by Cambridge University Press: 13 January 2023
- The Imagery and Politics of Sexual Violence in Early Renaissance Italy
- The Imagery and Politics of Sexual Violence in Early Renaissance Italy
- Copyright page
- Contents
- Acknowledgments
- One Introduction
- Two Victims of Lust
- Three Medicalized Misogyny
- Four Rape As a Weapon of War
- Five Political Allegories
- Six Abduction in Illustrated Romances
- Seven Lucretia and the Renaissance of Rape
- Eight Conclusion
- Bibliography
- Index
Summary
Images of rape in late-medieval and early renaissance Italy belong to the broader question of sexual violence and societal responses to it. Both aspects are significant: These representations equally relate to the reality of rape and collective ideological responses to it. On the one hand, what people do to each other defines who they are. Collective behavioral norms and patterns establish the boundaries of day-to-day interactions and organize life in a community. They also turn people into particular versions of themselves. If they allow, condone, or perform sexual violation of others, this makes them members of a rape-prone society and potential rapists. Similarly, an ideal rape-free society could be defined by the complete eradication of any sexual act under coercion. This opposition seems to offer an unambiguous distinction between communities based on consensual and nonconsensual sexuality.
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- Publisher: Cambridge University PressPrint publication year: 2023