Introduction
Published online by Cambridge University Press: 21 October 2015
Summary
My life was as straight as a piece of wire pulled taut, without twists and turns. … And now it was not just bent, but tangled. And I could not see how I could unravel the tangle. Every day I feel my throat in the tighter and tighter grip of an outside power …
I would now have to be on the lookout, like looking for a needle in a pile of paddy stalks. The needle must be found, even the paddy stalks have to be destroyed. All this even though it was a small piece of pure steel, without the rust of evil, except for that speck of idealism, that history of love of people and country, that seed of patriotism and nationalism whose final flowering could not yet be clearly seen. And that you are careful that you are not pricked by that needle yourself. For the government and I as its instrument, must, however, look upon such idealism as criminal. (Toer 1992, pp. 50–53)
Thus begins Indonesian novelist Pramoedya Ananta Toer's magisterial meditation on the fate of one living under the spell of the colonial state in his House of Glass (1992). The time was 1912; the place, Netherlands East Indies. The narrator Jacques Pangemanann is a former Commissioner of Police. Educated in Lyon, France, he is indeed like Conrad's Kurtz, a flower of European civilization. But what confronts his heart of darkness is an enterprise far more insidious than those of economic plunder and military conquest by colonialism. He has been asked by the Dutch colonial authorities to investigate the “textual activities” of the anti-colonial radicals:
My new assignment was to study the writings of the Natives that were being published in the newspapers and magazines. Analyse them. Interview the authors. Compare them. And make some conclusions about their calibre, the direction of their thinking and their attitude towards the Government of the Netherlands Indies. (Toer 1992, p. 52)
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- House of GlassCulture, Modernity, and the State in Southeast Asia, pp. 1 - 24Publisher: ISEAS–Yusof Ishak InstitutePrint publication year: 2001