The iconic image of Wilfred Owen as the ‘poet of pity’ has reinforced a one-dimensional understanding of his poems that are more than just the sum of their emotional impact: they reimagine and exceed his major literary influences.This chapter explores the multi-layered achievement of Owen's work, both formal and thematic, that continues to invite re-reading and interpretation.In bearing witness for those unable and/or unwilling to articulate their war experiences, he turned his perspective outwards, away from the solipsism of his adolescence and pre-war adulthood, towards the soldiers he led and with whom he served. Yet Owen saw only five poems published in his lifetime; his posthumous reputation was shaped by other poets including Siegfried Sassoon, Edith Sitwell, Edmund Blunden, Cecil Day-Lewis, and Jon Stallworthy.This chapter therefore also explores the cultivation of Owen’s mythic status and his poems’ place in national memory.