This chapter considers the network of poets orientated around the Georgian Poetry publications that appeared in a series from 1912 to 1922, edited by the influential literary and artistic champion Edward Marsh. It discusses the innovations advanced by contributing writers even as they consciously adhered to a lyric inheritance that stressed continuity over rupture. With some exceptions, it argues that these poets relied on a pastoral palate to articulate complex emotional and sensical realities while they contended – implicitly and, more rarely, explicitly – with the jarring physical and psychological assaults of the First World War. Finally, it addresses the ways in which the editors and established contributors used the publication as a platform to promote emerging and important literary voices, including the likes of Wilfred Owen and Isaac Rosenberg.