Book contents
- Frontmatter
- Contents
- Acknowledgements
- Introduction A history of the Irish novel, 1665–2010
- Interchapter 1 Virtue Rewarded; or, the Irish Princess
- Chapter 1 Beginnings and endings
- Interchapter 2 Beyond history
- Chapter 2 Speak not my name; or, the wings of Minerva
- Interchapter 3 Edith Somerville and Martin Ross's The Real Charlotte
- Chapter 3 Living in a time of epic
- Interchapter 4 James Joyce's Ulysses
- Chapter 4 Irish independence and the bureaucratic imagination, 1922–39
- Interchapter 5 Elizabeth Bowen's The Last September and the art of betrayal
- Chapter 5 Enervated island – isolated Ireland? 1940–60
- Interchapter 6 John Banville's Doctor Copernicus: a revolution in the head
- Chapter 6 The struggle of making it new, 1960–79
- Interchapter 7 Seamus Deane's Reading in the Dark and the rebel act of interpretation
- Chapter 7 Brave new worlds
- Interchapter 8 John McGahern's That They May Face the Rising Sun
- Conclusion The future of the Irish novel in the global literary marketplace
- Notes
- Bibliography
- Index
Chapter 5 - Enervated island – isolated Ireland? 1940–60
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- Acknowledgements
- Introduction A history of the Irish novel, 1665–2010
- Interchapter 1 Virtue Rewarded; or, the Irish Princess
- Chapter 1 Beginnings and endings
- Interchapter 2 Beyond history
- Chapter 2 Speak not my name; or, the wings of Minerva
- Interchapter 3 Edith Somerville and Martin Ross's The Real Charlotte
- Chapter 3 Living in a time of epic
- Interchapter 4 James Joyce's Ulysses
- Chapter 4 Irish independence and the bureaucratic imagination, 1922–39
- Interchapter 5 Elizabeth Bowen's The Last September and the art of betrayal
- Chapter 5 Enervated island – isolated Ireland? 1940–60
- Interchapter 6 John Banville's Doctor Copernicus: a revolution in the head
- Chapter 6 The struggle of making it new, 1960–79
- Interchapter 7 Seamus Deane's Reading in the Dark and the rebel act of interpretation
- Chapter 7 Brave new worlds
- Interchapter 8 John McGahern's That They May Face the Rising Sun
- Conclusion The future of the Irish novel in the global literary marketplace
- Notes
- Bibliography
- Index
Summary
Ireland? Things may not be what they were in that unfortunate country.
(Elizabeth Bowen, The Heat of the Day)The drive for political and social solidity that coloured all aspects of Irish life in the post-revolutionary aftermath had become more of a reality from the late 1930s onwards. In other words, a certain stability in the civic workings of the independent state had come to pass. The implementation of the 1937 constitution reflects the success of bedding down the fledgling state constitutionally, giving textual legitimacy to the notion of an independent Ireland. Ironically, what reinforces Ireland's relatively sedate status is the advent of the Second World War. The official reaction to global war – Ireland's decision to remain neutral – became the outward public sign of what had been an almost private individual introspection. Ireland's neutral stance, for some, is the most tangible indicator of Ireland's cultural and intellectual isolation and backwardness at this time. Calling this period the ‘Emergency’ indicates how even the use of language conspires to distance Ireland from the actuality of the devastation of war, bestowing an air of unreality to Irish life. However, much recent scholarship has begun to reassess this hackneyed view of Ireland as politically and culturally isolated, demonstrating clearly that the consequences of this first tangible assertion of an autonomous foreign policy were far from straightforwardly negative.
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- Information
- A History of the Irish Novel , pp. 189 - 217Publisher: Cambridge University PressPrint publication year: 2011