Book contents
- A History of Mexican Poetry
- A History of Mexican Poetry
- Copyright page
- Contents
- Figures
- Contributors
- Introduction
- Chapter 1 The Practice of Epic and Lyric Writing in Colonial Mexico
- Chapter 2 La lírica del Fénix: Sor Juana’s Poetic Legacy
- Chapter 3 The Sound of the Word: Music and Social Transgression in Lyric Poetry from the Colonia Onward
- Chapter 4 We, the Romantics
- Chapter 5 Sentimental Sociabilities: The Young Romantics and Their Long-Lived Widows
- Chapter 6 Modernismo’s Strategic Occidentalism: Notes on Manuel Gutiérrez Nájera, Amado Nervo, and José Juan Tablada
- Chapter 7 The Crepusculars: Criollo Modernism and the Invention of the Literary Province
- Chapter 8 Poesía en voz alta: A Trajectory of Poetry and Performance in México
- Chapter 9 The Great Synthesis of the Critical Poets: The Rise of Octavio Paz
- Chapter 10 Octavio Paz and the Institutions of Poetry
- Chapter 11 The Form That Contains Multitudes: The Mexican Long Poem (1924–2020)
- Chapter 12 Radical Freedoms: Neobaroque, Postpoetry
- Chapter 13 The Age of Anthology
- Chapter 14 Twentieth-Century Mexican Poetry: The Popular and the Political
- Chapter 15 Poetry in Indigenous Languages: From the Sixteenth to the Twenty-First Centuries
- Chapter 16 Chicanx Poetry: The Living Lyric
- Chapter 17 Racimos: Dissonances in Mexican Poetry of Today
- Index
- References
Chapter 2 - La lírica del Fénix: Sor Juana’s Poetic Legacy
Published online by Cambridge University Press: 21 March 2024
Book contents
- A History of Mexican Poetry
- A History of Mexican Poetry
- Copyright page
- Contents
- Figures
- Contributors
- Introduction
- Chapter 1 The Practice of Epic and Lyric Writing in Colonial Mexico
- Chapter 2 La lírica del Fénix: Sor Juana’s Poetic Legacy
- Chapter 3 The Sound of the Word: Music and Social Transgression in Lyric Poetry from the Colonia Onward
- Chapter 4 We, the Romantics
- Chapter 5 Sentimental Sociabilities: The Young Romantics and Their Long-Lived Widows
- Chapter 6 Modernismo’s Strategic Occidentalism: Notes on Manuel Gutiérrez Nájera, Amado Nervo, and José Juan Tablada
- Chapter 7 The Crepusculars: Criollo Modernism and the Invention of the Literary Province
- Chapter 8 Poesía en voz alta: A Trajectory of Poetry and Performance in México
- Chapter 9 The Great Synthesis of the Critical Poets: The Rise of Octavio Paz
- Chapter 10 Octavio Paz and the Institutions of Poetry
- Chapter 11 The Form That Contains Multitudes: The Mexican Long Poem (1924–2020)
- Chapter 12 Radical Freedoms: Neobaroque, Postpoetry
- Chapter 13 The Age of Anthology
- Chapter 14 Twentieth-Century Mexican Poetry: The Popular and the Political
- Chapter 15 Poetry in Indigenous Languages: From the Sixteenth to the Twenty-First Centuries
- Chapter 16 Chicanx Poetry: The Living Lyric
- Chapter 17 Racimos: Dissonances in Mexican Poetry of Today
- Index
- References
Summary
The literary oeuvre of the seventeenth-century literary genius Sor Juana Inés de la Cruz is genre-diverse: it includes plays, texts defending women’s intellectual agency, correspondence, religious-themed works, and, last but not least, poetry. Sor Juana’s texts are touchpoints for nearly all facets of colonial literary studies; her lyric works are invoked in critical conversations treating transatlantic studies, Barroco de Indias, New Spanish creolism, and feminist studies. Sor Juana’s lyric works evince not only her intellectual prowess, but also her artistic mastery of a variety of poetic forms, unequalled in her day or after her lifetime. This chapter examines the range of Sor Juana’s lyric writing in its totality, from her masterpiece, Primero sueño, to her renowned romances, redondillas, sonetos, and villancicos, contextualizing these in the scholarly and historical contexts out of which they arise.
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- Information
- A History of Mexican Poetry , pp. 36 - 54Publisher: Cambridge University PressPrint publication year: 2024
References
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