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Introduction

Published online by Cambridge University Press:  28 January 2010

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Summary

THE ORIGINS OF THE FAREWELL SYMPHONY

Every music-lover knows the story of Haydn's “Farewell” Symphony. Each year, the Esterhazy court spent the warm season at Prince Nicolaus's new and splendid, but remote, summer castle “Eszterhaza.” With the exception of Haydn and a few other privileged individuals, the musicians were required to leave their families behind in Eisenstadt. (This much is independently documented.) Haydn's biographer Griesinger continues:

One year, against his usual custom, the prince determined to extend his stay in Eszterhaza for several weeks. The ardent married men, thrown into utter consternation, turned to Haydn and asked him to help. Haydn hit upon the idea of writing a symphony in which, one after the other, the instruments fall silent. At the first opportunity, this symphony was performed in the prince's presence. Each of the musicians was instructed that, as soon as his part had come to an end, he should extinguish his light, pack up his music, and leave with his instrument under his arm. The prince and the audience at once understood the point of this pantomime; the next day came the order for the departure from Eszterhaza. Thus Haydn related the occasion for the Farewell Symphony to me; the other version, that Haydn thereby dissuaded his prince from his intention to dissolve the entire Kapelle, … is to be sure more poetic, but not historically correct.

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Haydn's 'Farewell' Symphony and the Idea of Classical Style
Through-Composition and Cyclic Integration in his Instrumental Music
, pp. 1 - 10
Publisher: Cambridge University Press
Print publication year: 1991

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  • Introduction
  • James Webster
  • Book: Haydn's 'Farewell' Symphony and the Idea of Classical Style
  • Online publication: 28 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511552434.004
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  • Introduction
  • James Webster
  • Book: Haydn's 'Farewell' Symphony and the Idea of Classical Style
  • Online publication: 28 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511552434.004
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • James Webster
  • Book: Haydn's 'Farewell' Symphony and the Idea of Classical Style
  • Online publication: 28 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511552434.004
Available formats
×