Book contents
- Frontmatter
- Contents
- Editorial Note
- Acknowledgments
- Biographical and Cultural Introduction
- 1 Stylistic Introduction: Living beyond Consciousness
- 2 Fictitious Selves: Bleak Moments
- 3 Personal Freezing and Stylistic Melting: Hard Labour
- 4 Existence without Essences: The Kiss of Death
- 5 Defeating Systems of Knowing: Nuts in May
- 6 Losing Track of Who You Are: Abigail's Party
- 7 We Are the Hollow Men: Who's Who
- 8 Inhabiting Otherness: Grown-Ups
- 9 Manufactured Emotions: Home Sweet Home
- 10 Challenging Easy Understandings: Meantime
- 11 Holding Experience Loosely: High Hopes
- 12 Circulation Is the Law of Life: Life Is Sweet
- 13 Desperate Lives: Naked
- Epilogue: The Feel of Life
- Notes
- Filmography
- Bibliography
- Index
6 - Losing Track of Who You Are: Abigail's Party
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- Editorial Note
- Acknowledgments
- Biographical and Cultural Introduction
- 1 Stylistic Introduction: Living beyond Consciousness
- 2 Fictitious Selves: Bleak Moments
- 3 Personal Freezing and Stylistic Melting: Hard Labour
- 4 Existence without Essences: The Kiss of Death
- 5 Defeating Systems of Knowing: Nuts in May
- 6 Losing Track of Who You Are: Abigail's Party
- 7 We Are the Hollow Men: Who's Who
- 8 Inhabiting Otherness: Grown-Ups
- 9 Manufactured Emotions: Home Sweet Home
- 10 Challenging Easy Understandings: Meantime
- 11 Holding Experience Loosely: High Hopes
- 12 Circulation Is the Law of Life: Life Is Sweet
- 13 Desperate Lives: Naked
- Epilogue: The Feel of Life
- Notes
- Filmography
- Bibliography
- Index
Summary
Many people are frustrated. … the greatest frustration comes from being unable to be yourself, from being forced to play the roles that society imposes on us.
–Mike LeighThere have been two basic responses to Abigail's Party. The negative one is epitomized in Dennis Potter's comments in his London Sunday Times review of the original television broadcast. Potter argued that Leigh
diminished the characters … to a brilliant puppetry of surface observation. The thin wires of prejudice and superficial mimicry can nearly always be seen, tangled up with the words. What one gets is a portrait – and a very revealing one – of the social assumptions and insecurities of that peculiar group of people who earn their bread by acting. This play was based on nothing more edifying than rancid disdain, for it was a prolonged jeer, twitching with genuine hatred, about the dreadful suburban tastes of the dreadful lower middle classes. … A long tradition asserts that it is enjoyable to get on the other side of the dingdong doorbell in a new suburban villa and trample mud into the wall-to-wall carpets. Abigail's Party was horribly funny at times, stunningly acted and perfectly designed, but it sank under its own immense condescension. The force of the yelping derision became a single note of contempt, amplified into a relentless screech. […]
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- Information
- The Films of Mike Leigh , pp. 96 - 115Publisher: Cambridge University PressPrint publication year: 2000