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7 - Scenes from a Traumatic Event:

Documenting Occupy Central (with Observations on Cinema and the Anti-extradition Bill Protests)

Published online by Cambridge University Press:  05 February 2021

Marco Wan
Affiliation:
The University of Hong Kong
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Summary

Chapter 7 draws on the work of trauma theorists such as Cathy Caruth to argue that Occupy Central can be understood as a form of cultural trauma in Hong Kong. Focusing on independent documentaries about the movement, including Chan Tze Woon’s Yellowing (2016; 亂世備忘); Evan Chan’s Raise the Umbrellas (2016; 撐傘), Nora Lam’s Road Not Taken (2016; 未竟之路), and James Leong’s Umbrella Diaries: The First Umbrellas (2018; 傘上:遍地開花), I examine how different filmmakers try to capture in their work an event with which the city is still, to a great extent, coming to terms. I will also show the continuities between Occupy and the anti-extradition bill protests, and discuss the role of cinema in the more recent episodes of unrest.

Type
Chapter
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Film and Constitutional Controversy
Visualizing Hong Kong Identity in the Age of 'One Country, Two Systems'
, pp. 135 - 154
Publisher: Cambridge University Press
Print publication year: 2021

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  • Scenes from a Traumatic Event:
  • Marco Wan, The University of Hong Kong
  • Book: Film and Constitutional Controversy
  • Online publication: 05 February 2021
  • Chapter DOI: https://doi.org/10.1017/9781108863025.008
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  • Scenes from a Traumatic Event:
  • Marco Wan, The University of Hong Kong
  • Book: Film and Constitutional Controversy
  • Online publication: 05 February 2021
  • Chapter DOI: https://doi.org/10.1017/9781108863025.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Scenes from a Traumatic Event:
  • Marco Wan, The University of Hong Kong
  • Book: Film and Constitutional Controversy
  • Online publication: 05 February 2021
  • Chapter DOI: https://doi.org/10.1017/9781108863025.008
Available formats
×