Book contents
- Frontmatter
- Contents
- Essays
- The Current State of Research on Late-Medieval Drama: 1998–2000. Survey, Bibliography, and Reviews
- History or Fiction? The Role of Doubt in Antoine de La Sale's Le Paradis de la royne Sibille
- Drawing Conclusions: The Poetics of Closure in Alain Chartier's Verse
- Widows: Their Social and Moral Functions According to Medieval German Literature, with Special Emphasis on Erhart Gross's Witwenbuch (1446)
- Robert Henryson's Pastoral Burlesque Robene and Makyne (c. 1470)
- Late-Medieval Merchants: History, Education, Mentality, and Cultural Significance
- Grandeur et modernité de Philippe de Commynes (1447–1511)
- Who Witnessed and Narrated the 'Banquet of the Pheasant' (1454)? A Codicological Examination of the Account's Five Versions
- Medications Recommended in Incunabula
- English Knights, French Books, and Malory's Narrator
- Quatre figures féminines apocryphes dans certains Mystères de la Passion en France
- Die Bibel in der spätmittelalterlichen religiösen Gebrauchsliteratur
- Conter et juger dans les Arrêts d'Amour de Martial d'Auvergne (c.1460)
- L'Argent: cette nouvelle merveille des merveilles dans la version en prose de la Chanson d'Esclarmonde (1454)
- Magic and Superstition in a Fifteenth-Century Student Notebook
Magic and Superstition in a Fifteenth-Century Student Notebook
from Essays
Published online by Cambridge University Press: 12 September 2012
- Frontmatter
- Contents
- Essays
- The Current State of Research on Late-Medieval Drama: 1998–2000. Survey, Bibliography, and Reviews
- History or Fiction? The Role of Doubt in Antoine de La Sale's Le Paradis de la royne Sibille
- Drawing Conclusions: The Poetics of Closure in Alain Chartier's Verse
- Widows: Their Social and Moral Functions According to Medieval German Literature, with Special Emphasis on Erhart Gross's Witwenbuch (1446)
- Robert Henryson's Pastoral Burlesque Robene and Makyne (c. 1470)
- Late-Medieval Merchants: History, Education, Mentality, and Cultural Significance
- Grandeur et modernité de Philippe de Commynes (1447–1511)
- Who Witnessed and Narrated the 'Banquet of the Pheasant' (1454)? A Codicological Examination of the Account's Five Versions
- Medications Recommended in Incunabula
- English Knights, French Books, and Malory's Narrator
- Quatre figures féminines apocryphes dans certains Mystères de la Passion en France
- Die Bibel in der spätmittelalterlichen religiösen Gebrauchsliteratur
- Conter et juger dans les Arrêts d'Amour de Martial d'Auvergne (c.1460)
- L'Argent: cette nouvelle merveille des merveilles dans la version en prose de la Chanson d'Esclarmonde (1454)
- Magic and Superstition in a Fifteenth-Century Student Notebook
Summary
Despite longstanding ecclesiastical prohibition of the practice of magic and the growing censure it provoked at universities, fifteenth-c. German scribes produced and copied a wide variety of texts containing descriptions of rituals, incantations, and other magical practices. Some of these texts give directions on the summoning of demons; several instruct readers in the fashioning of talismans to seek the aid of astral powers, and others offer methods for seeing into the future. The best-known summary description of magical practices and superstitions in late-medieval Germany was penned by Johann Hartlieb, a physician at the Bavarian court in mid-fifteenth-c. Munich and a self-styled authority on and critic of the magical practices of his day. His Buch aller verbotenen Künste (Book of All Forbidden Arts) catalogues the varieties of magic, divination, and superstition practiced at the time and alerts good Christians, especially his patron, about the tricks of the devil. The widespread nature of the superstitions and divinatory practices Hartlieb describes in his work is also confirmed by their presence in numerous Latin and vernacular manuscripts of the period.
One reason for the proliferation of such texts in the fifteenth century was the spread of literacy and the increased availability and affordability of paper. The study and practice of magic were therefore not confined only to highly educated professionals such as Johannes Hartlieb. Richard Kieckhefer has linked the increased awareness of magic to the rise of education in general:
If the late Middle Ages saw a flowering of popular education generally, they were also a golden age for magic. Now one no longer needed to be a specialist. Anyone could learn the magical arts, and many people evidently did so.
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- Fifteenth-Century Studies , pp. 224 - 241Publisher: Boydell & BrewerPrint publication year: 2003