Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction: Being There
- Part 1 Authors: Unconcealment and Withdrawal
- 1 Introducing the Authors
- 2 Eliza Haywood: Authoring Adultery
- 3 Henry Fielding: Ghost Writing
- 4 Charlotte Lennox: (In)dependent Authorship
- 5 Oliver Goldsmith: Keeping Up Authorial Appearances
- 6 From Author to Character
- Part 2 Characters: Occupying Space
- 7 Introducing Characters
- 8 Outdoing Character: Lady Townly
- 9 The Sway of Character: Pamela
- 10 The Expanse of Character: Ranger
- 11 The Play of Character: Tristram
- 12 From Character to Consumer
- Part 3 Consumers: What is Seen
- 13 Introducing Consumers
- 14 The Mimic
- 15 The Critic
- Conclusion
- Bibliography
- Index
Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction: Being There
- Part 1 Authors: Unconcealment and Withdrawal
- 1 Introducing the Authors
- 2 Eliza Haywood: Authoring Adultery
- 3 Henry Fielding: Ghost Writing
- 4 Charlotte Lennox: (In)dependent Authorship
- 5 Oliver Goldsmith: Keeping Up Authorial Appearances
- 6 From Author to Character
- Part 2 Characters: Occupying Space
- 7 Introducing Characters
- 8 Outdoing Character: Lady Townly
- 9 The Sway of Character: Pamela
- 10 The Expanse of Character: Ranger
- 11 The Play of Character: Tristram
- 12 From Character to Consumer
- Part 3 Consumers: What is Seen
- 13 Introducing Consumers
- 14 The Mimic
- 15 The Critic
- Conclusion
- Bibliography
- Index
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- Fictions of PresenceTheatre and Novel in Eighteenth-Century Britain, pp. 283 - 304Publisher: Boydell & BrewerPrint publication year: 2020