Book contents
- Frontmatter
- Contents
- List of Illustrations
- FUNDAÇÃ LUSO-AMERICANA The publication of this book was supported by the Luso-American Foundation
- Acknowledgements
- List of Contributors
- Foreword
- Introduction
- Chronology of Pessoa's Life and Work
- Part I Influences
- Part II Dialogues
- 9 Inverted Aesthetics: Pessoa, Campos and António Botto's Canções
- 10 Pessoa, Shakespeare's Sonnets, and the Problem of Gaspar Simões
- 11 The Alchemical Path: Esoteric Influence in the Works of Fernando Pessoa and W.B. Yeats
- 12 An Implausible Encounter and a Theatrical Suicide – its Prologue and Aftermath: Fernando Passoa and Aleister Crowley
- 13 Bernardo Soares, Pig of Destiny!
- 14 The Birth of Literature
- 15 The Ecology of Writing: Maria José's Fernando Pessoa
- Part III Responses
- Selected Bibliography
- Index
10 - Pessoa, Shakespeare's Sonnets, and the Problem of Gaspar Simões
from Part II - Dialogues
Published online by Cambridge University Press: 05 September 2013
- Frontmatter
- Contents
- List of Illustrations
- FUNDAÇÃ LUSO-AMERICANA The publication of this book was supported by the Luso-American Foundation
- Acknowledgements
- List of Contributors
- Foreword
- Introduction
- Chronology of Pessoa's Life and Work
- Part I Influences
- Part II Dialogues
- 9 Inverted Aesthetics: Pessoa, Campos and António Botto's Canções
- 10 Pessoa, Shakespeare's Sonnets, and the Problem of Gaspar Simões
- 11 The Alchemical Path: Esoteric Influence in the Works of Fernando Pessoa and W.B. Yeats
- 12 An Implausible Encounter and a Theatrical Suicide – its Prologue and Aftermath: Fernando Passoa and Aleister Crowley
- 13 Bernardo Soares, Pig of Destiny!
- 14 The Birth of Literature
- 15 The Ecology of Writing: Maria José's Fernando Pessoa
- Part III Responses
- Selected Bibliography
- Index
Summary
Pessoa was fascinated by the sexuality of the writers he admired, notwithstanding his continual disclaimers to the contrary. One of the representative books he owned on the topic was Walt Whitman's Anomaly (1913), with a note on the cover stating that ‘The sale of this book is restricted to Members of the Legal and Medical professions.’ Whitman's ‘anomaly’, according to this book, is homosexuality.
Pessoa believed that William Shakespeare's ‘abnormal inclinations’, as he put it in an unpublished list titled ‘Psychology of the author of Shakespeare's works’, were the same as Whitman's. He says as much in ‘Erostratus’ when he declares that both Shakespeare and Whitman were ‘paederasts, by the bye.’ In an unpublished piece on Shakespeare, he goes as far as to refer to him as the ‘Chefe dos pederastas’ [Master of pederasts]. In another, he lists Shakespeare's ‘sexual inversion’ among the dramatist's three ‘characteristic peculiarities’ (the other two being his ‘total mental indiscipline’ and his ‘duality of temperament’).
A more significant reference to Shakespeare's sexuality appears in a draft letter to William Smedley, ostensibly on the Shakespearean authorship problem:
Incidentally I may state that – in disagreement with the idealizing tendency shown by you in your attitude towards the Sonnets – I will prove that Bacon and Shakespeare were fatally sexual inverts.
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- Chapter
- Information
- Fernando Pessoa's Modernity without FrontiersInfluences, Dialogues, Responses, pp. 143 - 156Publisher: Boydell & BrewerPrint publication year: 2013