Book contents
- Frontmatter
- Contents
- Preface
- Part One Eighteenth Century
- 1 A Letter about the C-Major Fugue from The Well-Tempered Clavier, Book 1
- 2 The Opening Tonal Complex of Bach's St. Matthew Passion: A Linear View
- 3 Recurrence and Fantasy in C. P. E. Bach's Rondo in G Major
- 4 Voice-Leading Procedures in Galant Expositions
- 5 The First Movements of Anton Eberl's Symphonies in E-flat Major and D Minor, and Beethoven's Eroica: Toward “New” Sonata Forms?
- Part Two Early Nineteenth Century
- Part Three Late Nineteenth Century
- Appendix: An Interview with Edward Laufer
- List of Contributors
- Index
1 - A Letter about the C-Major Fugue from The Well-Tempered Clavier, Book 1
from Part One - Eighteenth Century
Published online by Cambridge University Press: 28 June 2018
Book contents
- Frontmatter
- Contents
- Preface
- Part One Eighteenth Century
- 1 A Letter about the C-Major Fugue from The Well-Tempered Clavier, Book 1
- 2 The Opening Tonal Complex of Bach's St. Matthew Passion: A Linear View
- 3 Recurrence and Fantasy in C. P. E. Bach's Rondo in G Major
- 4 Voice-Leading Procedures in Galant Expositions
- 5 The First Movements of Anton Eberl's Symphonies in E-flat Major and D Minor, and Beethoven's Eroica: Toward “New” Sonata Forms?
- Part Two Early Nineteenth Century
- Part Three Late Nineteenth Century
- Appendix: An Interview with Edward Laufer
- List of Contributors
- Index
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- Explorations in Schenkerian Analysis , pp. 3 - 11Publisher: Boydell & BrewerPrint publication year: 2016