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2 - The Elements of an Aesthetic

from Part I - Context

Published online by Cambridge University Press:  06 January 2022

John Link
John Link
Affiliation:
William Paterson University, New Jersey
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Summary

A study of Elliott Carter’s aesthetics including the divided ensemble, his use of conceits, his engagement with eighteenth- and nineteenth-century music, and the influences of Alfred North Whitehead, Nadia Boulanger, Sergei Eisenstein, Marcel Proust, and modernist lyric poetry.

Keywords

Alfred North WhiteheadSergei Eisensteinmontage techniquedivided ensembledialecticconceits
Type
Chapter
Information
Elliott Carter's Late Music , pp. 20 - 32
Publisher: Cambridge University Press
Print publication year: 2022

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