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1 - Introduction: revisiting the Victorian and Edwardian celebration of death

Published online by Cambridge University Press:  05 July 2009

Julie-Marie Strange
Affiliation:
University of Manchester
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Summary

There's a grim one-horse hearse in a jolly round trot;

To the churchyard a pauper is going, I wot:

The road is rough, and the hearse has no springs,

And hark to the dirge that the sad driver sings:–

Rattle his bones over the stones;

He's only a pauper, whom nobody owns…

Poor pauper defunct! he has made some approach

To gentility, now that he's stretched in a coach;

He's taking a drive in his carriage at last,

But it will not be long if he goes on so fast!

Rattle his bones over the stones;

He's only a pauper, whom nobody owns…

But a truce to this strain! for my soul it is sad

To think that a heart in humanity clad

Should make, like the brutes, such a desolate end,

And depart from the light without leaving a friend.

Bear softly his bones over the stones,

Though a pauper, he's one whom his Maker yet owns.

(Thomas Noel, c. 1839)

At length the day of the funeral, pious and truthful ceremony that it was, arrived… two mutes were at the house-door, looking as mournful as could be expected of men with such a thriving job in hand; the whole of Mr Mould's establishment were on duty within the house or without; feathers waved, horses snorted, silk and velvets fluttered; in a word, as Mr Mould emphatically said, ‘everything that money could do was done’.

(Charles Dickens, Martin Chuzzlewit, 1844)
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Publisher: Cambridge University Press
Print publication year: 2005

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