Book contents
- Front Matter
- Contents
- Preface
- Note on transliterations
- Opening statement
- 1 A brief historical perspective
- 2 Intervals and scales in contemporary Persian music
- 3 Musical concepts and terminology
- 4 Dastgāh-e Šur
- 5 Dastgāh-e Abuatā
- 6 Dastgāh-e Dašti
- 7 Dastgāh-e Bayāt-e Tork
- 8 Dastgāh-e Afšāri
- 9 Dastgāh-e Segāh
- 10 Dastgāh–e Čahārgāh
- 11 Dastgāh–e Homāyun
- 12 Dastgāh–e Bayāt–e Esfahān
- 13 Dastgāh–e Navā
- 14 Dastgāh-e Māhur
- 15 Dastgāh-e Rāst (Rāst-Panjgāh)
- 16 Vagrant gušes
- 17 Compositional forms
- Closing statement
- Appendix
- Notes
- Bibliography
- Index
- Front Matter
- Contents
- Preface
- Note on transliterations
- Opening statement
- 1 A brief historical perspective
- 2 Intervals and scales in contemporary Persian music
- 3 Musical concepts and terminology
- 4 Dastgāh-e Šur
- 5 Dastgāh-e Abuatā
- 6 Dastgāh-e Dašti
- 7 Dastgāh-e Bayāt-e Tork
- 8 Dastgāh-e Afšāri
- 9 Dastgāh-e Segāh
- 10 Dastgāh–e Čahārgāh
- 11 Dastgāh–e Homāyun
- 12 Dastgāh–e Bayāt–e Esfahān
- 13 Dastgāh–e Navā
- 14 Dastgāh-e Māhur
- 15 Dastgāh-e Rāst (Rāst-Panjgāh)
- 16 Vagrant gušes
- 17 Compositional forms
- Closing statement
- Appendix
- Notes
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- The Dastgah Concept in Persian Music , pp. 122 - 192Publisher: Cambridge University PressPrint publication year: 1990