Here Dante, not yet dead, is in Paradise. His participation premortem in the knowledge and love of Heaven, and so in its community, is experienced as the “mystical,” which, earthbound, points to the reality that transcends the earth. And if Paradiso is by way of its narrative the articulation of Dante’s mystical theology it is so in a style that seems to owe much to that of St. Bonaventure, a distinctive feature of which is that he brings together all the steps on the way to a mystical union from the lowest “purgative” disciplines of the senses and through the reform of intellect, memory, and will, into the final vision of God. This theological epistemology allows Dante to conceive of Paradise as holding together the two dimensions of Heaven as at once an eternal journey of learning, an ultimate paideia, and a vision finally achieved.