Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-29T13:19:02.871Z Has data issue: false hasContentIssue false

4 - Cycles of Exchange and Production

Published online by Cambridge University Press:  05 May 2015

Toby F. Martin
Affiliation:
British Academy Postdoctoral Fellow at the Institute of Archaeology, Oxford University.
Get access

Summary

An holistic understanding of cruciform brooch production must go beyond a technical explanation of casting processes and raw materials. From an interpretative perspective, production involves a number of physical, mental and social processes. Craft production is also, inevitably, part of wider exchange relationships. Here, I will accentuate the cyclical nature of both production and exchange in order to emphasise their reiterative, perpetual and socially reproductive functions. The idea of repetitive action is also necessary to understand how cruciform brooches operated as material symbols, how they came to stand for something other than themselves and how they consequently became valuable items. Just as exchange describes relationships between people facilitated by objects, the production of a type series describes relationships between objects drawn by people. Hence new and stylistically advanced members of an object class must to some extent replicate older, pre-existing forms to remain intelligible and authentic. The dynamic nature of these relationships, both between people and between objects, illustrates how the meaning of cruciform brooches was not a fixed, inherent value, but an adaptable network of relationships drawn between members of the social and material worlds. My investigation of the social meanings of cruciform brooches begins here with an exploration of these cyclical, reiterative processes, primarily because they get at the underlying foundation of what a cruciform brooch actually was in early Anglo-Saxon society, while Chapters 5 and 6 will explore what cruciform brooches did in both practical and social terms. Perhaps counter-intuitively, I am going to start by discussing exchange before moving on to production, as it sets the social context for the rest of the discussion. The principal question I set out to answer in this chapter is concerned with how cruciform brooches, inflated to the extent that they were no longer especially practical, became valuable and meaningful objects both in terms of individual items and as a type series taken as a whole.

Type
Chapter
Information
Publisher: Boydell & Brewer
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×