Book contents
- Frontmatter
- Contents
- List of Illustrations
- General Editor’s Preface
- Acknowledgements
- Chronology
- List of Abbreviations
- Introduction
- Crotchet Castle
- Appendix A Peacock’s Preface of 1837
- Appendix B Holograph Fragment of Chapter 4 (c. 1830)
- Appendix C Holograph Fragment of Chapter 5 (c. 1830)
- Appendix D Holograph Manuscript of ‘Touchandgo’ (Watermark 1827)
- Appendix E Holograph Manuscript of ‘Touchandgo’ (Watermark 1828)
- Appendix F Holograph Fragment of Chapter 16 (c. 1830)
- Appendix G ‘The Fate of a Broom: An Anticipation’ (1831, 1837)
- Note on the Text
- Emendations and Variants
- Ambiguous Line-End Hyphenations
- Explanatory Notes
- Select Bibliography
Chapter VIII - Science and Charity
Published online by Cambridge University Press: 30 June 2022
- Frontmatter
- Contents
- List of Illustrations
- General Editor’s Preface
- Acknowledgements
- Chronology
- List of Abbreviations
- Introduction
- Crotchet Castle
- Appendix A Peacock’s Preface of 1837
- Appendix B Holograph Fragment of Chapter 4 (c. 1830)
- Appendix C Holograph Fragment of Chapter 5 (c. 1830)
- Appendix D Holograph Manuscript of ‘Touchandgo’ (Watermark 1827)
- Appendix E Holograph Manuscript of ‘Touchandgo’ (Watermark 1828)
- Appendix F Holograph Fragment of Chapter 16 (c. 1830)
- Appendix G ‘The Fate of a Broom: An Anticipation’ (1831, 1837)
- Note on the Text
- Emendations and Variants
- Ambiguous Line-End Hyphenations
- Explanatory Notes
- Select Bibliography
Summary
Chi sta nel mondo un par d’ore contento,
Nè gli vien tolta, ovver contaminata,
Quella sua pace in veruno momento,
Può dir che Giove drittamente il guata.
FORTEGUERRI.THE Reverend Doctor Folliott took his departure about ten o’clock, to walk home to his vicarage. There was no moon, but the nightwas bright and clear, and afforded himas much light as he needed. He paused a moment by the Roman camp, to listen to the nightingale; repeated to himself a passage of Sophocles; proceeded through the park gate, and entered the narrow lane that led to the village. He walked on in a very pleasant mood of the state called reverie; in which fish and wine, Greek and political economy, the Sleeping Venus he had left behind, and poor dear Mrs. Folliott, to whose fond arms he was returning, passed as in a camera obscura, over the tablets of his imagination. Presently the image of Mr. Eavesdrop, with a printed sketch of the Reverend Doctor F., presented itself before him, and he began mechanically to flourish his bamboo. The movement was prompted by his good genius, for the uplifted bamboo received the blow of a ponderous cudgel, which was intended for his head. The reverend gentleman recoiled two or three paces, and saw before him a couple of ruffians, who were preparing to renew the attack, but whom, with two swings of his bamboo, he laid with cracked sconces on the earth, where he proceeded to deal with them like corn beneath the flail of the thresher. One of them drew a pistol, which went off in the very act of being struck aside by the bamboo, and lodged a bullet in the brain of the other. There was then only one enemy, who vainly struggled to rise, every effort being attended with a new and more signal prostration. The fellow roared for mercy. “Mercy, rascal!” cried the divine; “what mercy were you going to shew me, villain? What! I warrant me, you thought it would be an easy matter, and no sin, to rob and murder a parson on his way home from dinner. You said to yourself, doubtless, “We’ll waylay the fat parson, (you irreverent knave,) as he waddles home, (you disparaging ruffian,) half-seas-over, (you calumnious vagabond.)” And with every dyslogistic term, which he supposed had been applied to himself, he inflicted a new bruise on his rolling and roaring antagonist.
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- Crotchet Castle , pp. 75 - 81Publisher: Cambridge University PressPrint publication year: 2016