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4 - The ‘world's theatre’: the court of Rome and politics in the first half of the seventeenth century

Published online by Cambridge University Press:  09 July 2009

Gianvittorio Signorotto
Affiliation:
Università degli Studi di Urbino, Italy
Maria Antonietta Visceglia
Affiliation:
Università degli Studi di Roma 'La Sapienza', Italy
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Summary

the ‘world's theatre’

No less than the honour and advantage accruing to this Holy See and Catholic Church and to good letters will be the glory afforded Your Highness and the house of Bavaria by the perpetual preservation of such precious spoils and so noble a trophy in this, the world's theatre.

With these words Ludovico Ludovisi, cardinal-nephew of Gregory XV, thanked Duke Maximilian of Bavaria for donating the valuable Palatine Library of Heidelberg to the Vatican (a gesture which in this early phase of the Thirty Years’ War was certainly not made without an eye to political advantage). And Rome in this period certainly deserved the title of the ‘world's theatre’, especially in the years between the tenures of Gregory VIII and Sixtus V, a period culminating in the variously magnificent papacy of Clement VIII, following as it did the abjuration of Henry IV and the end of the Religious Wars in France and coinciding with the renewed importance of the militant Counter-Reformation church, alongside France and Spain, on the international scene. Rome was a ‘theatre’ above all in the ‘political’ sense, a place in which tensions and conflicts rife in Europe came to head, but where it was also possible to mediate and form alliances. It was a theatre in which individual bravura in dealing with the succession of events and ‘turns’ of fortune was indispensable and where the actors’ ability to hold the stage was of vital importance.

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Publisher: Cambridge University Press
Print publication year: 2002

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