Book contents
- Frontmatter
- Content
- Acknowledgements
- Politics and Persistence: The Development of Iranian Film
- The Sound of Frogs at Night: Kiarostami’s Philosophy of Cinema
- Sexuality and Cultural Change: The Presentation of Sex and Gender in Pre- and Post-revolutionary Iranian Cinema
- Kiarostami’s Cinematic Poetry in Where is the Friend’s Home? and The Wind will Carry Us
- Which Half is Hidden? The Public or the Private: An Analysis of Milani’s The Hidden Half
- Abbas Kiarostami and the Aesthetics of Ghazal
- Contemporary Liminal Encounters: Moving Beyond Traditional Plots in Majidi’s Bârân
- Virtuous Heroines: A Mythical Reading of Female Protagonists in Contemporary Iranian Television Serials
- Marziyeh Meshkini’s The Day I Became a Woman
- Index
- Backlist Iranian Studies Series
Acknowledgements
Published online by Cambridge University Press: 18 December 2024
Book contents
- Frontmatter
- Content
- Acknowledgements
- Politics and Persistence: The Development of Iranian Film
- The Sound of Frogs at Night: Kiarostami’s Philosophy of Cinema
- Sexuality and Cultural Change: The Presentation of Sex and Gender in Pre- and Post-revolutionary Iranian Cinema
- Kiarostami’s Cinematic Poetry in Where is the Friend’s Home? and The Wind will Carry Us
- Which Half is Hidden? The Public or the Private: An Analysis of Milani’s The Hidden Half
- Abbas Kiarostami and the Aesthetics of Ghazal
- Contemporary Liminal Encounters: Moving Beyond Traditional Plots in Majidi’s Bârân
- Virtuous Heroines: A Mythical Reading of Female Protagonists in Contemporary Iranian Television Serials
- Marziyeh Meshkini’s The Day I Became a Woman
- Index
- Backlist Iranian Studies Series
- Type
- Chapter
- Information
- Conflict and Development in Iranian Film , pp. 7 - 8Publisher: Amsterdam University PressPrint publication year: 2012